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Folklore Tradition Urbanity
Though assorted, the essays in this book display an element of unity. Written, to read in seminars and conferences, and publish in journals and volumes, during past five-six years mostly, these essays traverse a few hither to unchartered areas of Indian folklorography. Tradition has been viewed in the perspective of social dynamics as a ‘transitive series with seals of forms’ in different phases of history, determining the analytical categories we use in the spaces of countering cultures. Orality, a dominant marker of folklore in its conventional, stereotype, assessment and concept, is seen in the problematic of inter-textuality between the oral and the written. Likewise, folklore, treat...
Faint Promise of Rain
Shortlisted for the 2016 William Saroyan International Prize for Writing It is 1554 in the desert of Rajasthan. On a rare night of rain, a daughter is born to a family of Hindu temple dancers just as India’s new Mughal Emperor Akbar sets his sights on their home, the fortress city of Jaisalmer, and the other Princely States around it. Fearing a bleak future, Adhira’s father, the temple’s dance master—against his wife and sons’ protests—puts his faith in tradition and in his last child for each to save the other: he insists that Adhira is destined to “marry” the temple’s deity and to give herself to a wealthy patron. Thus she must live in submission as a woman revered and reviled. But Adhira’s father may not have the last word. Adhira grows into an exquisite dancer, and after one terrible evening she must make a choice—one that will carry her family’s story and their dance to a startling new beginning.
Southbound
A move at age ten from a Detroit suburb to Chattanooga in 1984 thrusts Anjali Enjeti into what feels like a new world replete with Confederate flags, Bible verses, and whiteness. It is here that she learns how to get her bearings as a mixed-race brown girl in the Deep South and begins to understand how identity can inspire, inform, and shape a commitment to activism. Her own evolution is a bumpy one, and along the way Enjeti, racially targeted as a child, must wrestle with her own complicity in white supremacy and bigotry as an adult. The twenty essays of her debut collection, Southbound, tackle white feminism at a national feminist organization, the early years of the AIDS epidemic in the South, voter suppression, gun violence and the gun sense movement, the whitewashing of southern literature, the 1982 racialized killing of Vincent Chin, social media’s role in political accountability, evangelical Christianity’s marriage to extremism, and the rise of nationalism worldwide. In our current era of great political strife, this timely collection by Enjeti, a journalist and organizer, paves the way for a path forward, one where identity drives coalition-building and social change.
I Can Write the World
"Lovely and timely. So glad Joshunda is telling our stories." - Jacqueline Woodson Eight-year-old Ava Murray wants to know why there’s a difference between the warm, friendly Bronx neighborhood filled with music and art in which she lives and the Bronx she sees in news stories on TV and on the Internet. When her mother explains that the power of stories lies in the hands of those who write them, Ava decides to become a journalist. I Can Write the World follows Ava as she explores her vibrant South Bronx neighborhood - buildings whose walls boast gorgeous murals of historical figures as well as intricate, colorful street art, the dozens of different languages and dialects coming from the mouths of passersby, the many types of music coming out of neighbors’ windows and passing cars. In reporting how the music and art and culture of her neighborhood reflect the diversity of the people of New York City, Ava shows the world as she sees it, revealing to children the power of their own voice.
Writers Editors Critics (WEC)
ÿWriters Editors Critics (WEC) An International Biannual Refereed Journal of English Languageÿand Literature Volume 7 Number 1 (March 2017) ISSN: 2231 ? 198X RESEARCH PAPERS The Confessional Voice and Rebellious Cry of Kamala Das as Visualized in her Poetical Works: A Brief Analysis - S. Chelliah The Philosopher-Scientist A. P. J. Abdul Kalam and his World View: A Study - J. Pamela Artificial Intelligence and the Instrumental Marvellous in Isaac Asimov?s Foundation Novels - Lekshmi R. Nair Return to Wholeness: The Landscape of Willa Cather?s O Pioneers! - Vikas Bhardwaj Nation and Identity Defined through Bodies: A Study of Bapsi Sidhwa?s Ice Candy Man - Sonia Soni Ramesh K. Srivastava?s ?...
Secrets From My Indian Family Kitchen
'Inventive, engaging and soulful. There's something in it for everyone. Anjali's adoration of Indian cuisine and proud love for her Indian heritage combined with her cooking, writing and teaching skills, has made this book quite special' - Alfred Prasad Anjali Pathak's first memories are of making chapatis with her grandmother who founded the family business, doing her homework on the kitchen table as her mother presented her with dish upon dish to test and her father's favourite phrase - 'can we get that into a jar?' Now Anjali draws upon her family secrets in a beautiful collection of authentic Indian dishes and modern creations that are perfect for all cooks. Delve into heartfelt stories ...
Always Anjali
Meet Anjali! She's the spunky star of this picture book with a timeless message about appreciating what makes us special and honoring our different identities. Anjali and her friends are excited to buy matching personalized license plates for their bikes--but Anjali can't find a plate with her name. She is often teased about her "different" name, and this is the last straw. Anjali is so upset that she demands her parents let her pick a new name! When they refuse, Anjali decides to take a closer look at who she is--beyond her name--and why being different means being marvelous. Actress and activist Sheetal Sheth has penned a deeply personal picture book about the experience of feeling othered and the journey toward embracing yourself.
The Parted Earth
Spanning more than half a century and cities from New Delhi to Atlanta, Anjali Enjeti's debut is a heartfelt and human portrait of the long shadow of the Partition of India on the lives of three generations of women. The story begins in August 1947. Unrest plagues the streets of New Delhi leading up to the birth of the Muslim majority nation of Pakistan, and the Hindu majority nation of India. Sixteen-year-old Deepa navigates the changing politics of her home, finding solace in messages of intricate origami from her secret boyfriend Amir. Soon Amir flees with his family to Pakistan and a tragedy forces Deepa to leave the subcontinent forever. The story also begins sixty years later and half ...
Monolingualism and Linguistic Exhibitionism in Fiction
How are linguistic wars for global prominence literarily and linguistically inscribed in literature? This book focuses on the increasing presence of cosmetic multilingualism in prize-winning fiction, making a case for an emerging transparent-turn in which momentary multilingualism works in the service of long-term monolingualism.
A Journey In Poems
This is a collection of poems ranging from philosophical thoughts to most ordinary incidents of our daily life. Most of the poems are dominated by a tone of tortured psyche of the poet. Quite a few are simply musings on life; meditative and halcyon. Through the poems he has unfolded his minds that gathered inputs from different persons in different situations. The poems are all kept limited to fourteen lines, eliminating elaborations, for its natural development by the learned readers. Besides nature poems, science topics have also been touched too. The poems deal with matters of everyday life including an acute concern for disease, decay and death. Some of the poems included in the collection are categorized as ‘vers libre’ i.e. ‘blank verse’ and are intended to articulate poet’s ‘open heart’ for a direct conversation with the erudite readers.
