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This book honors the advocacy of Dr. Wangari Maathai, acclaimed environmentalist and the first African woman to receive the Nobel Prize for Peace. Dr. Maathai was a gifted orator who crafted messages that imagined new possibilities for human agency and social justice and who inspired action to protect our natural habitats. This collection explores the various strategies Maathai employed in her speeches to create memorable images and arguments for audiences in Kenya and around the world. Specifically, authors examine Maathai's use of storytelling, her creative use of metaphor and local cultural knowledge, and her use of sharp social-political analysis. Authors approach Maathai's rhetoric from both African and Western ways of knowing.
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Transnational Korean Television: Cultural Storytelling and Digital Audience provides previously absent analyses of Korean TV dramas’ transnational influences, peculiar production features, distribution, and consumption to enrich the contextual understanding of Korean TV's transcultural mobility. Even as academic discussions about the Korean Wave have heated up, Korean television studies from transnational viewpoints often lack in-depth analysis and overlook the recently extended flow of Korean television beyond Asia. This book illustrates the ecology of Korean television along with the Korean Wave for the past two decades in order to showcase Korean TV dramas’ international mobility and its constant expansion with the different Western television and their audiences. Korean TV dramas’ mobility in crossing borders has been seen in both transnational and transcultural flows, and the book opens up the potential to observe the constant flow of Korean television content in new places, peoples, manners, and platforms around the world. Scholars of media studies, communication, cultural studies, and Asian studies will find this book especially useful.
This original book analyses and reimagines the concept of sustainable development in international law from a non-Western legal perspective. Built upon the intersection of law, politics, and history in the context of Africa, its peoples and their experiences, customary law and other legal cosmologies, this ground-breaking study applies a critical legal analysis to Africa's interaction with conceptualising and operationalising sustainable development. It proposes a turn to non-Western legal normativity as the foundational principle for reimagining sustainable development in international law. It highlights eco-legal philosophies and principles in remaking sustainable development where ecological integrity assumes a central focus in the reimagined conceptualisation and operationalisation of sustainable development. While this pioneering book highlights Africa as its analytical pivot, its arguments and proposals are useful beyond Africa. Connecting global discourses on nature, the environment, rights and development, Godwin Eli Kwadzo Dzah illuminates our current thinking on sustainable development in international law.
"Addressing plastics can feel overwhelming. Guilt, shame, anger, hurt, fear, dismissiveness, and despair abound. Beyond Strawmen moves beyond "hot take" or strawman fallacies by illustrating how affective counterpublics mobilized around plastics reveal broader stories about environmental justice and social change. Inspired by on- and offline organizing, Pezzullo engages public controversies, policies, and headline-making advocates in Bangladesh, Kenya, the US, and Vietnam through hashtag activism, campaign materials, and her podcast, Communicating Care. She argues that plastics have become an entry point into contested environmental politics, including carbon-heavy masculinity, carceral policies, planetary fatalism, eco-ableism, greenwashing, marine life endangerment, pollution colonialism, and waste imperialism. Attuned to plastic attachments, Beyond Strawmen shares how unsustainable patterns of the plastics-industrial complex are resisted through imperfect but impactful networked cultures of care"--
Women, visibility and morality in Kenyan popular media explores familiar constructions of femininity to assess ways in which it circulates in discourse, both stereotypically and otherwise. It assesses the meanings of such discourses and their articulations in various public platforms in Kenya. The book draws together theoretical questions on ‘pre-convened’ scripts that contain or condition how women can circulate in public. The book asks questions about particular interpretations of women’s bodies that are considered transgressive or unruly and why these bodies become significant symbolic sites for the generation of knowledge on morality and sexuality. The book also poses questions about genre and representations of femininity. The assertion made is that for knowledges of femininity to circulate effectively, they must be melodramatic, spectacular and scandalous. Ultimately, the book asks how such a theorisation of popular modes of representation enable a better understanding of the connections between gender, sexuality and violence in Kenya.
“Wickedly funny . . . Ideal for babybats and elder goths who’ll appreciate the wealth of reminders of the experiences that make up goth life” (NOW Magazine). A guidebook to the language of the most shadowy of subcultures, this work collects and defines more than 550 Gothic words and phrases. Compiled by an acclaimed Goth journalist and poet, this compendium provides insight into the unique vernacular of this fascinating community, describing in detail and with black humor the fashion, music, and lifestyle as well as sharing insider slang such as Babybat, Corp Goth, and the Gothic Two-Step. A Goth Band Family Tree and essential Goth listening, reading, and viewing recommendations are al...
This book explores African spirituality inside and outside of religion, investigating African traditions and perceptions in the study of spirituality across Africa and the African diaspora. It provides an interdisciplinary reflection on key issues in the field and sheds light on everyday experiences. In particular, the volume celebrates the work and mentorship of Professor Jacob K. Olupona, a leading figure in the study of African spiritualities, religions in Africa, and methodological approaches to the study of religion. With chapters by an impressive range of scholars from institutions across Africa, Europe, and North America, this book makes a valuable empirical and theoretical contribution to the development of African religious studies.
Postcolonial Turn and Geopolitical Uncertainty: Transnational Critical Intercultural Communication Pedagogy connects and interweaves critical communication pedagogy and critical intercultural communication to create a new pedagogy, transnational critical communication pedagogy, that emphasizes the importance of postcolonial and global turns as they are molded into a new area of critical global and intercultural communication pedagogies. Contributors take a transnational approach that requires a deep commitment to acknowledging the importance of the role of geopolitics as it applies to voice, articulation, power, and oppression. This pedagogy ultimately focuses on the social change and social justice that are central to the critical and cultural communication work that aims to decolonize existing communication pedagogies and academia from a more global perspective. Scholars of communication, education, and decolonial studies will find this book particularly useful.
Bringing together historians, political scientists, and literary analysts, this volume shows how biographical narratives can shed light on alternative, little known or under-researched aspects of state power in African politics. Part 1 shows how biographical narratives breathe new life into subjects who, upon decolonization, had been reduced to silence - women, workers, and radical politicians. The contributors analyze the complex relationship between biographical narratives and power, questioning either the power of biographical codes peculiar to western, colonial origins, or the power to shape public memory. Part 2 reflects on the act of (auto-)biography writing as an exercise of power, on...