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Zhou Mi’s Record of Clouds and Mist Passing Before One’s Eyes
  • Language: en
  • Pages: 412

Zhou Mi’s Record of Clouds and Mist Passing Before One’s Eyes

  • Type: Book
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  • Published: 2021-11-15
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  • Publisher: BRILL

Subject of this book is the social and cultural history of Chinese art collecting during the early years of Mongol rule in China (the Yuan dynasty, 1276-1368). At the core of Weitz’s book is a complete translation of the Record of Clouds and Mist Passing Before One’s Eyes (Yunyan guoyan lu), an art catalog written by the Song dynasty loyalist Zhou Mi (1232-1298). This text contains detailed records of more than forty private art collections that the author saw in Hangzhou between 1275 and 1296. The careful annotations, scholarly introduction, and well-researched appendices help to broaden our understanding of the early care and transmission of artworks, the social dimensions of art collecting, and the development of a multi-ethnic society in Yuan China.

The Mongols' Middle East
  • Language: en
  • Pages: 360

The Mongols' Middle East

  • Type: Book
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  • Published: 2016-05-30
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  • Publisher: BRILL

The Mongols’ Middle East: Continuity and Transformation in Ilkhanid Iran offers a collection of academic articles that investigate different aspects of Mongol rule in 13th- and 14th-century Iran. Sometimes treated only as part of the larger Mongol Empire, the volume focuses on the Ilkhanate (1258-1335) with particular reference to its relations with its immediate neighbours. It is divided into four parts, looking at the establishment, the internal and external dynamics of the realm, and its end. The different chapters, covering several topics that have received little attention before, aim to contribute to a better understanding of Mongol rule in the Middle East and its role in the broader medieval Eurasian world and its links with China. With contributions by: Reuven Amitai, Michal Biran, Bayarsaikhan Dashdondog, Bruno De Nicola, Florence Hodous, Boris James, Aptin Khanbaghi, Judith Kolbas, George Lane, Timothy May, Charles Melville, Esther Ravalde, Karin Rührdanz

Newsletter, East Asian Art and Archaeology
  • Language: en
  • Pages: 520

Newsletter, East Asian Art and Archaeology

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Mirror of Morality
  • Language: en
  • Pages: 225

Mirror of Morality

  • Categories: Art

Mirror of Morality takes an interdisciplinary look at an important form of pictorial art produced during two millennia of Chinese imperial rule. Ideas about individual morality and state ideology were based on the ancient teachings of Confucius with modifications by later interpreters and government institutions. Throughout the imperial period, members of the elite made, sponsored, and inscribed or used illustrations of themes taken from history, literature, and recent events to promote desired conduct among various social groups. This dimension of Chinese art history has never before been broadly covered or investigated in historical context. The first half of the study examines the nature of narrative illustration in China and traces the evolution of its functions, conventions, and rhetorical strategies from the second century BCE through the eleventh century. Under the stimulus of Buddhism, sophisticated techniques developed for representing stories in visual form. While tracing changes in the social functions and cultural positions of narrative illustration, the second half of the book argues that narrative illustration continued to play a vital role in elite visual culture.

Xuanhe Catalogue of Paintings
  • Language: en
  • Pages: 475

Xuanhe Catalogue of Paintings

  • Categories: Art

Xuanhe Catalogue of Paintings is the first complete translation of the well-known document produced at the court of Emperor Huizong (r. 1100–1125). Dated to 1120, the Catalogue is divided into ten categories of subject matter. Under Daoist and Buddhist Subjects, Figural Subjects, Architecture, Barbarian Tribes, Dragons and Fish, Landscape, Domestic and Wild Animals, Flowers and Birds, Ink Bamboo, and Vegetables and Fruit are biographies of 231 painters, ranging from famous early masters, such as Wu Daozi (ca. 685-758) and Li Cheng (919-967), to otherwise unknown artists of the Song-dynasty court, including fourteen eunuch officials and sixteen male and female members of the royal family. T...

The Zoomorphic Imagination in Chinese Art and Culture
  • Language: en
  • Pages: 474

The Zoomorphic Imagination in Chinese Art and Culture

  • Categories: Art

China has an age-old zoomorphic tradition. The First Emperor was famously said to have had the heart of a tiger and a wolf. The names of foreign tribes were traditionally written with characters that included animal radicals. In modern times, the communist government frequently referred to Nationalists as “running dogs,” and President Xi Jinping, vowing to quell corruption at all levels, pledged to capture both “the tigers” and “the flies.” Splendidly illustrated with works ranging from Bronze Age vessels to twentieth-century conceptual pieces, this volume is a wide-ranging look at zoomorphic and anthropomorphic imagery in Chinese art. The contributors, leading scholars in Chines...

The Painting Master's Shame
  • Language: en
  • Pages: 268

The Painting Master's Shame

  • Type: Book
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  • Published: 2024-09-09
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  • Publisher: BRILL

Overturning the long-held assumption that the Xuanhe Catalogue of Paintings was the work of the Northern Song emperor Huizong (r. 1100–1126), Amy McNair argues that it was compiled instead under the direction of Liang Shicheng. Liang, a high-ranking eunuch official who sought to raise his social status from that of despised menial to educated elite, had privileged access to the emperor and palace. McNair’s study, based on her translation and extensive analysis of the text of the Xuanhe Catalogue of Paintings, offers a definitive argument for the authorship of this major landmark in Chinese painting criticism and clarifies why and how it was compiled. The Painting Master’s Shame describ...

Reading Asian Art and Artifacts
  • Language: en
  • Pages: 249

Reading Asian Art and Artifacts

  • Categories: Art

Asian art and material artifacts are expressive of cultural realities and constitute a "visible language" with messages that can be read, interpreted, and analyzed. These essays by scholars of Asian art, philosophy, anthropology, and religion focus on objects held in ASIANetwork schools. The chapters' authors tell the stories of the collections, and the collections themselves tell stories of the collectors.

Elegant Debts
  • Language: en
  • Pages: 234

Elegant Debts

  • Categories: Art

This book takes an innovative approach to one of the great figures of Chinese culture, the writer and painter Wen Zhengming (1470–1559). Renowned as one of the great “scholar painters” of the Ming dynasty, Wen was enmeshed in a complex web of social obligations, his “elegant debts” as he called them, which led to many of his most celebrated works. Using an unprecedented quantity of primary sources for his life and work, Elegant Debts looks at the ways in which social obligation and gift exchange were central to personal and individual identity in the Ming period. The book also examines Wen’s family relationships, his friends, mentors, and pupils, his sense of a distinct local ide...

Selling Happiness
  • Language: en
  • Pages: 346

Selling Happiness

  • Categories: Art

"As the first substantial investigation of commercial art in China, Selling Happiness explains how the early twentieth century Chinese public came in accept Western style art as mainstream and the heretofore ignored process by which the Chinese art world became (in some sectors at least) thoroughly cosmopolitan. A monumental study of the most important genre of modern Chinese commercial art, this volume will appeal not only to historians of Chinese art but also to those interested in literary, economic, and social history. It will be an essential resource for comparative studies of visual culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved