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Examines the life and work of this daring nineteenth-century author and women's rights advocate
Recent years have seen a rennaissance of scholarly interest in the fin-de-siécle fiction of the New Woman. New Woman Strategies offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand (1854-1943), Olive Schreiner (1855-1920) and Mona Caird (1854-1932). The study explores how each writer drew on, mimicked, feminized and ultimately transformed traditional literary and cultural tropes and paradigms: feminity, allegory and mythology.
Using a wide range of visual and textual evidence, Nicholas illuminates both the frequent public debates about female appearance and the realities of feminine self-presentation in 1920s Canada.
After a century of civil strife in Rome and Italy, the poet Virgil wrote "The Aeneid" to honor the emperor Augustus by praising Aeneas, Augustus's legendary ancestor. As a patriotic epic imitating Homer, "The Aeneid" also set out to provide Rome with a literature equal to that of Greece. It tells of Aeneas, survivor of the sack of Troy, and of his seven-year journey: to Carthage, where he fell tragically in love with Queen Dido; to the underworld, in the company of the Sibyl of Cumae; and, finally, to Italy, where he founded Rome. It is a story of defeat and exile, and of love and war. Virgil's "Aeneid" is as eternal as Rome itself, a sweeping epic of arms and heroism--the searching portrait of a man caught between love and duty, human feeling, and the force of fate. Filled with drama, passion, and the universal pathos that only a masterpiece can express. "The Aeneid" is a book for all the time and all people. This version of "The Aeneid" is the classic translation by John Dryden.
The Queer Uncanny: New Perspectives on the Gothic investigates the diverse roles that the uncanny, as defined by Sigmund Freud, Helene Cixous and other theorists, plays in representing lesbian and male gay sexualities and transgender in a selection of contemporary British, American and Caribbean fiction published 1980-2007. Novels by Christopher Bram, Alan Hollinghurst, Randall Kenan, Shani Mootoo, James Purdy, Sarah Schulman, Ali Smith, Sarah Waters, Jeanette Winterson and other writers are discussed in the context of queer theory and gothic critical writing. The notion of the uncanny as ‘tangential and to one side’ and ‘appearing on the fringe of something else’, as defined by Cixo...
Tracks child sexual abuse from the initial report through criminal prosecution and sentencing in the state of Idaho. Contains material of national interest.
A truly cosmopolitan Irish writer, George Moore (1852-1933) was a fascinating figure of the fin de siècle, moving between countries, crossing genre and medium boundaries, forever exploring and promulgating aesthetic trends and artistic developments: Naturalism in the novel and the theatre, Impressionism in painting, Decadence and the avant-garde, Literary Wagnerism, the Irish Literary Revival, New Woman culture. This volume on border-crossings offers a variety of critical perspectives to approach Moore’s multifaceted oeuvre and personality. The essays by Contributors from various national backgrounds and from a wide range of disciplines establish original points of contact between literary creation, art history, Wagnerian opera, gender studies, sociology, and altogether reposition Moore as a major representative of European turn-of-the-century culture.
Study of malaria in literature and culture illuminates the legacies of nineteenth-century colonial medicine within narratives of illness.
Countless authors, historians, journalists, and screenwriters have written about the prohibition era, an age of jazz and speakeasies, gangsters and bootleggers. But only a few have explored what happened when governments turned the taps back on. Dan Malleck shifts the focus to Ontario following repeal of the Ontario Temperance Act, an age when the government struggled to please both the “wets” and the “drys,” the latter a powerful lobby that continued to believe that alcohol consumption posed a terrible social danger. Malleck’s investigation of regulation in six diverse communities reveals that rather than only pandering to temperance forces, the Liquor Control Board of Ontario sought to define and promote manageable drinking spaces in which citizens would learn to follow the rules of proper drinking and foster self-control. The regulation of liquor consumption was a remarkable bureaucratic balancing act between temperance and its detractors but equally between governance and its ideal drinker.
The first in a five volume set, this book reestablishes dress as a foundational context for crossdressing. This major study demonstrates the interplay between sex, gender, and clothes, especially as these relate to transgender behaviors, of which crossdressing is the best-known.