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NANO Fiction Volume 3 Number 2
NANO Fiction (print ISSN 1935-844X; digital ISSN 2160-939X) is non-profit literary journal that publishes flash fiction—a form of short story also known as micro fiction, micro narrative, micro-story, microrrelatos, postcard fiction, the short short, the short short story, kürzestgeschichten, and sudden fiction—of 300 words or fewer. Featuring twenty to thirty authors in each issue, NANO Fiction has roots that draw from Aesop’s Fables and Zen Koans. Notable practitioners of this prose form include Lydia Davis, Franz Kafka, Italo Calvino, Ignacio Martínez de Pisón, Naguib Mahfouz, and Linor Goralik, among others. This issue of NANO Fiction features works by: Nicholas T. Brown, Ryan Call, Brian Allen Carr, Gabe Durham, Avital Gad-Cykman, Frank Giampietro, Jenny Gillespie, Jennifer Gravley, Kate Hagerman, Kyle Hemmings, Ann Hillesland, Jac Jemc, Janet Jennings, Suzanne Lamb, Brandon Lamson, Cynthia Litz, Joël Martinez, Stephanie Martz, Scott McWaters, Katherine Megear, Amanda Montei, M.V. Montgomery, Adam Moorad, Thomas Mundt , Fred Muratori, Thisbe Nissen,S. Craig Renfroe, Jr., Sophie Rosenblum, Tom Whalen, Timothy Willis Sanders, Stephanie Valente, and L.A. Zimmerman.
Baseball and the Blame Game
Most baseball fans know what links Fred Merkle, Fred Snodgrass, Mickey Owen and Bill Buckner. It's a pantheon of public failure. They would be harder put to say what links Eric Byrnes, Tony Fernandez, and Babe Ruth, though these players made misplays every bit as egregious. In this smart, highly readable history of scapegoating, John Billheimer identifies the elements that combine to condemn one player to a life sentence while another gets a wrist slap for the same offense. As it turns out, the difference between a lower-case e in some forgotten box score and a lifetime of ignominy can hinge on a number of factors, including timing, geography, reputation, misunderstanding, media bias, and just plain bad luck.
No Hard Feelings
Winnie doesn’t remember the last time she felt anything below her neck. Her spine is severed at the seventh vertebrae, but thanks to implants from a sabotaged biomedical start-up, she has regained mobility. She is a prototype: a living, breathing—walking—demonstration of revolutionary technology that never made it to market. Her disability has become her armor. Because she doesn’t register fatigue, she has trained relentlessly. Her hand, arm, and leg strength are off the scales for a woman, and she has honed self-defense techniques to channel that strength. She’s a modern-day Amazon who feels no pain. When the sociopath who torpedoed the start-up sends killers to harvest the implan...
Open City
"Open City showcases the literature of tomorrow today." --Los Angeles Times "Open City takes the old literary magazine format and revitalizes it for a new generation's tastes." --Library Journal "Ambitiously highbrow." --The New York Times Open City is a rare contemporary phenomenon: a literary journal that gets people talking about literature. A dynamic mix of prominent writers, undiscovered aspirants, and lost treasures from writers of past eras, Open City includes fiction, essays, poetry, and artwork by an exciting range of talents. The magazine has brought together writing from Michael Cunningham, Nick Tosches, Rick Moody, Lara Vapnyar, David Foster Wallace, David Mamet, Sam Lipsyte, Meghan Daum, David Berman, and previously unpublished work by Delmore Schwartz, Richard Yates, Paul Bowles, Edvard Munch, and Ford Madox Ford. Now in its fifteenth year, every issue brings new voices and ideas into the literary conversation. Open City is today's most exciting literary journal.
Open City #25
"Intelligent and accessible . . . A hip, urban aesthetic." --Poets Writers A special issue of Open City featuring writing and artwork by an exciting array of alternative rock stars. A literary magazine of fiction, essays, and poetry, Open City has a youthful, adventurous spirit and an uncanny knack for finding vibrant and original voices. Each issue offers something entirely new by an unexpected mix of talents. Open City is the first literary magazine to foster the tradition of presenting writing and artwork by popular musicians. Contributors include indie greats Stephen Malkmus (Pavement), David Berman (Silver Jews), Thurston Moore (Sonic Youth), Chan Marshall (Cat Power), Stuart David (Belle & Sebastian), Dean Wareham (Galaxie 500 and Luna), and many others.
Hitchcock and the Censors
Edgar Award Winner: This lively account of the director’s battles with the Code Office is “an essential addition to any Hitchcock shelf” (Mystery Scene Magazine). From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed “excessively lustful” kissing from the screen and ensured that no criminal went unpunished. Thus, throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the sligh...
Pantheon Magazine
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The North Dakota Quarterly
Vol. 1 includes "The installation of Frank Le Rond McVey ... as president of the University of North Dakota. Programs and proceedings" called Inauguration number, dated Sept. 1910.
