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Many Times, But Then
A collection of poems by the award-winning poet.
The Night Sky
A scintillating collection of essays on language from one of literature's most supple minds In The Night Sky, her first work of essays, acclaimed poet Ann Lauterbach writes of the ways in which art and poetry are integral and necessary to human conversation. At the center of the book is a series of seven essays, by turns meditative and polemical, that articulate the interstices between Lauterbach's poetics and her experience. She advocates an active encounter with language, at once imaginative and practical, and argues for the importance of art to the well- being of a democratic society. Lauterbach's "nimble and glittering" (Booklist) writings bring us to a new understanding of the relationship between self-knowledge and cultural meaning, as well as demonstrating the ways in which contemporary philosophy and theory might be integrated with practical knowledge.
And for Example
'Ann Lauterbach elevates the absence of presumption to a state of ecstasy. She protracts Rilkean moments of pure gaze to a point of nearly unbearable but vocal sympathy.'Donald Revell, Ohio Review
Door
Named a Most Anticipated Book of 2023 by LitHub A new collection of vivid, personal and provocative work from the author of Or to Begin Again, a finalist for the 2009 National Book Award in poetry In Ann Lauterbach’s eleventh collection, the image of a Door recurs across several poems, as she considers the perpetual dialogue between what is open and what is shut for each of us. The Door is a threshold between the inner landscape of memory, thought, imagination and dream and the outer so-called real world, which increasingly comes to us through technology’s lens, displacing and distorting our sense of intimacy, presence and relation. What is near, and what is far away? She asks about the efficacy of language itself, when confronted by the urgent uncertainties of contemporary experience.
Spell
A new collection of provocative work from the author of Or To Begin Again, a finalist for the 2009 National Book Award in Poetry Ann Lauterbach is one of America's most inventive poets, acclaimed for her fierce, sensuous, and intellectually charged work. In her tenth collection, Spell, Lauterbach activates the many meanings of "spell": her sense that the world is under a spell from which it must awaken, to spells of passing weather, to her desire to spell out life's difficulties and wonders, and how sin-gle words (and their etymologies) might inform and enlighten our contemporary condition. In short poems, poem sequences, and a series of "Conversations with Evening," Lauterbach calls upon all her imaginative resources to locate a new hybrid poetics of reality, with wit, urgency, and candor.
If in Time
Ann Lauterbach's poetry is quantum-packed inside its own reality, releasing beams of light and time that bend across the world of human beauty without having ever left the radiant point where the poems begin. This simultaneity is her gift, and the mystery and longing in her work, the wit and heart, are the things we feel on our skin. --Don DeLillo.
On a Stair
Ann Lauterbach's fifth collection takes its title from Emerson's great essay, Experience: "Where do we find ourselves?" he asks. Lauterbach's stair sits precariously between a quest for spiritual vitality and a sense of the overwhelming materiality of our world. Identifying with the clown, the nomad and the thief figures whose ghostly marginality haunt this book, Lauterbach brings us, with a dazzling range of formal and imagistic resources, to a new understanding of how language inscribes the relationship between self-knowledge and cultural meaning.
Before Recollection
From Before Recollection: TRANSCENDENTAL POSTCARD Ann Lauterbach The outlook such that time is told on waking, Without aid of cock or clock's crow. In fact all the birds are elsewhere, Poised on glossy page or in some fall Migration. Sun up over mountain is precision, Then mist travels, exhaling day. All else, all change, is air, Dew relenting on the blades And mirror rhymes Where water bears resemblance: A strut of hues to pale even Revlon's alchemy and, In the center of its glaze, a cauldron of sky-cast blue.
Hum
From Hum: Things are incidental Someone is weeping I weep for the incidental The days are beautiful Tomorrow was yesterday The days are beautiful Since the mid-1970s, Ann Lauterbach has explored the ways in which language simultaneously captures and forfeits our experience. In Hum, her seventh collection of poetry, loss and the unexpected (the title poem was written directly in response to witnessing the events of 9/11) play against the reassurances of repetition and narrative story. By turns elegant, fierce, and sensuous, her musically charged poems move from the pictorial or imagistic to a heightened sense of the aural or musical in order to depict the world humming with vibrations of every kind from every source—the world as a form of life.
A Study Guide for Ann Lauterbach's "Hum"
A Study Guide for Ann Lauterbach's "Hum," excerpted from Gale's acclaimed Poetry for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Poetry for Students for all of your research needs.
