You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Exam Board: SQA Level: National 4 & 5 Subject: English First Teaching: September 2013 First Exam: June 2014 As well as being a highly popular play for National 5 English study, Tally's Blood paints a wonderful picture of life in wartime Scotland, as experienced by the Italian immigrant community. Exploring the themes of racism, love and family loyalties, it does so with humour and warmth through the eyes of an Italian family with close blood ties. When World War Two breaks out, friendships outwith the family are sorely tested by the difficulties of wartime prejudice. - One of the set drama texts for National 5 English - Written by a very successful playwright and television screenplay writer
As well as being a highly popular play for National 5 English study, 'Tally's Blood' paints a wonderful picture of life in wartime Scotland, as experienced by the Italian immigrant community. Exploring the themes of racism, love and family loyalties, it does so with humour and warmth through the eyes of an Italian family with close blood ties. When World War Two breaks out, friendships outwith the family are sorely tested by the difficulties of wartime prejudice.
An engaging new collection of recent plays from Scotland.
First performed by the Traverse Theater Club in Edinburgh, this play is imaginative, alive with its character's humour and optimism. It is also sad and haunting. Ideal for Standard Grade English, it will also appeal to all those who like Glaswegian dialogue.
Spanning the 1950s to the 70s, the plays capture the rebellious mood of a post-war generation growing up to a backdrop of James Dean, Elvis, sharp-suited glamour, hope and despair. John Byrne takes the slab room he worked in and makes it pure theatre: the scams, the dreams, the aloof but gorgeous girl, the despair of life back home, the obligatory tormenting of the office 'weed', and the mandatory boy chat and pranks all help the day to pass. Phil and Spanky explode onto the stage in a classic vaudeville double-act. Now considered one of Scotland's defining literary works of the twentieth century, the Slab Boys Trilogy premiered at the Traverse back in the late 1970s and early 80s taking Scotland, then Britain, and then Broadway quickly by storm.
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances'ranging from the scenarios of everyday interactions to `cultural performances? such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media'that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but som...
Includes: Writer's Cramp by John Byrne, Losing Venice by John Clifford, Elizabeth Gordon Quinn by Chris Hannan, The Letter Box by Ann Marie di Mambro, Dead Dad Dog by John McKay and The Steamie by Tony Roper.
How to Not Sink by Georgia Christou looks at duty, love and dependency across three generations of women. In Wilderness by April De Angelis, a patient and her psychiatrist head into the wilderness to find out how sane any of us really are. In Chloe Todd Fordham’s The Nightclub, three very different women at a gay nightclub in Orlando are caught up in a terrifying hate crime. Fucking Feminists by Rose Lewenstein is a fiercely funny investigation of what feminism means, and what it has become. Winsome Pinnock’s Tituba is a one-woman show about Tituba Indian, the enslaved woman who played a central role in the seventeenth-century Salem Witch Trials. In The Road to Huntsville by Stephanie Ridings, a writer researching women who fall in love with men on death row finds herself crossing the line. White Lead by Jessica Siân explores the expectations and responsibilities of being an artist and a woman. In What is the Custom of Your Grief? by Timberlake Wertenbaker, an English schoolgirl whose brother has been killed on active duty in Afghanistan is befriended online by an Afghan girl. -- Publisher website
It's 1991 in West Belfast. With their husbands either locked up or killed, Marie, Cassie and Nora are just trying to get on with their lives, despite the bombs, burning buses and soldiers trampling the flower beds. Life must go on - after all, there's still laundry to do and kids to feed. But when a mysterious young woman turns up on Marie's doorstep and disrupts their girls' night out, the devastating revelations which ensue will shatter dreams and threaten their friendship irrevocably. Sharply funny, moving, yet never shying from the harsh realities of life during the Troubles, Bold Girls is a celebration of women's strength under siege. It was first performed by 7:84 Scottish People's Theatre at Cumbernauld Theatre in 1990 and on tour. The play announced Rona Munro as one of the best playwrights of her generation, winning her the Susan Smith Blackburn Prize for 1990-91. This new edition was published alongside the revival at Theatre by the Lake, Keswick, in June 2018.
When the body of Nicola Maiden, the daughter of a retired Scotland Yard undercover officer, is found near an unidentified body in the middle of a pre-historic stone circle in Derbyshire, the newly married Inspector Lynley is asked to lead the investigation into the deaths. Lynley must get to the bottom of the crime without the assistance of his long-time partner Sergeant Barbara Havers following her demotion as a result of an internal investigation. But Barbara Havers has plans of her own, and they involve the very case that Lynley is working on . . .