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When the "other" is Ourselves
This dissertation begins with the premise that the founding assumptions undergirding the interdisciplinary field of Tourism Studies have necessarily, if not inevitably, engendered a set of critical lacunae around race and ethnicity. Specifically, these assumptions have functioned to circumscribe any racial paradigm in which people of color are anything but the objects of touristic inquiry. "When the 'other' is ourselves: imperial legacies, tourist imaginaries, and the representation of difference in Chicana/o travel writing and cultural production" asks what subjectivities are (re)formed when the supposed "Other" is doing the touring, particularly when that someone encounters what she senses is an exoticized or fetishized reflection of herself. Through an examination of Chicana/o memoirs, visual art, and fiction that center Mexican-American (actual and imagined, factual and fictionalized) experiences of touristic mobility, this study considers new and different questions about identity, difference, and representation in literary and cultural discourses.
Border Spaces
Grounded in the borderlands and prompted by art, this book considers the connections between art, land, and people in a fraught binational region--Provided by publisher.
Theories of the Flesh
"A theory in the flesh means one where the physical realities of our lives all fuse to create a politic born of necessity," writes activist Cherr�e L. Moraga. This volume of new essays stages an intergenerational dialogue among philosophers to introduce and deepen engagement with U.S Latinx and Latin American feminist philosophy, and to explore their "theories in the flesh." It explores specific intellectual contributions in various topics in U.S. Latinx and Latin American feminisms that stand alone and are unique and valuable; analyzes critical contributions that U.S. Latinx and Latin American interventions have made in feminist thought more generally over the last several decades; and sh...
Reclaiming the Americas
"Tatiana Reinoza examines how geography, immigration, and art all converged as deepening interests for Latinx graphic artists, specifically those working in different forms of printmaking. By highlighting the work of four artists, based out of four distinct studios in East LA, Tempe, Austin, and East Harlem, she is able to uncover how their work these past three decades has transcended the more defined lines of scholarship that focus on specific ethnic groups (Chicano, Puerto Rican, etc.). She makes a case for how spatial projects allow for a more collective critique of anti-immigrant discourse, visualize immigrant lives, and articulate the ways in which printmaking has been historically complicit in the colonizing of the Americas"--
New Frontiers in Latin American Borderlands
Approximately 500 years after the first borderlands were being constructed in Latin America to distinguish the indigenous population from their colonizers, boundaries are still being created in Latin America. Although borders still exist, the reasons for their construction and maintenance in the current global world have expanded. Today, Latin American borders include the traditional political borders, as well as more non-traditional borders reflected in art, gender, and social programs. Because borders and the concept of borders are constantly changing, the chapters in this edited volume present a reexamination of the more traditionally defined political borders, as well as those that are constructed by the human body, art, and social policy. The chapters naturally separate into four different general topics: 1) traditional transnational borders, 2) borders and the gendered body, 3) borders as depicted in art, and 4) borders and social programs.
And Baby Makes Seven
THE STORY: Anna, Ruth and Peter await the arrival of their newborn child, but first they must rid the crowded apartment of their three imaginary children.
Chicana/o Remix
Rewrites our understanding of the last 50 years of Chicana/o cultural production. Chicana/o Remix casts new light not only on artists—such as Sandra de la Loza, Judy Baca, and David Botello, among others—but on the exhibitions that feature their work, and the collectors, curators, critics, and advocates who engage it. Combining feminist theory, critical ethnic studies, art historical analysis, and extensive archival and field research, Karen Mary Davalos argues that narrow notions of identity, politics, and aesthetics limit our ability to understand the full capacities of Chicana/o art. She employs fresh vernacular concepts such as the “errata exhibit,” or the staging of exhibits tha...
Consuelo Jimenez Underwood
Consuelo Jimenez Underwood’s artwork is marked by her compassionate and urgent engagement with a range of pressing contemporary issues, from immigration and environmental precarity to the resilience of Indigenous ancestral values and the necessity of decolonial aesthetics in art making. Drawing on the fiber arts movement of the 1960s and 1970s, Chicana feminist art, and Indigenous fiber- and loom-based traditions, Jimenez Underwood’s art encompasses needlework, weaving, painted and silkscreened pieces, installations, sculptures, and performance. This volume’s contributors write about her place in feminist textile art history, situate her work among that of other Indigenous-identified f...
TARDISbound
'Doctor Who' has always thrived on multiplicty, unpredictability and transformation, it's worlds and characters kaleidoscopic and shifting, and 'Doctor Who"s complexity has grown. With its triumphant return to TV in 2005, it was made up of four different fictional forms, across three different media, with five actors simultaneously playing the eponymous hero. 'TARDISbound' is the first book to deal both with the TV series and with the 'audio adventures', original novels, and short story anthologies produced since the 1990s, engaging with the common elements of these different texts and with distinctive features of each. 'TARDISbound' places 'Doctor Who' under a variety of lenses, from examining the leading characteristics of these 'Doctor Who' texts, to issues of class, ethnicity and gender in relation to the Doctor(s), other TARDIS crew-members, and the non-human/inhuman beings they encounter. 'TARDISbound' also addresses major questions about the aesthetics and ethical implications of 'Doctor Who'.
Chicano and Chicana Art
This anthology provides an overview of the history and theory of Chicano/a art from the 1960s to the present, emphasizing the debates and vocabularies that have played key roles in its conceptualization. In Chicano and Chicana Art—which includes many of Chicano/a art's landmark and foundational texts and manifestos—artists, curators, and cultural critics trace the development of Chicano/a art from its early role in the Chicano civil rights movement to its mainstream acceptance in American art institutions. Throughout this teaching-oriented volume they address a number of themes, including the politics of border life, public art practices such as posters and murals, and feminist and queer...
