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Stories of men and women, who risked careers, reputations, and even freedom for truth.
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Cressida loves Greek mythology, tales of gods and monsters, but she knows they aren’t real no matter how awesome it would be to meet the beautiful women of myth. When her aunt June disappears, Cressida realizes the other members of her family aren’t so rational. June’s notes point to a possible entrance to the fabled Underworld before they cut off completely. Following June’s footsteps leads Cressida into a world she knew only as legend, a place of marvels and danger, where the living are highly prized by the dead. Desperate, Cressida turns to Medusa, a demigoddess who’s been maligned by myth, but everything in the Underworld comes with a price. Medusa is more than willing to help find June, and all it will cost Cressida is one little murder.
Princess Katya Nar Umbriel has little left to lose. Her uncle Roland took her home, scattered her family, and forced her to abandon Starbride, her dearest love. Slim hopes and righteous anger carry Katya into Starbride's homeland to raise an army and take back all that was stolen from her. Starbride never dreamed she'd lead a pack of foreign rebels against a Fiendish usurper. She holds the capital city out of love, denying any rumor of Katya's death. As the two strive toward each other, Roland dogs their every step, loosing Fiend-filled corpses on Katya's army and hypnotizing the capital's citizens into hunting Starbride down. If they ever meet again, it'll be over his dead body.
The art. The craft. The business. Animation Writing and Development takes students and animation professionals alike through the process of creating original characters, developing a television series, feature, or multimedia project, and writing professional premises, outlines and scripts. It covers the process of developing presentation bibles and pitching original projects as well as ideas for episodes of shows already on the air. Animation Writing and Development includes chapters on animation history, on child development (writing for kids), and on storyboarding. It gives advice on marketing and finding work in the industry. It provides exercises for students as well as checklists for professionals polishing their craft. This is a guide to becoming a good writer as well as a successful one.
Lady Sylph’s only concerns should be inheriting her title, marrying well, producing an heir, and lording it all over the peasantry. It’s what her father insists upon, and she never knew she needed anything or anyone else until her magic comes, an ability her class is not supposed to possess. Thana never coveted the title of monarch’s pyradisté because her knowledge exceeds her ability. She hopes the royals will never depend on her, but then the palace’s pyramids go haywire. On top of that, a beautiful, spoiled noblewoman needs her help to conceal a new power. Could Sylph’s ability and Thana’s magical mystery be related to a new kind of crystal being smuggled into the kingdom or a possible pyradisté coup? They’ll have to work together and overcome their biases, admit their feelings, and maybe surrender to their fierce desire before time runs out.
To most, Princess Katya Nar Umbriel is a rogue and a layabout; she parties, she hunts and she breaks women’s hearts. But when the festival lights go down and the palace slumbers, Katya chases traitors to the crown and protects the kingdom’s greatest secret: the royal Umbriels are part Fiend. When Katya thwarts an attempt to expose the king’s monstrous side, she uncovers a plot to let the Fiends out to play. Starbride has no interest in being a courtier. Ignoring her mother’s order to snare an influential spouse, she comes to court only to study law. But a flirtatious rake of a princess proves hard to resist, and Starbride is pulled into a world of secrets that leaves little room for honesty or love, a world neither woman may survive.
Adella del Amanecer is from a noble family whose pride comes from dedication to the kingdom of Sarras. She works long hours as a diplomat and barely has time for her sisters, let alone romance, a fact that makes her nights feel longer than her days, especially when she thinks about the lovely bard on the corner. As an ex-spy for the Firellian Empire, Bridget Leir has fled from crises and corruption until settling in Sarras, where she can hide as a bard. When a chance meeting with a beautiful diplomat leads to romance, Bridget’s new life feels filled with promise, until Sarras investigates Firellian rumblings of war. If the truth comes out, the Sarrasians—and Adella—will never believe Bridget’s spying days are done, and worse—Adella will be accused of sleeping with the enemy. It’ll be the gallows for them both.
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