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The author remembers about her first twenty years and school-days in Klagenfurt and the wonderful summer and winter time at the Woerthersee - with reference of her tradition-concious family. She also mention the English occupation forces in her country and the friendly dealing of the English with the Austrian people. When beeing trained as a bookseller she dicouvert her love for the theatre and became a student of theatre at the Mozarteum in Salzburg.
Das Buch enthält 18 Interviews mit Persönlichkeiten aus der Geschichte der Fotografie (Künstler, Fotografen und Kunsthistoriker). Die Interviews zeigen die vielfältigen Verknüpfungen zwischen europäischer und amerikanischer Kultur.
The "Retrospective - 150 Years of Photography in Austria" at the Technical Museum Vienna (TMV) took place in 1989. Contributors: Photographic Society in Vienna (foundet 1861), GLV (foundet 1888 under Joseph Maria Eder), Federal Union of Photographers (foundet 1905) in Vienna and the Technical Museum (opened 1918).
The fourth volume in a history of photography, this is a bibliography of books on the subject.
An exact date for the invention of photography is evasive. Scientists and amateurs alike were working on a variety of photographic processes for much of the early nineteenth century. Thus most historians refer to the year 1839 as the “first” year of photography, not because the sensational new medium was invented then, but because that is the year it was introduced to the world. After more than 175 years, and for the first time in English, First Exposures: Writings from the Beginning of Photography brings together more than 130 primary sources from that very year—1839—subdivided into ten chapters and accompanied by fifty-three images of significant visual and historical importance. T...
Christian Schad (1894 - 1982) ist heute als Künstler der Neuen Sachlichkeit weltbekannt. Ihre kühle Ausstrahlung, die makellose Oberfläche und die großen Augen als "Tor zur Seele" machen seine Porträts zur Ikonen der Seele. Seine Hauptwerke von 1920-1930 waren auch der Schwerpunkt in dieser Ausstellung; nicht zuletzt weil eine Vielzahl seiner Bilder in Wien zwischen 1925 und 1928 entstanden sind. Die Rückbesinnung des Künstlers auf Techniken und Ausdrucksformen des Dadaismus in den 1960er Jahren weist interessante Parallelen zu jungen Künstlern dieser Zeit auf.
"This is the third volume of the German Immigrants series (see also Items 6580, 6581, and 6583), this one listing passengers from Bremen to New York between 1863 and September 1867. Owing to the total destruction of the original Bremen passenger lists, this volume, like the others, is the only practical means of discovering information on thousands of individuals for whom immigrant origin data was thought to be irretrievably lost. In effect, it is a partial reconstruction of the Bremen records, based on official passenger lists and manifests in the custody of the National Archives. It is, therefore, a record of arrivals rather than departures, and it is the closest we are ever likely to come to duplicating information in the lost Bremen records"--Publisher website (December 2007).