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Radical Planes? 9/11 and Patterns of Continuity, edited by Dunja M. Mohr and Birgit Däwes, explores the intersections between narrative disruption and continuity in post-9/11 narratives from an interdisciplinary transnational perspective, foregrounding the transatlantic cultural memory of 9/11. Contesting the earlier notion of a cataclysm that has changed ‘everything,’ and critically reflecting on American exceptionalism, the collection offers an inquiry into what has gone unchanged in terms of pre-9/11, post-9/11, and post-post-9/11 issues and what silences persist. How do literature and performative and visual arts negotiate this precarious balance of a pervasive discourse of change and emerging patterns of political, ideological, and cultural continuity?
James Ellroy's identity as a crime writer is rooted in his extraordinary life story and relationship with his home city of Los Angeles. Beginning with the unsolved murder of his mother, Geneva Hilliker Ellroy, in 1958, Ellroy's early life played a large role in shaping his obsessions with murder, the criminal underworld of L.A. and the redemptive power of the feminine. Ellroy's life could be seen as a brutal, visceral and emotionally exhausting realisation of the American Dream, a theme he has explored in his writing to the extent that he is credited with reinventing crime fiction. The Big Somewhere: Essays on James Ellroy's Noir World is an in-depth, scholarly study of the work of James Ell...
In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing its consequences. Dealing with trauma and war crimes led to the emergence of complex aesthetic forms and media crossovers. Decker shows that the 1940s were a pivotal period for the creation of horrific yet also innovative representations that boosted American visual modernism and set the stage for debates about the ethics of visual culture in the post-9/11 era.
Featuring essays from an international group of scholars, this volume addresses Harper Lee’s To Kill a Mockingbird (1960), the American literary classic, and her controversial Go Set a Watchman (2015). The contributions include productive new interpretations from diverse critical angles, including US literary and cultural history, Southern studies, sociological theory, gender studies, stylistic analysis, translation, and pedagogy. With a balance of critical analysis and pedagogical approaches, this provocative book will prove to be of particular interest to scholars seeking to reconcile the points of divergence in these two works. For educators at the secondary and university levels, the collection also offers current resources and perspectives on Lee’s novels.
Photographic Ekphrasis in Cuban-American Fiction offers new readings of Cuban-American novels and autobiographies, demonstrating that a focus on photographs (alluded to, analyzed, and/or obsessively recurrent in the narrative discourse) provides fresh insights into these texts. The study introduces the concept of photographic ekphrasis as a reading tool for diasporic literature and argues that visual images are important components of narratives about dislocation, nostalgia, and transcultural experience. Authors treated in depth include Carlos Eire, Cristina García, Oscar Hijuelos, Roberto G. Fernández, Ana Menéndez, Achy Obejas, and Gustavo Pérez Firmat. Missing Pictures offers an original perspective on Cuban-American literature and contributes to the scholarship on ekphrasis and on the interactions between photography and narrative.
Der Elbbutt ist die reich illustrierte Geschichte der Fischerei auf der Niederelbe. Das Buch soll einen Einblick in die Welt der lokalen Küstenfischerei etwa von der Mitte des 19. bis in die Mitte des 21. Jahrhunderts geben und dabei ein natur- kultur- und fischereitechnisches Grundverständnis vermitteln. Dazu wurden etwa 2.000 Quellen und 1.500 Fotos gesammelt und bearbeitet, die bis 1625 zurückreichen. Die Niederelbe ist der Bereich der Tideelbe zwischen Hamburg und Cuxhaven. Dort war Altenwerder einer der vielen Orte mit alteingesessenen Fischerfamilien. Der einstige, heute unvorstellbare Fischreichtum in der Elbe gipfelte um 1870 in einer Blüte der Elbfischerei. Deren Rückgrat war d...
The arrival of telegraphy and railroads changed power relations throughout the world in the nineteenth century. In the Mesilla region of the American Southwest, it contributed to two distinct and rapid shifts in political and economic power from the 1850s to the 1920s. Torsten Kathke illustrates how the changes these technologies wrought everywhere could be seen at a much accelerated pace here. A local Hispano elite was replaced first by a Hispano-Anglo one, and finally a nationally oriented Anglo elite. As various groups tried to gain, hold, and defend power, the region became bound ever closer to the US economy and to the federal government.
Title of the first 10 volumes of the series is Germans to America : lists of passengers arriving at U.S. ports 1850-1855.