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Devout
"In this revelatory memoir seeking to bridge the gap between science and spirituality, Anna Gazmarian tells the story of how her Evangelical upbringing in North Carolina, provided an inadequate framework to understand the mental health diagnosis she received, and the work she had to do to find proper medical treatment while also maintaining her faith. When Anna is diagnosed with bipolar disorder in 2011, she s faced with a conundrum: while the diagnosis provides clarity about her manic and depressive episodes, growing up in an Evangelical community means that her diagnosis is regarded as an affliction of the spirit rather than a medical condition. Over ten years, we follow Anna on her journey to reframe her understanding of mental health to expand the limits of what her religious faith can offer."--Provided by publisher.
The Right Kind of White
A revelatory memoir that earnestly reckons with whiteness. As the product of progressive parents and a liberal upbringing, Garrett Bucks prided himself on the pursuit of being a “good white person.” The kind of white person who treats their privilege as a responsibility and not a burden; the kind of white person who people of color see as the peak example of racial allyship; the kind of white person who other white people might model their own aspirations of being “better” after. But it’s Bucks obsession with “goodness” that prevents him from building meaningful relationships, particularly those who look like him. The Right Kind of White charts Garrett’s intellectual and emotional odyssey in his pursuit of this ideal whiteness, the price of its admission, and the work he’s doing to bridge the divide from those he once sought distance from.
We Are All Armenian
A collection of essays about Armenian identity and belonging in the diaspora. In the century since the Armenian Genocide, Armenian survivors and their descendants have written of a vast range of experiences using storytelling and activism, two important aspects of Armenian culture. Wrestling with questions of home and self, diasporan Armenian writers bear the burden of repeatedly telling their history, as it remains widely erased and obfuscated. Telling this history requires a tangled balance of contextualizing the past and reporting on the present, of respecting a culture even while feeling lost within it. We Are All Armenian brings together established and emerging Armenian authors to refl...
Sanctuary Everywhere
In Sanctuary Everywhere, Barbara Andrea Sostaita reimagines practices of sanctuary along the U.S.-Mexico border in order to explore the possibilities for radical fugitivity in the face of militarized border enforcement. After the 2016 presidential election, churches, universities, cities, and even states began declaring themselves sanctuaries. Sostaita proposes that these calls for expanded sanctuary are insufficient when dealing with the everyday workings of immigration enforcement. Through fieldwork in migrant clinics, shelters, and the Sonoran Desert, Sostaita demonstrates that, as a sacred practice, sanctuary cannot be fixed in any one destination or mandate. She turns to those working to create sanctuary on the move, from a deported nurse offering medical care on the border to incarcerated migrant women denying rules on touch in detention facilities to collectives set up to honor those who died crossing the border. Understanding sanctuary to be a set of fugitive practices that escapes the everyday, Sostaita shows us how, in the wake of extreme violence and loss, migrants create sanctuaries of their own to care for the living and the dead.
Mouth
"Sometimes surreal, sometimes horrifying, always startling . . . Mouth introduces readers to Puloma Ghosh's unmatched ability to probe the visceral depths of female pain, desire, and grief." —Alice Martin, Shelf Awareness "A unique set of stories that show the promise of a bold new voice." —Kirkus Reviews "Ghosh has offered us a masterclass in surrealist short fiction, bound to haunt its readers long after they’ve put down the book." —Olivia Gatwood, author of Whoever You Are, Honey "Mouth is a work that will leave you forever changed." —Megan Kamalei Kakimoto, author of Every Drop Is a Man’s Nightmare BESTIARY MEETS THE DANGERS OF SMOKING IN BED IN THIS COLLECTION OF 11 EERIE, U...
I Felt the End Before It Came
“I spent eighteen years in a group that taught me to hate myself. You cannot be queer and a Jehovah’s Witness—it’s one or the other.” Daniel Allen Cox grew up with firm lines around what his religion considered unacceptable: celebrating birthdays and holidays; voting in elections, pursuing higher education, and other forays into independent thought. Their opposition to blood transfusions would have consequences for his mother, just as their stance on homosexuality would for him. But even years after whispers of his sexual orientation reached his congregation’s presiding elder, catalyzing his disassociation, the distinction between “in” and “out” isn’t always clear. Stil...
This Is God's Table
Can a barren city lot become a church? This is the story of an audacious journey. It’s the story of what happens when people garden, worship, and eat together—and invite anyone and everyone to join them. In This Is God’s Table, writer and pastor Anna Woofenden describes the way that the wealthy and the poor, the aged and the young, the housed and unhoused become a community in this once-empty lot. Together they plant and sustain a thriving urban farm, worship God, and share a weekly meal. Together they craft a shared life and a place of authenticity where all are welcome. Readers of Nadia Bolz-Weber, Sara Miles, and Diana Butler Bass will find here a kindred vision for a church without walls. As churches across the Western world wither, what would it take to find a raw, honest, gritty way of doing church—one rooted in place, nurtured by grace, and grounded in God’s expansive love? What would it take to carry the liturgy outside the gates? What if we were to discover that in feeding others, we are fed? This is God’s table. Come and eat.
Places I've Taken My Body
Brown constellates the subjects that define her inside and out: a disabled and conspicuous body, a religious conversion, a missing twin, a life in poetry. As she does, she depicts vividly for us not only her own life but a striking array of sites and topics, among them Mary Shelley's Frankenstein and the world's oldest anatomical theater, Eugenics, and Jerry Falwell's Liberty University. Throughout, Brown offers us the gift of her exquisite sentences, woven together in consideration, always, of what it means to be human: flawed, potent, feeling.
God's Diplomats
[God’s Diplomats is] a mix of impartial description and informed opinion. Not everyone will agree with how different issues are framed, or how different figures are portrayed. But what certainly cannot be argued with is the fact that Gaetan has given a gift not only to foreign policy practitioners, but also to American Catholics. You will not find a book on Church diplomacy as accessible, comprehensive, and faithful, as God’s Diplomats. It is a must read for anyone interested in understanding the Vatican’s diplomatic priorities better — and especially why they don’t always align with America’s. ― National Catholic Register Using inside sources and extensive field reporting about the secretive, high-stakes world of international diplomacy, Vatican reporter Victor Gaetan takes readers to the Holy See to explicate Pope Francis's diplomacy, show why it works, and to offer readers a startling contrast to the dangerous inadequacies of recent U.S. international decisions.
Testimony
On her seventy-fifth birthday, the author's mother confessed to an affair more than three decades past. His father's response was unforgiving. Her need to confess met his limitless rage. She acted out of love; he sought revenge. Their battle consumed everything and everyone around them. In the middle of this struggle, she was diagnosed with cancer. Two years later, she died. Testimony is a son's memoir of this struggle. Paul Kahn finds here a story of the twentieth century, beginning with poverty in the Depression and immigration from Hitler's Germany. He follows his father's experience of the war and his return with PTSD. He traces his parents' movement through the turbulent 60s. More than a study of twentieth-century culture, Testimony is a philosophical inquiry into the possibility of faith in a secular age. History, philosophy, and theology flow together as Kahn finds in his parents' lives the resources for a series of essays on the nature of truth, memory, death, and faith. Testimony is most of all a meditation on love in a time in which the very possibility of faith is constantly put to the test.
