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No other symbol is as omnipresent in Poland as the cross. This multilayered and contradictory icon features prominently in public spaces and state institutions. It is anchored in the country's visual history, inspires protest culture, and dominates urban and rural landscapes. The cross recalls Poland's historic struggles for independence and anti-Communist dissent, but it also encapsulates the country's current position in Europe as a self-avowed bulwark of Christianity and a champion of conservative values. It is both a national symbol – defining the boundaries of Polishness in opposition to a changing constellation of the country's Others – and a key object of contestation in the creative arts and political culture. Despite its long history, the cross has never been systematically studied as a political symbol in its capacity to mobilize for action and solidify power structures. Cross Purposes is the first cultural history of the cross in modern Poland, deconstructing this key symbol and exploring how it has been deployed in different political battles.
In Visual Cultures of Death in Central Europe, Aleksandra Koutny-Jones explores the emergence of a remarkable cultural preoccupation with death in Poland-Lithuania (1569-1795). Examining why such interests resonated so strongly in the Baroque art of this Commonwealth, she argues that the printing revolution, the impact of the Counter-Reformation, and multiple afflictions suffered by Poland-Lithuania all contributed to a deep cultural concern with mortality. Introducing readers to a range of art, architecture and material culture, this study considers various visual evocations of death including 'Dance of Death' imagery, funerary decorations, coffin portraiture, tomb chapels and religious landscapes. These, Koutny-Jones argues, engaged with wider European cultures of contemplation and commemoration, while also being critically adapted to the specific context of Poland-Lithuania.
A masterful deciphering of an extraordinary art object, illuminating some of the biggest questions of the eighteenth century The Throne of the Great Mogul (1701–8) is a unique work of European decorative art: an intricate miniature of the court of the Mughal emperor Aurangzeb depicted during the emperor’s birthday celebrations. It was created by the jeweler Johann Melchior Dinglinger in Dresden and purchased by the Saxon prince Augustus the Strong for an enormous sum. Constructed like a theatrical set made of gold, silver, thousands of gemstones, and amazing enamel work, it consists of 164 pieces that together tell a detailed story. Why did Dinglinger invest so much time and effort in ma...
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A comprehensive review of art in the first truly modern century A Companion to Nineteenth-Century Art contains contributions from an international panel of noted experts to offer a broad overview of both national and transnational developments, as well as new and innovative investigations of individual art works, artists, and issues. The text puts to rest the skewed perception of nineteenth-century art as primarily Paris-centric by including major developments beyond the French borders. The contributors present a more holistic and nuanced understanding of the art world during this first modern century. In addition to highlighting particular national identities of artists, A Companion to Nine...
Human Organs-on-Chip: Novel Organ-on-a-Chip Techniques in Medicine paves the way for novel approaches that push forward in-vitro and in-vivo studies and fills a gap between laboratory and clinical use. These experienced authors share the knowledge they've developed with over a decade of experience and research with organ-on-chips and multi-organ-on-chips. This book collects all of the developments in the field and sheds new light on possibilities to develop human on-chip measurement methods with the utilization of currently available measurement techniques including both invasive and non-invasive tests. Human Organs-on-Chip: Novel Organ-on-a-Chip Techniques in Medicine serves as a starting point for young researchers who are beginning their scientific journeys. - Provides an overview of the progress suborgan-on-chips development has made in recent years - Introduces the fundamentals needed to understand lab-on-chip ideas with references and in-depth explanations - Presents commercial achievements obtained and future perspectives
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Niniejsza książka stanowi pierwszą w rodzimej literaturze bibliologicznej i historyczno-artystycznej monografię superekslibrisu na ziemiach Korony oraz Wielkiego Księstwa Litewskiego od średniowiecza po potop szwedzki. Ową charakterystyczną kategorię znaku własnościowego książek osadzono na tle kultury bibliofilskiej oraz sztuki w Polsce i Europie, z naciskiem położonym na takie zagadnienia jak przemiany w postawie bibliofilów wobec oznaczania ksiąg, ewolucja formalno-stylowa superekslibrisów czy też ich powiązania z różnorakimi dziedzinami plastyki i rzemiosła artystycznego. W rezultacie Czytelnik otrzymał kompleksową analizę jednego z kluczowych problemów staropolskiej kultury książki w okresie jej bujnego – i nigdy niepowtórzonego – rozkwitu.