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Contemporary Musical Expressions in Canada
Music and dance in Canada today are diverse and expansive, reflecting histories of travel, exchange, and interpretation and challenging conceptions of expressive culture that are bounded and static. Reflecting current trends in ethnomusicology, Contemporary Musical Expressions in Canada examines cultural continuity, disjuncture, intersection, and interplay in music and dance across the country. Essays reconsider conceptual frameworks through which cultural forms are viewed, critique policies meant to encourage crosscultural sharing, and address ways in which traditional forms of expression have changed to reflect new contexts and audiences. From North Indian kathak dance, Chinese lion dance,...
Aboriginal Music in Contemporary
Contemporary Aboriginal music from powwow to hip hop, the people that make it, and the issues that shape it.
Aboriginal Music in Contemporary
First Nations, Inuit, and Métis music in Canada is dynamic and diverse, reflecting continuities with earlier traditions and innovative approaches to creating new musical sounds. Aboriginal Music in Contemporary Canada narrates a story of resistance and renewal, struggle and success, as indigenous musicians in Canada negotiate who they are and who they want to be. Comprised of essays, interviews, and personal reflections by Aboriginal and non-Aboriginal musicians and scholars alike, the collection highlights themes of innovation, teaching and transmission, and cultural interaction. Individual chapters discuss musical genres ranging from popular styles including country and pop to nation-spec...
Folk Music, Traditional Music, Ethnomusicology
Folk Music, Traditional Music, Ethnomusicology: Canadian Perspectives, Past and Present features the proceedings of the Fiftieth Annual Conference of the Canadian Society for Traditional Music / La Société Canadienne pour les Traditions Musicales (formerly the Canadian Folk Music Society / La Société canadienne de musique folklorique) that took place in November, 2006 in Ottawa at Carleton University and the Canadian Museum of Civilization. This publication showcases the diversity of music research currently being conducted by folk and traditional music specialists, ethnomusicologists, and practicing musicians in Canada. The papers are organized in five sections according to common theme...
How $74 Became a Million - An Autobiography
As far back as can be traced (350 years+) my family lived and worked within walking distance of Asten, Nord Brabant, Netherlands. We survived through riches, poverty, plagues and world wars but in 1950 my entire family left everything behind and immigrated to Canada. 350 years of not travelling much more than a few kilometers in any direction followed by one massive trip of over 6000 km. This story is about my humble beginnings, my family, my life and the adventures that happened along the way. Starting with next to nothing and becoming successful in Canada, the land of opportunity.
Cape Breton in the Long Twentieth Century
The emergence, dominance, and alarmingly rapid retreat of modernist industrial capitalism on Cape Breton Island during the “long twentieth century” offers a particularly captivating window on the lasting and varied effects of deindustrialization. Now, at the tail end of the industrial moment in North American history, the story of Cape Breton Island presents an opportunity to reflect on how industrialization and deindustrialization have shaped human experiences. Covering the period between 1860 and the early 2000s, this volume looks at trade unionism, state and cultural responses to deindustrialization, including the more recent pivot towards the tourist industry, and the lived experienc...
The Sixties in Canada
An extraordinary work that brings to life the events and trends of the '60s in Canada.
Music, Indigeneity, Digital Media
Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.
Musical Intimacies and Indigenous Imaginaries
This book explores several musical styles performed in the vital aboriginal musical scene that has emerged in the western Canadian province of Manitoba. Focusing on fiddling, country music, and Christian hymnody, as well as step dancing and the pow-wow, author Byron Dueck advances a groundbreaking new performative theory of music culture that acknowledges tradition without losing sight of the dynamic negotiations that bring it into being.
