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CIO
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Crossing Over
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A Church at War
One hundred and forty-one people from MacKay Presbyterian Church, in Ottawa, served in the First World War. This is an astonishing record, but one that was by no means uncommon in Canada. Why did these men, their families, and their church enlist in this great war for “justice, truth, and righteousness, and for the Glory of God”? What was the impact of war on the surviving soldiers as they and their families adjusted to a changed world, to permanent injuries and to painful memories? This study of the experience of one church at war weaves together the stories of soldiers on the battlefields of Europe with those of the families who waited and prayed, enduring privation, fear, loneliness, ...
Ethnomusicology
First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
The History and Archaeology of the Iroquois du Nord
In the mid-to late 1660s and early 1670s, the Haudenosaunee established a series of settlements at strategic locations along the trade routes inland at short distances from the north shore of Lake Ontario. From east to west, these communities consisted of Ganneious, on Napanee or Hay Bay, on the Bay of Quinte; Kenté, near the isthmus of the Quinte Peninsula; Ganaraské, at the mouth of the Ganaraska River; Quintio, on Rice Lake; Ganatsekwyagon, near the mouth of the Rouge River; Teiaiagon, near the mouth of the Humber River; and Qutinaouatoua, inland from the western end of Lake Ontario. All of these settlements likely contained people from several Haudenosaunee nations as well as former On...
Folksongs and Folk Revival
In 1965, the classically trained musician and composer Kenneth Peacock published a three-volume work, Songs of the Newfoundland Outports, based on six years of collecting folksongs in that province on behalf of the National Museum of Canada. Folksongs and Folk Revivial provides a critical review of Peacock's Newfoundland fieldwork to better understand his motivations for creating Outports and his treatment of the materials he collected. The study considers the cultural politics of the day, such as National Museum policies and directions, and, in particular, how the growth of the Canadian folk revival during the 1950s and 1960s influenced his work. It considers the dynamic relations between Peacock and other individuals who had a vested interest in documenting and presenting Newfoundland culture. New knowledge regarding Peacock's life and times facilitates our understanding of this man's immense contribution to both Newfoundland and Canadian folklore scholarship while at the same time allowing researchers to make greater use of the materials he so diligently collected.
