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Written for the Drawer
Russian-Jewish writer Leonid Tsypkin (1926-82), a doctor by trade, wrote primarily "for the drawer," fearing professional consequences if he were to publish his fiction. Despite Tsypkin's almost complete lack of readership during his lifetime, his work has received international posthumous recognition, with Susan Sontag calling his work "among the most beautiful, exalting, and original achievements of a century's worth of fiction." Tsypkin's autobiographical writing explored the impossibility of being both a Russian writer and a Soviet Jew, employing indirection and referentiality. In the first book-length appraisal of Tsypkin and his work, Brett Winestock considers Tsypkin's fiction as part of a transnational literary response to the horrors of the twentieth century, a reception that helps explain his much-belated international readership. Through close readings of Tsypkin's work in the context of late-Soviet cultural worlds, Winestock makes an important contribution to studies of Jewish Soviet writing and identity.
The American Bibliography of Slavic and East European Studies
This bibliography, first published in 1957, provides citations to North American academic literature on Europe, Central Europe, the Balkans, the Baltic States and the former Soviet Union. Organised by discipline, it covers the arts, humanities, social sciences, life sciences and technology.
Russian Literature and Its Demons
Merezhkovsky's bold claim that "all Russian literature is, to a certain degree, a struggle with the temptation of demonism" is undoubtedly justified. And yet, despite its evident centrality to Russian culture, the unique and fascinating phenomenon of Russian literary demonism has so far received little critical attention. This substantial collection fills the gap. A comprehensive analytical introduction by the editor is follwed by a series of fourteen essays, written by eminent scholars in their fields. The first part explores the main shaping contexts of literary demonism: the Russian Orthodox and folk tradition, the demonization of historical figures, and views of art as intrinsically demonic. The second part traces the development of a literary tradition of demonism in the works of authors ranging from Pushkin and Lermontov, Gogol and Dostoevsky, through to the poets and prose writers of modernism (including Blok, Akhmatova, Bely, Sologub, Rozanov, Zamiatin), and through to the end of the 20th century.
Center
There are several concepts within the social sciences that refer to the fundamental realities on which the various disciplines focus their attention. The concept of the "center," as defined by Edward Shils, has such a status in sociology, for it deals with and attempts to provide an answer to the central question of the discipline—the question of the constitution of society. "Center" is a commonly used term with a variety of meanings. According to editors Liah Greenfeld and Michel Martin, "center" carries a twofold meaning when used as a concept. In its first sense, it is a synonym for "central value system," referring to irreducible values and beliefs that establish the identity of indivi...
Cold Fusion
Significant German communities existed in Russia for three centuries until the Bolshevik revolution gradually extirpated their presence. These 18 papers explore a number of cultural influences that the German presence had on Russian letters, art, architecture, music, and other cultural pursuits. Spe.
The Sublime Artist's Studio
The relation of the visual arts to Vladimir Nabokov's work is the subject of this in-depth and detailed study of one of the most significant facets of this modern master's oeuvre.
Lyric Poetry and Modern Politics
This work explores the intersection of poetry, national life, and national identity in Poland and Russia, from 1917 to the present. It also provides a comparative study of modern poetry from the perspective of the Eastern and Western sides of the Iron Curtain.
Montaging Pushkin
Montaging Pushkin offers for the first time a coherent view of Pushkin's legacy to Russian twentieth-century poetry, giving many new insights. Pushkin is shown to be a Russian forerunner of Baudelaire. Furthermore it is argued that the rise of the Russian and European novel largely changed the ways Russian poets have looked at themselves and at poetic language; that novelisation of poetry is detectable in the major works of poetry that engaged in a creative dialogue with Pushkin, and that polyphonic lyric has been achieved. Alexandra Smith locates significant examples of Pushkin's cinematographic cognition of reality, suggesting that such dynamic descriptions of Petersburg helped create a hi...
Utopias of One
Introduction: utopias of one -- The United States of America. Learning from Walden -- W.E.B. Du Bois's hermeticism -- The Soviet Union. Osip and Nadezhda Mandel'shtam's utopian anti-utopianism -- Anna Akhmatova's complicity -- The world. Wallace Stevens's point of view -- Reading Ezra Pound and J.H. Prynne in Chinese -- Conclusion: utopias of two
A Reader's Guide to Andrei Bely's "Petersburg"
Andrei Bely's 1913 masterwork Petersburg is widely regarded as the most important Russian novel of the twentieth century. Vladimir Nabokov ranked it with James Joyce's Ulysses, Franz Kafka's Metamorphosis, and Marcel Proust's In Search of Lost Time. Few artistic works created before the First World War encapsulate and articulate the sensibility, ideas, phobias, and aspirations of Russian and transnational modernism as comprehensively. Bely expected his audience to participate in unraveling the work's many meanings, narrative strains, and patterns of details. In their essays, the contributors clarify these complexities, summarize the intellectual and artistic contexts that informed Petersburg's creation and reception, and review the interpretive possibilities contained in the novel. This volume will aid a broad audience of Anglophone readers in understanding and appreciating Petersburg.
