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Art and Nuclear Power
Humanity is struggling with the environmental destruction and social change caused by modern technologies like nuclear reactors. Politicians, scientists, and business leaders all too often revert to a tried and tested set of solutions that fails to grasp the wicked nature of the problem. Eschewing the problem-solving approach that dominates the nuclear energy debate, Anna Volkmar suggests that the only intelligent way to account for the inherent complexity of nuclear technology is not by trying to resolve it but to muddle through it. Through in-depth analyses of contemporary visual art, Volkmar demonstrates how art can suggest ways to muddle through these issues intelligently and ethically. This book is recommended for students and scholars of art history, anthropology, social science, ecocriticism, and philosophy.
The Social Life of Unsustainable Mass Consumption
The Social Life of Unsustainable Mass Consumption draws on a variety of theories and research to contribute to our understanding of unsustainable mass consumption. It addresses the role of identities, social relations, interactions, belonging, and status comparison, and how perceived time scarcity is both a cause and an effect of consumption. It examines the power of consumer norms and how overconsumption is normalized and shows how consumption is embedded in the time-space arrangements of everyday life. Magnus Boström contextualizes such drivers within the larger institutional and infrastructural forces underlying mass consumption, including the economy, growth politics, and the problematic promises of consumer culture. Boström further draws on lessons from lived experiments of consuming less and discuss how insights about the flaws of consumer culture can help shape a growing critique and countermovement – a collective detox from consumerism.
Everyday Life Ecologies
Everyday Life Ecologies: Sustainability, Crisis, Resistance is about those complex, sticky, but also open arrangements of bodies, objects, and plants that make up daily existence. The multiple and interlocking lines of a long capitalist crisis disrupt their normal flow: sometimes, they open opportunities for transformation, sometimes else, they foreclose horizons of change. In contrast with approaches that respond to environmental crisis by advocating “sustainable lifestyles” and “responsible behaviors,” Alice Dal Gobbo suggests that it is necessary to address the complex socio-material relationalities that constitute everyday ecologies. Beyond that, the book argues for their politic...
Making Nature Social
As the global climate crisis and biodiversity loss deepen their impact and gain pace, Making Nature Social: Towards a Relationship with Nature provides core insights into what it means to understand our relationship to nature. This relationship is illustrated through interviews with people working in different nature practices, including engaging with nature, non-human animals, place, advocacy, and with work organization values. Rembrandt Zegers argues that since non-humans do not use human language, meaning is conducted through the senses, giving rise to a knowing that manifests itself through the body first before finding its way socially in human language. Through these senses the relation to non-human others and nature can become a conversation; in other words, a relationship built on reciprocity. The book illustrates how these meanings occur and how these conversations happen, how crucial they are, and how they are connected. It dives deep into the essence of the lived experience of our relationship to nature and in doing so acknowledges how important the lived experience is for the purpose of a relationship with nature.
Art and Activism in the Nuclear Age
This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearised world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that "all art is political" is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies.
Earth Polyphony
In Earth Polyphony, Suhasini Vincent analyzes the theory of ecocriticism in its entirety, and its existence in the global paradigm of climate change. Vincent shows how a polyphony of voices can affect law and decision making in the era of the Anthropocene, and aptly shows how voices can coexist as in Bakhtinian polyphony where multiple perspectives coexist despite contradictions and differences. Vincent argues that both material and non-material worlds are endowed with storied forms of knowledge that prompt ecocritical writers to engage in new experimental modes of expression. She explores the ‘material turn’, the ‘animal turn’ and the ‘narrative turn’ to highlight how law meets literature, prompts eco-activism, and how these crisscrossing narratives influence each other to spark judicial activism in forums around the planet.
Framing the Environmental Humanities
The concept of framing has long intrigued and troubled scholars in fields including philosophy, rhetoric, media studies and literary criticism. But framing also has rich implications for environmental debate, urging us to reconsider how we understand the relationship between humans and their ecological environment, culture and nature. The contributors to this wide-ranging volume use the concept of framing to engage with key questions in environmental literature, history, politics, film, TV, and pedagogy. In so doing, they show that framing can serve as a valuable analytical tool connecting different academic discourses within the emergent interdisciplinary field of the environmental humanities. No less importantly, they demonstrate how increased awareness of framing strategies and framing effects can help us move society in a more sustainable direction.
Loren Eiseley’s Writing across the Nature and Culture Divide
For the twentieth-century naturalist and poet Loren Eiseley, the relationship between human beings and the natural world has become unnatural, divided by the era of modern technology. Loren Eiseley’s Writing across the Nature and Culture Divide analyses how the philosopher of science becomes a boundary crosser in time and space. Qianqian Cheng points to Eiseley’s method of uniting science and the humanities to reflect on human evolution and the past and future role of science with a visionary and poetic imagination. Seizing the connectedness of living beings, Eiseley, and now Cheng, makes us aware of the presence of nature even in daily urban life. Qianqian Cheng unveils Eiseley’s merits, showing the poet as a necessary voice in the urgent mission to make individuals realize their responsibility to respond ethically to the living world.
The Emerging Role of Geomedia in the Environmental Humanities
The Emerging Role of Geomedia in the Environmental Humanities, edited by Mark Terry and Michael Hewson, provides the latest scholarship on the various methods and approaches being used by environmental humanists to incorporate geomedia into their research and analyses. Chapters in the book examine such applications as geographic information systems, global positioning systems, geo-doc filmmaking, and related geo-locative systems all being used as new technologies of research and analysis in investigations in the environmental humanities. The contributors also explore how these new methodologies impact the production of knowledge in this field of study as well as promote the impact of First Nation people perspectives.
Through a Nuclear Lens
The Franco-Japanese coproduction Hiroshima mon amour (1959) is one of the most important films for global art cinema and for the French New Wave. In Through a Nuclear Lens, Hannah Holtzman examines this film and the transnational cycle it has inspired, as well as its legacy after the 2011 nuclear disaster at Fukushima Daiichi. In a study that includes formal and theoretical analysis, archival research, and interviews, Holtzman shows the emergence of a new kind of nuclear film, one that attends to the everyday effects of nuclear disaster and its impact on our experience of space and time. The focus on Franco-Japanese exchange in cinema since the postwar period reveals a reorientation of the primarily aesthetic preoccupations in the tradition of Japonisme to center around technological and environmental concerns. The book demonstrates how French filmmakers, ever since Hiroshima mon amour, have looked to Japan in part to better understand nuclear uncertainty in France.
