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The Cambridge Companion to Operetta
A collection of essays revealing how operetta spread across borders and became popular on the musical stages of the world.
The Canadian Nightingale
April 4, 1915, Bertha Crawford bowed to tumultuous applause before a glittering audience at the Tsar’s Imperial Mariinsky Theatre. How had a young soprano from Ontario become a darling of the Russian capital eight months into the First World War? The Canadian Nightingale vividly resurrects the forgotten life of Bertha Crawford, a determined Canadian singer who chased the celebrity dream of her time to find unprecedented success on the opera stages of Russia and Poland. Meticulous historical research and compelling dramatic vignettes restore Crawford and her era to life. After a rollercoaster ride to fame that was ultimately derailed by broken trust, one big question remains: how was a Canadian story this fascinating left untold for more than eighty years.
Wagner in Russia, Poland and the Czech Lands
Richard Wagner has arguably the greatest and most long-term influence on wider European culture of all nineteenth-century composers. And yet, among the copious English-language literature examining Wagner's works, influence, and character, research into the composer’s impact and role in Russia and Eastern European countries, and perceptions of him from within those countries, is noticeably sparse. Wagner in Russia, Poland and the Czech Lands aims to redress imbalance and stimulate further research in this rich area. The eight essays are divided in three parts - one each on Russia, the Czech lands and Poland - and cover a wide historical span, from the composer’s first contacts with and appearances in these regions, through to his later reception in the Communist era. The contributing authors examine his influences in a wide range of areas such as music, literary and epistolary heritage, politics, and the cultural histories of Russia, the Czech lands, and Poland, in an attempt to establish Wagner’s place in a part of Europe not commonly addressed in studies of the composer.
A Romantic Century in Polish Music
This volume brings together a series of essays on some of the less known aspects of music culture in Poland in the 19th century. Eight studies are presented chronologically, including such topics as: careers of women composers, Karol Lipinski's concert tours and violins, Henryk Wieniawski, Polish reception of Wagner, images of composers by Polish music critics, Ignacy Jan Paderewski, and Feliks Nowowiejski. Authors, based in Poland, Germany and the U.S. include eminent scholars specializing in Polish music of the 19th and 20th centuries: Magdalena Dziadek, Maria Zduniak, Martina Homma, Krzysztof Rottermund, Krzysztof Szatrawski, and Maja Trochimczyk.
Multicultural Cities of the Habsburg Empire, 1880–1914
Catherine Horel has undertaken a comparative analysis of the societal, ethnic, and cultural diversity in the last decades of the Habsburg Monarchy as represented in twelve cities: Arad, Bratislava, Brno, Chernivtsi, Lviv, Oradea, Rijeka, Sarajevo, Subotica, Timișoara, Trieste, and Zagreb. By purposely selecting these cities, the author aims to counter the disproportionate attention that the largest cities in the empire receive. With a focus on the aspects of everyday life faced by the city inhabitants (associations, schools, economy, and municipal politics) the book avoids any idealization of the monarchy as a paradise of peaceful multiculturalism, and also avoids exaggerating conflicts. The author claims that the world of the Habsburg cities was a dynamic space where many models coexisted and created vitality, emulation, and conflict. Modernization brought about the dissolution of old structures, but also mobility, the progress of education, the explosion of associative life, and constantly growing cultural offerings.
Carmen Abroad
A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.
Kobiety ze Lwowa
W 1930 roku otwarto we Lwowie Muzeum Zasłużonych Polek. W niewielkich salkach znalazły się obrazy, rzeźby, zdjęcia, dokumenty oraz pamiętniki z powstań i wojen. A także osiemnaście pudeł z biogramami. Można się domyślać, że były wśród nich nazwiska znane, ale i te zupełnie zapomniane. Podobnie jak w zebranych tu opowieściach. Oto historie lwowianek, które mieszkały w tym mieście całe życie albo tylko chwilę. To próba odpowiedzi na pytanie, jakie były one same i jaki był „ich Lwów”: Lwów wybitnych aktorek i wielkich śpiewaczek, ideowych nauczycielek i zasobnych arystokratek, dzielnych feministek i uduchowionych muz, pełnych poświęcenia żołnierek i wyb...
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