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Catherine Horel has undertaken a comparative analysis of the societal, ethnic, and cultural diversity in the last decades of the Habsburg Monarchy as represented in twelve cities: Arad, Bratislava, Brno, Chernivtsi, Lviv, Oradea, Rijeka, Sarajevo, Subotica, Timioara, Trieste, and Zagreb. By purposely selecting these cities, the author aims to counter the disproportionate attention that the largest cities in the empire receive. With a focus on the aspects of everyday life faced by the city inhabitants (associations, schools, economy, and municipal politics) the book avoids any idealization of the monarchy as a paradise of peaceful multiculturalism, and also avoids exaggerating conflicts. The author claims that the world of the Habsburg cities was a dynamic space where many models coexisted and created vitality, emulation, and conflict. Modernization brought about the dissolution of old structures, but also mobility, the progress of education, the explosion of associative life, and constantly growing cultural offerings.
The myriad debates on restitution and memory, which have been going on in Europe for decades, indicate that World War II never ended. It is still very much with us, paradoxically re-invoked by the events of 1989/90 and the expansion of Europe to the east in the aftermath of the collapse of communism and economic globalization. The growing privatization and reprivatization in Eastern Europe revive pre-war memories that lay buried under the blanket of collectivization and nationalization of property after 1945. World War II did not only result in the death and destruction on a large scale but also in an a far-reaching revolution of existing property relations. This volume offers an assessment of the problematic of restitution and its close interconnection with the discourses of memory that have recently emerged.
Le processus d'union européenne voit aujourd'hui un point d'arrêt sur le plan politique et institutionnel, malgré les étapes décisives réalisées après la Seconde Guerre mondiale. Il reste en effet à affronter des thèmes et des problèmes qui, pendant l'entre-deux-guerres, animèrent le débat entre les pionniers de l'européanisme. Si, à l'époque, leurs propositions restèrent sans suite, ayant une issue destructrice pour la paix et l'Europe, cet héritage idéal si précieux a permis une continuité et de germer par la suite. Ce livre a pour but de présenter une série d'idées, d'initiatives, de programmes, qui entre les deux guerres entendirent promouvoir le maintien d'un ord...
The end of communism in Europe has tended to be discussed mainly in the context of political science and history. This book, in contrast, assesses the cultural consequences for Europe of the disappearance of the Soviet bloc. Adopting a multi-disciplinary approach, the book examines the new narratives about national, individual and European identities that have emerged in literature, theatre and other cultural media, investigates the impact of the re-unification of the continent on the mental landscape of Western Europe as well as Eastern Europe and Russia, and explores the new borders in the form of divisive nationalism that have reappeared since the disappearance of the Iron Curtain.
In this comprehensive account of censorship of the visual arts in nineteenth-century Europe, when imagery was accessible to the illiterate in ways that print was not, specialists in the history of the major European countries trace the use of censorship by the authorities to implement their fears of the visual arts, from caricature to cinema.
This book discusses how societies, groups and individuals remember and make sense of global neoliberal change in Eastern Europe. Such an investigation is all the more timely as the 1990s are increasingly looked to for answers explaining the populist and nationalist turn across the globe. The volume shows how the key processes that impacted many lives across the social spectrum in Eastern Europe, such as deindustrialization, privatization, restitution and abrupt social reorganization, are collectively remembered across society today and how memory narratives of the 1990s contribute to current identities and political climate. This volume establishes the memory of economic transformation as a ...
The long-lasting Ottoman Empire was a theatre of armed conflict and human displacement. Whereas military victories in the early modern period enabled its territorial expansion and internal consolidation, the later centuries were shaped by military defeat and domestic turmoil, setting hundreds of thousands, sometimes even millions of people in motion. Spanning from Europe to Asia, the book reassesses these movements. Rather than adopting a teleological approach to the study of the Ottoman defeat, it connects late Ottoman history to wider dynamics, extending or challenging existing concepts and narratives.
From the Baltic to the Black Sea, four major empires with ethnically and religiously diverse populations encountered each other along often changing and contested borders. Examining this geographically vast, multicultural region through a variety of methodological lenses, this volume offers informed and dispassionate analyses of how the many populations of these borderlands managed to coexist in a previous era and why the areas eventually descended into violence. An understanding of this region will help readers grasp the preconditions of interethnic coexistence and the causes of ethnic violence and war in many of the world's other borderlands both past and present.