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Irish Theatre in the Twenty-First Century
Irish Theatre in the Twenty-First Century is the first in-depth study of the subject. It analyses the ways in which theatre in Ireland has developed since the 1990s when emerging playwrights Martin McDonagh, Conor McPherson, and Enda Walsh turned against the tradition of lyrical eloquence with a harsh and broken dramatic language. Companies such as Blue Raincoat, the Corn Exchange, and Pan Pan pioneered an avant-garde dramaturgy that no longer privileged the playwright. This led to new styles of production of classic Irish works, including the plays of Synge, mounted in their entirety by Druid. The changed environment led to a re-imagining of past Irish history in the work of Rough Magic and...
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Censorship across Borders
This volume brings together twelve essays which explore European censorship of English literature in the last century. Taking into consideration the various social, political and historical contexts in which literary controls were imposed and the extent to which they were determined by national and international concerns, these essays comment on political and moral censorship, self-censorship, and the role of the translator as censor. Besides systematic state control, other hidden and insidious forms of censorship are also surveyed in the essays. This study considers why certain works and authors, many of them now regarded as canonical, were targeted in various states and often under opposin...
The Fiery Holy Spirit
The baptism with the Spirit and fire has been a major area of study by theologians and has been pursued by the historical church seeking God’s holiness and power; yet its relationship to judgment has often been ignored. This book explores the Holy Spirit’s relationship with judgment in Luke-Acts through seven texts: Luke 3:16–17; 12:8–10; Acts 5:1–11; 7:51; 8:18–23; 13:9–11; 28:25–28. In these texts, the Holy Spirit is connected with fire, unforgiveness, deception, resistance, greed, blindness, or condemnation. In each instance, Luke’s presentation is examined to determine the Spirit’s role in the process of judgment. Through the Spirit, Jesus judges, cleanses, purges, and divides his people from the world. Luke portrays the Spirit as the executive power of Jesus’ reign as judge, exposing, opposing, and condemning those who reject the gospel.
The Golden Thread
This two-volume edited collection illuminates the valuable counter-canon of Irish women's playwriting with forty-two essays written by leading and emerging Irish theatre scholars and practitioners. Covering three hundred years of Irish theatre history from 1716 to 2016, it is the most comprehensive study of plays written by Irish women to date. These short essays provide both a valuable introduction and innovative analysis of key playtexts, bringing renewed attention to scripts and writers that continue to be under-represented in theatre criticism and performance. Volume Two contains chapters focused on plays by sixteen Irish women playwrights produced between 1992 and 2016, highlighting the explosion of new work by contemporary writers. The plays in this volume explore women's experiences at the intersections of class, sexuality, disability, and ethnicity, pushing at the boundaries of how we define not only Irish theatre, but Irish identity more broadly.
Text and Performance in Contemporary British Theatre
Text and Performance in Contemporary British Theatre interrogates the paradoxical nature of theatre texts, which have been understood both as separate literary objects in their own right and as material for performance. Drawing on analysis of contemporary practitioners who are working creatively with text, the book re-examines the relationship between text and performance within the specific context of British theatre. The chapters discuss a wide range of theatre-makers creating work in the UK from the 1990s onwards, from playwrights like Tim Crouch and Jasmine Lee-Jones to companies including Action Hero and RashDash. In doing so, the book addresses issues such as theatrical authorship, art...
Theatre and Governance in Britain, 1500–1900
A critical evaluation of how theatre was assimilated to the interests of government by suppressing 'democratic' disorders associated with the stage.
Fictions of Presence
An absorbing study of the contested embodiment of the idea of presence in the plays and novels of the eighteenth century.
Making Sense of Motherhood
Motherhood provides a crucial place for exploring human life and its meaning. Within motherhood lies a deep tension between the pain, crisis, and association with death in motherhood and the joy, transformation, and life in motherhood. Few metaphors in Scripture (or in life) stand so firmly between life and death, love and loss, and joy and deep pain. After all, motherhood's meaning in part comes again and again at these crucial crossroads. Thus, motherhood has powerful implications for our biblical and theological understanding. Bringing together Jewish and ecumenical Christian scholars from North America, Oceania, and South America, this edited volume provides biblical and theological pers...
