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A key way to view Latina plays today is through the foundational frame of playwright and teacher, Maria Irene Fornes, who has transformed American theatre. Considering Fornes's legacy, Anne García-Romero shows how five award-winning playwrights continue to contest and complicate Latina theatre.
In a Spanglish-speaking land, Juanita disguises herself as a man to escape the wrath of her lover Ignacio's father. Masquerading as a "new" Don Juan, she careens through the city and seduces Alejandra, a wealthy art collector, Tomas, a leather bar patron and Beatriz, an innocent, society bride, who all fall instantly in love with him/her. Juanita's romp soon lands her squarely at the feet of Don Juan himself as she struggles to find true love. "The power of language creates worlds, realms and most importantly, relationships ... that power is evident as Juanita, a young woman living in a Spanglish-speaking land, tries on a different persona in order to escape from her lover's angry father and potential shame in her community." -Elaine Noble, Nevada Today "Throughout the play, 'Don Juanita' draws more and more attention to herself, attracting the love and care of a multitude of people along the way. The social aspects of the play are fascinating because Juanita basically tries to deconstruct what being a Don Juan is and strives to create a better version of him." -Juan Lopez, The Nevada Sagebrush"
These three plays by US Latina dramatist Anne Garcia Romero offer striking and sensual explorations of identity. A welcome addition to a growing body of US Latina literature for theatre and performance
An inspirational sourcebook of innovative techniques for creating theatre, with contributions from experienced playwrights, directors, performers, teachers, dramaturgs, artistic directors and founders. Editor Caridad Svich has gathered forty-one essays from admired theatre professionals in response to a call to write about 'artistic innovation'. Each of them shares the creative challenges and triumphs of developing original works for today's stages. 'With intelligence, thoughtfulness, rigor and wit, author after author offer their considered take on the subject, unlocking new perspectives, unearthing old ones, and in general, doing what artists do best when they are walking on ground they tr...
Embodying Difference: Scripting Social Images of the Female Body in Latina Theatre explores contemporary theatrical productions by Latina dramatists in the United States and focuses on the effects that neoliberal politics, global market strategies, gender formation, and racial and ethnic marginalization have had on Latinas. Through the analysis of select plays by dramatists Nao Bustamante, Coco Fusco, Anne García-Romero, Josefina López, Cherríe Moraga, Linda Nieves-Powell, Dolores Prida, and Milcha Sánchez-Scott, Embodying Difference shows how the bodies of Latinas are represented on stage in order to create an image of Latina consolidation. The performances of a dynamic female body chal...
From the conga line to West Side Story to Ricky Martin, how popular performance prompted American audiences to view Latinos as a distinct (and distinctly non-white) ethnic group
In the last few decades, metamaterials have revolutionized the ways in which waves are controlled, and applied in physics and practical situations. The extraordinary properties of metamaterials, such as their locally resonant structure with deep subwavelength band gaps and their ranges of frequency where propagation is impossible, have opened the way to a host of applications that were previously unavailable. Acoustic metamaterials have been able to replace traditional treatments in several sectors, due to their better performance in targeted and tunable frequency ranges with strongly reduced dimensions. This is a training book composed of nine chapters written by experts in the field, giving a broad overview of acoustic metamaterials and their uses. The book is divided into three parts, covering the state-of-the-art, the fundamentals and the real-life applications of acoustic metamaterials.
Major new collection of Latina/o contemporary work for the stage.
In 1926, radium was a miracle cure, Madame Curie an international celebrity, and luminous watches the latest rage- until the girls who painted them began to fall ill with a mysterious disease. Inspired by a true story, Radium Girls traces the efforts of Grace Fryer, a dial painter, as she fights for her day in court. Her chief adversary is her former employer, Arthur Roeder, an idealistic man who cannot bring himself to believe that the same element that shrinks tumors could have anything to do with the terrifying rash of illnesses among his employees. As the case goes on, however, Grace finds herself battling not only with the U.S. Radium Corporation, but also with her own family and friends, who fear that her campaign for justice will backfire.
Western Theatre in Global Contexts explores the junctures, tensions, and discoveries that occur when teaching Western theatrical practices or directing English-language plays in countries that do not share Western theatre histories or in which English is the non-dominant language. This edited volume examines pedagogical discoveries and teaching methods, how to produce specific plays and musicals, and how students who explore Western practices in non-Western places contribute to the art form. Offering on-the-ground perspectives of teaching and working outside of North American and Europe, the book analyzes the importance of paying attention to the local context when developing theatrical practice and education. It also explores how educators and artists who make deep connections in the local culture can facilitate ethical accessibility to Western models of performance for students, practitioners and audiences. Western Theatre in Global Contexts is an excellent resource for scholars, artists, and teachers that are working abroad or on intercultural projects in theatre, education and the arts.