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Style & Splendor
Showcases garments now in the collection of the National Museum of Art/Museum of Decorative Arts and Design in Oslo, an sets them in the context of Queen Maud's life and times.
Pretty Gentlemen
"The term "macaroni" was once as familiar a label as "punk" or "hipster" is today. In this handsomely illustrated book devoted to notable 18th-century British male fashion, award-winning author and fashion historian Peter McNeil brings together dress, biography, and historical events with the broader visual and material culture of the late 18th century. For thirty years, macaroni was a highly topical word, yielding a complex set of social, sexual, and cultural associations. Pretty Gentlemen is grounded in surviving dress, archival documents, and art spanning hierarchies and genres, from scurrilous caricature to respectful portrait painting. Celebrities hailed and mocked as macaroni include politician Charles James Fox, painter Richard Cosway, freed slave Julius "Soubise," and criminal parson Reverend Dodd. The style also rapidly spread to neighboring countries in cross-cultural exchange, while Horace Walpole, George III, and Queen Charlotte were active critics and observers of these foppish men."--Publisher's website.
Social Science Research on CAD/CAM
Computer Aided Design (CAD) and Computer Aided Manufacture (CAM) are but two of the more recent examples of computer applications in domains previously dominated by human labour. The use of computers in such areas has increasingly attracted social science research. There are several reasons one could suggest for this, not least of them being the simple fact that public money is being provided for such research. Of course, some of the interest may be due to the wish to prove that technology is being used to inhuman ends, but undoubtedly there is also some degree of fascination involved. Can you really do all the things with computers that people claim you can? There is certainly satisfaction ...
A Singing Contest
A formal analysis A Singing Contest comprises close readings of Seamus Heaney's poetry. Tyler argues that in an era of fractured poetry and politics, Seamus Heaney stands out: his impulse is towards unity and regeneration. Her book considers the interplay between different kinds of literary tradition and community in his poetry. For Heaney, poetry represents a structure allowing imaginative mediation of conflicts that appear irreconcilable in the social, political and historical realms. By detailed structural analysis of diction, meter, imagery and generic form, Tyler illustrates how Heaney's poems create concords from discords, unities from fracture. From the preface by Rosanna Warren: A Si...
Fashioned in the North
This edited volume showcases new examples - previously untold stories of images, photographers, publications, and institutions - partly unknown outside the Nordic countries. The authors examine the reasons for and implications of this underexposure, taking on a photographic metaphor. While simultaneously challenging previously taken-for-granted ideas of the center and periphery in this field, the book also widens the study of fashion photography. Notably, the hybridity of approaches may enrich future studies of fashion photography. In Fashioned in the North, fashion photography is viewed as a transnational phenomenon and a material object, as well as a medium that is part of a media system and a result of archival systems and history writings. Furthermore, the book displays how studies of fashion photography can be so much more than stories of a few names and iconic images or studies of individual and periodic style. Indeed, the study of fashion photography may be a prism through which we can uncover cultural, social, economic, and ideological aspects of society at present and in the past.
Nålens Øye
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Textiles and Clothing, C.1150-c.1450
Scraps of clothing and other textiles are among the most evocative items to be discovered by archaeologists, signalling as they do their owner's status and concerns.
Tracing Textile Production from the Viking Age to the Middle Ages
This book concerns textile production at the fringes of north-western Europe - areas in western Norway and the North Atlantic in the expanding, dynamic and transformative period from the early Viking Age into the Middle Ages. Textiles constitute one of the basic needs in human life - to protect and keep the body warm but also to show social status and affiliations. Textiles had a wide spectrum of use areas and qualities, fine and coarse in various contexts, and in the Viking Age not least related to the production of sails - all essential for the development and character of the period. So, what were the tools and textiles like, who made them, who used them and who exposed them? By tracing t...
Designing Modern Norway
Designing Modern Norway: A History of Design Discourse is an intellectual history of design and its role in configuring the modern Norwegian nation state. Rather than a conventional national design history survey that focuses on designers and objects, this is an in-depth study of the ideologies, organizations, strategies and politics that combined might be said to have "designed" the modern nation's material and visual culture. The book analyses main tropes and threads in the design discourse generated around key institutions such as museums, organisations and magazines. Beginning with how British and continental design reform ideas were mediated in Norway and merged with a nationalist sentiment in the late nineteenth century, Designing Modern Norway traces the tireless and wide-ranging work undertaken by enthusiastic and highly committed design professionals throughout the twentieth century to simultaneously modernise the nation by design and to nationalise modern design. Bringing the discussion up towards the present, the book concludes with an examination of how Norway's new-found wealth has profoundly changed the production, mediation and consumption of design.
Titanic Style
Titanic Style explores the world of fashion and dress at the time of RMS Titanic’s famous voyage. We are taken through the wardrobes of passengers and crew of all classes and ages, from the most intimate undergarments to the warm overcoats needed on that last fearful cold night. The ship was a microcosm of post-Edwardian society, in which everyone belonged to a particular class and dressed accordingly. The luxurious attire of the ladies in first class, the cream of European and American society, was changed several times a day, while the more sober and conservative clothes of the men of all ranks subtly conveyed their status, and children were dressed to enhance their social standing. We also visit the families below deck, dressed in second-hand or homemade clothes, heading for a new life in a country free of repressive class distinction. Stories and records of individual passengers and crew members are woven into the narrative to give an engaging account of what life was really like on board the world’s most famous ocean liner.
