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In this highly readable and illuminating book, Anne Louise Booth looks at the status of society women during the Victorian period, the expectations and limitations they faced, and the ways in which these norms were challenged and boundaries were pushed.
What is participatory research, and how can participatory methods be implemented in practice? This valuable textbook provides an accessible, pragmatic how-to guide for using participatory methods in research. Drawing on their variety of experience in the field, the authors: • outline the principles of participatory research; • explore the practice of utilising participatory methods; • lay out the realities of using such approaches within a range of settings. Providing practical advice, real-world examples, and packed with reflective questions, top tips and suggested further reading, this book will be an essential resource for students and researchers alike.
This poignant and heartwarming story explores the many faces of sadness and addresses the importance of mental health in a child-friendly way. A small boy creates a shelter for his sadness so that he can visit it whenever he needs to, and the two of them can cry, talk, or just sit. The boy knows that one day his sadness may come out of the shelter, and together they will look out at the world and see how beautiful it is. In this timely consideration of emotional wellbeing, Anne Booth has created a beautiful depiction of allowing time and attention for difficult feelings. Stunningly atmospheric illustrations by David Litchfield personify sadness as a living being, allowing young readers to more easily connect with the story's themes of emotional literacy.
Once there was a dream of a cloud, waiting, hiding, in a blue sky, which became a whisper of white and grew and grew... Everybody loves looking at the little white cloud as it makes all sorts of interesting shapes, but one day the little cloud becomes bigger and darker and heavier. As the raindrops patter down, everyone runs away and no one is happy to see the little cloud anymore...or are they? This heartfelt, uplifting story has a powerful message about being loved and accepted for who you are, no matter what.
This book examines the nature of participatory research in the social sciences and its role in increasing participation among vulnerable or marginalised populations. It examines the ways in which inclusion and collaboration in research can be enhanced among vulnerable participants, and shows how useful it can be with these groups.
Eliza Pratt Greatorex (1819–1897) was America’s most famous woman artist in the mid-nineteenth century, but today she is all but forgotten. Beginning with her Irish roots, this biography brings her art and life back into focus. Breaking conventions for female artists at that time, Greatorex specialized in landscapes and streetscapes, traveling from the Hudson River to the Colorado Rockies and across Europe and North Africa. Her crowning achievement, a monumental tome of drawings and narratives titled Old New York, awakened the public to the destruction of the city’s architectural heritage during the post–Civil War era. Exploring Greatorex’s fierce ambition and creative path, Katherine Manthorne reveals how her success at forging an independent career in a male-dominated world shaped American gender politics, visual culture, and urban consciousness.
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When Jessie's gran gets a white Alsatian puppy, it's the start of a downward spiral of strange and worrying behaviour. But life at home is only half the problem - at school Jessie's class is studying the rise to power of the Nazi party and soon Jessie starts seeing alarming parallels between modern life in her sleepy village and that of 1930s Germany. With one eye on the past and one on her ailing gran, Jessie starts to see a connection - something long-buried, troubling and somehow connected to another girld, and another white dog.
Hahndorf artist Nora Heysen was the first woman to win the Archibald Prize, and Australia's first female painter to be appointed as an official war artist. A portraitist and a flower painter, Nora Heysen's life was defined by an all-consuming drive to draw and paint. In 1989, aged 78, Nora re-emerged on the Australian art scene when the nation's major art institutions restored her position after years of artistic obscurity. Extensively researched, and containing artworks and photographs from the painter's life, this is the first biography of the artist, and it has been enthusiastically embraced by the Heysen family. This authorized biography coincides with a major retrospective of the works of Nora and her father, landscape painter Hans Heysen, to be held at the National Gallery of Victoria in March 2019.