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William Kelly (1821-1906) was much more than a Brethren theologian who was a leader of the Moderate Exclusive Brethren movement, and also much more than an indiscriminate follower of John Nelson Darby (1800-1882). He was highly regarded not only within the Brethren but also by Christian leaders of other denominations. In this book Dr. Critchlow examines Kelly's lively and scholarly appraisal of the German "School of Higher Criticism" and his commentary on a range of works of contemporary Anglican and non-conformist theologians. She argues that Kelly's exegesis was meticulous and scholarly and demonstrated his understanding of the whole canon of Scripture. Despite his ecclesiology, his theolo...
Does God sovereignly elect some individuals for salvation while passing others by? Do human beings possess free will to embrace or reject the gospel? Did Christ die equally for all people or only for some? These questions have long been debated in the history of the Christian church. Answers typically fall into one of two main categories, popularly known as Calvinism and Arminianism. The focus of this book is to establish how one nineteenth-century evangelical group, the Brethren, responded to these and other related questions. The Brethren produced a number of colorful leaders whose influence was felt throughout the evangelical world. Although many critics have assumed the movement's theology was Arminian, this book argues that the Brethren, with few exceptions, advocated Calvinistic positions. Yet there were some twists along the way! The movement's radical biblicism, passionate evangelism, and strong aversion to systematic theology and creeds meant they refused to label themselves as Calvinists even though they affirmed Calvinism's soteriological principles--the so-called doctrines of grace.
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Five centuries of fascinating female creativity presented in more than 400 compelling artworks and one comprehensive volume The most extensive fully illustrated book of women artists ever published, Great Women Artists reflects an era where art made by women is more prominent than ever. In museums, galleries, and the art market, previously overlooked female artists, past and present, are now gaining recognition and value. Featuring more than 400 artists from more than 50 countries and spanning 500 years of creativity, each artist is represented here by a key artwork and short text. This essential volume reveals a parallel yet equally engaging history of art for an age that champions a greater diversity of voices. "Real changes are upon us, and today one can reel off the names of a number of first-rate women artists. Nevertheless, women are just getting started."—The New Yorker