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Tiersky examines the three major themes of Mitterrand's presidency-socialism, national reconciliation, and the reconstruction of Europe-and shows that on each count, Mitterrand left a decisive mark.
In Betrayals and Treason Nachman Ben-Yehuda identifies the universal structure of betrayals as the violation of trust and loyalty and charts the different manifestations and constructions of these violations, all within numerous cases across time, place, and cultures. Betrayals do not just lie in the eyes of the beholder, completely relative. While the very idea of betrayals is a social construct, underlying it is a universal structure of violations of both trust and loyalty. Whenever this structure materializes, the label "betrayal" is invoked and applied.
A definitive biography of one of the twentieth century's most glamorous, complicated political figures. Aesthete, sensualist, bookworm, politician of Machiavellian cunning: FranCois Mitterrand was a man of exceptional gifts and exceptional flaws who, during his fourteen years as President, strove to drag his tradition-bound and change-averse country into the modern world. As a statesman and as a human being, he was the incarnation of the mercurial, contrarian France which Britain and America find so perennially frustrating. He embodied the ambiguities and the contradictions of a nation whose modern identity is founded on a stubborn refusal to fit into the Anglo-American scheme of things. Yet...
This volume investigates Degas' dual role as both artist and collector. Featuring works by well-known artists like Delacroix, Ingres, Daumier, Manet, Cézanne, Gauguin, Van Gogh, Cassatt, and others, this publication is the definitive text outlining Degas' long career collecting important pieces by his predecessors as well as his contemporaries. -- Metropolitan Museum of Art website.
Which cultural values, beliefs, and attitudes best promote democracy, social justice, and prosperity? How can we use the forces that shape cultural change, such as religion, education, and political leadership, to promote these values in the Third World--and for underachieving minorities in the First World? In this book, Lawrence E. Harrison offers intriguing answers to these questions, in a valuable follow-up to his acclaimed Culture Matters. Drawing on a three-year research project that explored the cultural values of dozens of nations--from Botswana, Sweden, and India to China, Egypt, and Chile--Harrison offers a provocative look at values around the globe, revealing how each nation's cul...
Art Crossing Borders offers a thought-provoking analysis of the internationalisation of the art market during the long nineteenth century. Twelve experts, dealing with a wide variety of geographical, temporal, and commercial contexts, explore how the gradual integration of art markets structurally depended on the simultaneous rise of nationalist modes of thinking, in unexpected and ambiguous ways. By presenting a radically international research perspective Art Crossing Borders offers a crucial contribution to the field of art market studies.
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas’s approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas is thought about today.
Is there a need for books about women in the arts, exhibitions of women painters, readings of women’s poetry, concerts of music by women composers, and conferences highlighting women in the arts? One might believe that, today, the playing field is level, but categories still place the word “woman” before the discipline: woman composer, woman poet, woman artist, and so on. The ultimate goal is to move the debate away from gender categories which reinforce the notion that men’s creativity is not only the norm but better. There are many women challenging the status quo, and succeeding. Change comes slowly since many men and some women in positions of power do not see gender stereotyping...
Straddling the disciplines of literature and social history, and based on extensive archival research, this book makes a crucial contribution to the feminist project of writing women back into literary history. It brings to light the hitherto unrecognised literary tradition in the prehistory of psychoanalysis: the psychiatric memoir.