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Iris Murdoch
Iris Murdoch was both a popular and intellectually serious novelist, whose writing life spanned the latter half of the twentieth century. A proudly Anglo-Irish writer who produced twenty-six best-selling novels, she was also a respected philosopher, a theological thinker and an outspoken public intellectual. This thematically based study outlines the overarching themes that characterise her fiction decade by decade, explores her unique role as a British philosopher-novelist, explains the paradoxical nature of her outspoken atheism and highlights the neglected aesthetic aspect of her fiction, which innovatively extended the boundaries of realist fiction. While Iris Murdoch is acknowledged here as a writer who vividly evokes the zeitgeist of the late twentieth century, she is also presented as a figure whose unconventional life and complex presentation of gender and psychology has immense resonance for twenty-first-century readers.
Tudor and Early Stuart Parks of Hertfordshire
This book forms a continuation of the research published in Medieval Parks, Anne Rowe's highly regarded volume of 2009. Now she turns her attention to the deer parks that existed in Hertfordshire during the sixteenth and early seventeenth centuries. Drawing on the earliest county maps, most notably those produced by Saxton in 1577 and Norden in 1598, and both State papers and estate records, Anne Rowe builds a detailed picture of Hertfordshire's Tudor and Early Stuart parks. At least 60 parks existed in Hertfordshire at various times between 1485 and 1642, but for only 46 of those parks is there evidence that they contained deer at some point during the period. These confirmed or probable deer parks form the focus of this study. Of course not all of them were sixteenth-century creations: less than one-third were `new' parks, the remainder had been in existence for much longer, in one or two cases being recorded in Domesday Book. 0.
The Visual Arts and the Novels of Iris Murdoch
This study reveals the visual arts as vital inspiration for many thematic and formal aspects of Iris Murdoch's fiction. It relates the paintings that appear in the novels to her experimentation with form, her attempts at rendering consciousness and to her philosophy. Finally, a study of characters who experience spiritual revelations in front of famous paintings endorses the centrality of the sublime in Murdoch's fiction and demonstrates how painting serves to liberate characters and readers alike from an illusory fantasy world.
Living on Paper
For the first time, novelist Iris Murdoch's life in her own words, from girlhood to her last years Iris Murdoch was an acclaimed novelist and groundbreaking philosopher whose life reflected her unconventional beliefs and values. But what has been missing from biographical accounts has been Murdoch's own voice—her life in her own words. Living on Paper—the first major collection of Murdoch's most compelling and interesting personal letters—gives, for the first time, a rounded self-portrait of one of the twentieth century's greatest writers and thinkers. With more than 760 letters, fewer than forty of which have been published before, the book provides a unique chronicle of Murdoch's lif...
Iris Murdoch and Morality
Iris Murdoch and Morality provides a close focus on moral issues in Murdoch's novels, philosophy and theology. It situates Murdoch within current theoretical debates and develops an understanding of her work as a crucial link between twentieth and twenty-first century writing and theory.
The Secret Name of Ra
Isis, the goddess of the dead, tricks Ra, the god of creation, into revealing his secret name so that she and her husband Osiris can become rulers of the earth.
Iris Murdoch
This book is an eclectic mix of essays that reposition Murdoch's work in relation to current debates in philosophy, theology, literature, gender and sexuality, and authorship. The essays refine, develop or contest previous readings, and blur the distinction between liberal humanist and theoretical positions, suggesting negotiations between them.
Hertfordshire
Dividing the county of Hertfordshire into four broad regions--the "champion" countryside in the north, the Chiltern dip slope to the west, the fertile boulder clays of the east, and the unwelcoming London Clay in the south--this volume explains how, in the course of the middle ages, natural characteristics influenced the development of land use and settlement to create a range of distinctive landscapes. The great diversity of Hertfordshire's landscapes makes it a particularly rewarding area of study. Variations in farming economies, in patterns of trade and communication, as well as in the extent of London's influence, have all played a part during the course of the postmedieval centuries, and Hertfordshire's continuing evolution is followed into the 21st century. Lavishly illustrated with maps and photographs, this authoritative work is invaluable reading for all those with an interest in the history, archaeology, and natural transformation of this fascinating county.
Sacred Space, Beloved City
Sacred Space, Beloved City: Iris Murdoch’s London is a celebration of Iris Murdoch’s love for London and establishes her amongst distinguished “London writers” such as William Blake, Charles Dickens and Virginia Woolf. Individual chapters focus on the City, London art galleries and museums, the Post Office Tower (now the BT Tower), the statue of Peter Pan in Kensington Gardens, Whitehall and the River Thames. Each chapter identifies intricate links between the environment and human consciousness and is accompanied by a corresponding walk that links Murdoch’s plots to landmarks and routes. All essays and walks are illustrated with sketches by Paul Laseau. These drawings not only illustrate locations for identification but also conjure their atmosphere so that readers engage with how Murdoch’s characters experience their surroundings. The final London Glossary is an annotated index of the London place names mentioned in all of Murdoch’s 26 novels.
Iris Murdoch: Texts and Contexts
Using unpublished archive material, including correspondence and the many annotations Murdoch made to the books held in her Oxford library, this book offers fresh insights into Murdoch's work by placing it within a diversity of new contexts. It also reveals startling parallels between Murdoch's work and other literary and philosophical texts.
