Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Intimate Communities
The public image of the college woman of the Progressive Era was transformed from that of a homely, sexless oddity, doomed to spinsterhood, to that of a vibrant, attractive, athletic young woman, who would eventually marry. This study shows how the many popular representations of student life at women's colleges during that time not only described the college woman, but also helped to constitute her. Paper edition (unseen), $13.95. Annotation copyright by Book News, Inc., Portland, OR
Lewis of Warner Hall
"According to tradition the Lewis family of 'Warner Hall' is descended from the emigrant Robert Lewis, who came [from England] to Virginia in 1635." Descendants lived throughout the United States.
DEALING WITH THE MENTALLY ILL PERSON ON THE STREET
This unique guide will serve as a street survival guide for public safety officers and supervisors alike. The author, Doctor Daniel Rudofossi, a sworn police officer and police psychologist in the NYPD and DEA among other agencies, offers a thorough assessment and intervention guide for clinicians and public safety professionals in dealing with mentally ill persons. Using his technique, the Eco-Ethological Existential Analytic method, he presents an original approach toward compassionate and safe interventions with mentally ill citizens who become involved with public safety officers. It will open the doors to an effective and highly meaningful guide officers can put into practice immediatel...
Conversations with May Sarton
With increasing candor and openness May Sarton's conversations have given an intimate view of her honest, courageous inner life. Best known to her many readers as a novelist and keeper of journals, Sarton sees herself pre-eminently as a poet. In the interviews collected here she speaks forthrightly about herself, her independence, and her writing. Although born in Belgium, Sarton is quintessentially American in her choice of solitude on which her personal well-being and writing depend. She is a modernist who has defined herself as an artist, with the occasionally painful recognition that all else must finally be subordinated to her writing. Her journal After the Stroke makes clear that when she cannot write she stands on the edge of the abyss of nonbeing. These interviews offer Sarton's readers the model of a woman who has supported herself as a writer of achievement, who has made her way without the comforts of academic tenure, grants, or bestseller listings.
