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An anthology of the best of the beats edited by Anne Waldman (who should know) and containing a chronology of the movement from Kerouac to Snyder. The emphasis is on the the poetry and prose excerpts; However, the volume includes brief biographical sketches, an introduction by Ginsberg, a recommended beat vacation guide of the places where the gang passed out or recovered, and more scholarly references. The writers selected for inclusion represent the core of beat: Corso, Kerouac, Ginsberg, Orlovsky, di Prima, Burroughs, Baraka, Ferlinghetti, Kyger, Kandel, Kaufman, Whalen, McClure, and Snyder. Annotation copyright by Book News, Inc., Portland, OR
New from celebrated poet and performer Anne Waldman - an edgy, visionary collection that meditates on gender, existence, passion and activism Mythopoetics, shape shifting, quantum entanglement, Anthropocene blues, litany and chance operation play inside the field of these intertwined poems, which coalesced out of months of protests with some texts penned in the streets. Anne Waldman looks to the imagination of mercurial possibility, to the spirits of the doorway and of crossroads, and to language that jolts the status quo of how one troubles gender and outwits patriarchy. She summons Tarot's Force Arcana, the passion of the suffragettes, and various messengers and heroines of historical, hermetic, and heretical stance, creating an intersectionality of lived experience: class, sexuality, race, politics all enter the din. These are experiments of survival.
Anne Waldman has been speaking about the "outrider" tradition since 1974 when she and Allen Ginsberg founded the Jack Kerouac School of Disembodied Poetics at Naropa, a Buddhist-inspired university in Boulder, Colorado. This book gathers essays, poems and rants, an interview with her by Matthew Cooperman, and an interview by her with Nicaraguan poet Ernesto Cardenal in an attempt to further articulate a sense of this tradition from Walt Whitman to the present. Not a dry presentation, this book is a fierce and loving look at what poetry can be. Outrider is an invocation of "lineage" as a challenge toward examining the practice of poetry and the links of its history. This awareness of lineage ...
Edited by Anne Waldman, Lewis Warsh, Contributors include Bill Berkson, Joe Brainard, Tom Clark, Clark Coolidge, Robert Creeley, Kenward Elmslie, Tom Greenwald, Joanne Kyger, Bernadette Mayer, Alice Notley, Ron Padgett, Amber Phillips, Lorenzo Thomas, Ann
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A trumpet call from our most iconoclastic poet that tears down the walls of prescribed creative processes.
"A syncopated web that includes the personal within the metaphysical and the environmental, tying the individual's story to the story of the survival of the planet . . . she can also be funny, brave, and care very deeply about all our futures."--Village Voice Literary Supplement
"The heart of Matram Rudra was so pierced that he shouted "Ouch!" and out of Matram Rudra's utterance sprang the shout of Vajrakilaya, the penetrating dagger."
A fascinating work from an internationally renowned poet Anne Waldman's new investigative hybrid-poem explores the nuances of inter-species communication and compassion. It draws on animal lore, animal encounters (with grey wolf and manatee), dreams, evolutionary biology, neuroscience, and Buddhist ritual to render a text of remarkable sympathy, reciprocity, and power. The poem asks questions as well as urges further engagement with the endangered (including our human selves). Part performance litany, part survival kit, part worried mammalian soundings, Waldman explores, as ever, what it means to inhabit our condition through language and imagination inside a wheel of time. This is the mature work of a philosophical field poet with a shamanic metabolism.
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