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Away from Home
At least since the biblical Exodus, stories of establishing a home, leaving home either voluntarily or by force, and homecoming have collectively formed one of the great organizing subjects of Western civilization. Away From Home conveys the widespread and continuing import of such themes through provocative and playful projects by mid-career and emerging artists from five continents. Issues of home, travel, exile, nomadism and sense of place are reflected on by Franz Ackermann, Eija-Liisa Ahtila, Allora y Calzadilla, Lisa Brice, Raul Cordero, Gregory Green, Lee Mingwei, Jac Leirner, Ken Lum, Marcos Ramirez (ERRE) and Jill Rowinski. Accompanying essays contribute a poignant recollection of an archetypal childhood journey; discuss the exhibition within and against the context of art world internationalism; and interlace wide-ranging comments on travel, home and recent art history with the specifics of Away From Home's artists and artworks.
My Gravender Or Grub
A monograph on the lives of Annette Massie and her sister Di. Annette was a promoter of the ballet, while Di was a model for Dior before becoming a cook in Cornwall. Ten of her recipes/menus are included.
Apocalyptic Wallpaper
Edited by Annetta Massie. Text by Donna deSalvo.
Mood River
Essays by Jeff Kipnis, Sanford Kwinter, Annetta Massie, Chee Perlman and Jose Oubrerie. Foreword by Philip Johnson. Introduction by Sherri Geldin.
The Dark Precursor
Deleuze’s and Guattari’s philosophy in the field of artistic research Gilles Deleuze’s intriguing concept of the dark precursor refers to intensive processes of energetic flows passing between fields of different potentials. Fleetingly used in Difference and Repetition, it remained underexplored in Deleuze’s subsequent work. In this collection of essays numerous contributors offer perspectives on Deleuze’s concept of the dark precursor as it affects artistic research, providing a wide-ranging panorama on the intersection between music, art, philosophy, and scholarship. The forty-eight chapters in this publication present a kaleidoscopic view of different fields of knowledge and art...
Design by Accident
A counterhistory and new historiography of design. In Design by Accident, Alexandra Midal declares the autonomy of design, in and on its own terms. This meticulously researched work proposes not only a counterhistory but a new historiography of design, shedding light on overlooked historical landmarks and figures while reevaluating the legacies of design's established luminaries from the nineteenth century to the present. Midal rejects both linear narratives of progress and the long-held perception of design as a footnote to the histories of fine art and architecture. By weaving critical analysis of the canon of design history and theory together, with special attention to the writings of designers themselves, she draws out the nuances and radical potentials of the discipline—from William Morris's ambivalence toward industry, to Catharine Beecher's proto-feminist household appliances, to the Bauhaus's Expressionist origins, and the influence of Herbert Marcuse on Joe Colombo.
Making Memory Matter
In an ancient account of painting’s origins, a woman traces the shadow of her departing lover on the wall in an act that anticipates future grief and commemoration. Lisa Saltzman shows here that nearly two thousand years after this story was first told, contemporary artists are returning to similar strategies of remembrance, ranging from vaudevillian silhouettes and sepulchral casts to incinerated architectures and ghostly processions. Exploring these artists’ work, Saltzman demonstrates that their methods have now eclipsed painting and traditional sculpture as preeminent forms of visual representation. She pays particular attention to the groundbreaking art of Krzysztof Wodiczko, who is...
Constructing a New Agenda
This follow-up to Kate Nesbitt's best-selling anthology Theorizing a New Agenda collects twenty-eight essays that address architecture theory from the mid-1990s, where Nesbitt left off, through the present. Kristin Sykes offers an overview of the myriad approaches and attitudes adopted by architects and architectural theorists during this era. Multiple themes—including the impact of digital technologies on processes of architectural design, production, materiality, and representation; the implications of globalization and networks of information; the growing emphasis on sustainable and green architecture; and the phenomenon of the 'starchitect' and iconic architecture—appear against a ba...
Eisenman Architects
The basic form of the American sports stadium has not changed much in the last century. But in an unexpected and controversial act of daring, the Arizona Cardinals football team selected awarding-winning architect and intellectual provocateur Peter Eisenman to design their stadium in Glendale, Arizona. Opened in the summer of 2006, Eisenman's latest work rejects all traditional and staid notions of the sports stadium. Inspired by and sectioned like a barrel cactus, its shell is composed of huge, steel paraboloid sections. The domed stadium boasts a steel-and-fabric retractable roof that allows lightto penetrate when closed while maintaining an airy feel inside. The most ground-breaking feature of the design is its grass roll-out field, which remains outside the stadium until game time, when it is rolled in on steel wheel sets powered by small electric motors. Eisenman Architects, the eighth volume in the Source Books in Architecture series, provides a comprehensive look at a contemporary masterpiece and a landmark of excellence in civic and sports architecture.
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