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This volume brings together research from international scholars focusing attention on the longevity and complexity of Blake`s reception in Japan and elsewhere in the East. It is designed as not only a celebration of his art and poetry in new and unexpected contexts but also to contest the intensely nationalistic and parochial Englishness of his work, and in broader terms, the inevitable passivity with which Romanticism (and other Western intellectual movements) have been received in the Orient.
"This book offers a fresh look at fame and a fresh way of thinking about both literary fame and literary history" --
In Imagining Nature Kevin Hutchings combines insights garnered from literary history, poststructuralist theory, and the emerging field of ecological literary studies. He considers William Blake's illuminated poetry in the context of the eighteenth-century model of "nature's economy,' a conceptual paradigm that prefigured modern-day ecological insights, describing all earthly entities as integrated parts of a dynamic, interactive system. Hutchings details Blake's sympathy for – and important suspicions concerning – the burgeoning contemporary fascination with such things as environmental ethics, animal rights, and the various fields of scientific naturalism. By focusing on Blake's concern...
Blake said of his works, 'Tho' I call them Mine I know they are not Mine'. So who owns Blake? Blake has always been more than words on a page. This volume takes Blake 2.0 as an interactive concept, examining digital dissemination of his works and reinvention by artists, writers, musicians, and filmmakers across a variety of twentieth-century media.
East and West applies Sufi thought to some of Doris Lessing's novels and studies the manifestations of Sufi influence on Lessing. Various Sufi-like characters and their unconventional lifestyles are evaluated and explicated for Western readers unfamiliar with Sufism. This book also evaluates the role of spirituality in Lessing's work and considers the implications of taking Lessing's Sufism seriously when reading her works or when doing Lessing criticism. It also impresses upon the reader the degree to which Lessing is seriously offering her space-fiction utopias as plausible and even necessary alternatives to our present Western ways of life.
Blake’s ‘Human Form Divine’ has long commanded the spotlight. Beastly Blake shifts focus to the non-human creatures who populate Blake’s poetry and designs. The author of ‘The Tyger’ and ‘The Lamb’ was equally struck by the ‘beastliness’ and the beauty of the animal kingdom, the utter otherness of animal subjectivity and the meaningful relationships between humans and other creatures. ‘Conversing with the Animal forms of wisdom night & day’, Blake fathomed how much they have to teach us about creation and eternity. This collection ranges from real animals in Blake’s surroundings, to symbolic creatures in his mythology, to animal presences in his illustrations of Virgil, Dante, Hayley, and Stedman. It makes a third to follow Queer Blake and Sexy Blake in irreverently illuminating blind spots in Blake criticism. Beastly Blake will reward lovers of Blake’s writing and visual art, as well as those interested in Romanticism and animal studies.
On the Turn: The Ethics of Fiction in Contemporary Narrative in English is an attempt to listen to the various voices that participate in the current dialogue on the relationship between fiction and ethics. The editors’ introduction investigates the current state of affairs on the return to ethics in critical and literary consideration, and it opens up the way for the variety of approaches that follows. Participants include internationally recognized scholars like Andrew Gibson, Patricia Waugh, or Native American fiction writer and poet Gordon Henry, winner of the American Book Award in 1995. All in all, contributors cover a significant geographical diversity, and their approaches also var...
This book revives questions of religious and political authority in poetic prophecy. It argues that modern prophecy operates within a dynamic of continuity and estrangement that combines immanent and transcendent modes of representation, creating a poetry that revises the very tradition that authorizes it.
Showing Lawrence's familiarity with biblical typology from both written and visual sources, Virginia Hyde explores its many ironic and paradoxical versions in his works. She demonstrates his use of typological precursors of Christ, such as Adam and David, Moses and Aaron, and his development of a coherent cosmology centered on the cross and the Tree of Life. These features often take on radically revisionist meanings when informed by Lawrence's interests in theosophy and occult lore. Hyde fully recognized Lawrence's intensely dynamic style and examines the ways in which he works creatively with his models. Hyde sheds new light on Lawrence's &"leadership&" views, linking them to patriarchal a...