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First published in 1965, Annette von Droste-Hülshoff is the first book about the great German poetess of the early nineteenth century in English. Delicate, fey, over-sensitive, unstable, with the intellect often described as unbecomingly masculine, it is easy to see how Annette von Droste-Hülshoff was bound to flout the conventions of the conservative society she lived in and to suffer accordingly. But melancholy and despairing as many of her poems are, we are never allowed to imagine her as a weak person. Margaret Mare is careful to show us her trenchant humour, her gift of mimicry, her generosity to her friends, the resolution which made her refuse, in the middle of a dangerous illness, ...
First comprehensive study in English of Germany's most prominent female author. Annette von Droste-Hülshoff (1798-1848) remains Germany's foremost female author. Perhaps best known for her novella Die Judenbuche and her ballads, Droste's narrative ability in prose or verse, and her gift for forging highly crafted, often poignant lyrical works, have brought her continuing and growing critical acclaim. Recent critical interest has brought her new recognition as a forerunner in the struggle of women to find their own literary voices. This volume is the first comprehensive study in English of Droste's works and authorial career. It combines a broad view of her literary and epistolary writings with close readings of individual works.
This is a biography of the poet whose reputation moves between two extremes and is proclaimed by many to be Germany's greatest female poet, yet is little known outside Germany. The author attempts to place her in the current of the German Post-Romantic era and analyses her works in their literary context. He shows how the popular view of the writer hopelessly confuses her life and works in a tangle of myth and legend and also includes some special translations of excerpts from the poems.
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The literary achievement of Annette von Droste-Hülshoff is here seen as both original and closely linked with certain events in her life and with the age in which she lived: the opening years of the industrial age and of «modern times». Yet while much attention is given to her work, the present book is largely concerned with making the personality of this interesting woman known through her Letters and an account of her life, her background and her many revealing friendships.
Though the name of Annette von Droste-Hülshoff was little known during her lifetime, she is now recognised, more than 160 years after her death, as a significant German poet. Her work is linguistically challenging and her imagery taxing, but a study of it can prove richly rewarding. This book aims to open up this opportunity to English-speaking readers.Conscious that it would be both difficult and inappropriate to attempt to separate Droste-Hülshoff’s work from the woman, her life and the religious climate in which she lived, Marion Tymms, a scholar of German literature for more than half a century, has written God’s sorely-tested child to offer new insight into the author’s life and work, focusing on her poetic cycle Das Geistliche Jahr (The Spiritual Year) and presenting a complete translation of it.
The aim of this study has been to give a new analytic assessment of the work of Annette von Droste-Hülshoff within its European historical and literary framework, taking into account informed literary opinion from the Droste's time up to the present day. The first half of the Nineteenth Century was an age of transition, of ideological and social change. This climate of change is perceptible in her work. The authoress has attempted also to trace Annette's own «Übergang» from the derivative to the original. She anticipated some ideas and practice of Naturalism, while never losing her feeling for the preternatural and inexplicable in the universe and the human psyche.