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In this We are Native
One of the West's strongest writers couples a passionate argument for saving wilderness with a breathtaking memoir of love and loss and rebirth. Smith unflinchingly tells of her young husband's final year and of mourning the beloved landscape she has chosen as home--Montana's Blackfoot River Valley--when it is brutally clear-cut by big lumber.
Homestead
Annick Smith backtracks through her life, family, and intellectual heritage in search of clues to the woman she has become. She discovers that life--with its attendant sadness, aging and death--is, nevertheless, for embracing.
Crossing the Plains with Bruno
Dogs, like humans, have memories, instincts, fears, and loyalties. But, as far as we know, dogs do not get swept up in nostalgia, speculation, or self-analysis. Although they have hopes, they are not driven by regrets. In Crossing the Plains with Bruno, Annick Smith weaves together a memoir of travel and relationship, western history and family history, human love and animal love centering around a two week road trip across the Great Plains she and her 95 pound chocolate lab, Bruno, took in the summer of 2003. It is a chain of linked meditations, often triggered by place, about how the past impinges on the present and how the present can exist seemingly sans past. Traveling from her rural ho...
Hearth
A multicultural anthology, edited by Susan O’Connor and Annick Smith, about the enduring importance and shifting associations of the hearth in our world. A hearth is many things: a place for solitude; a source of identity; something we make and share with others; a history of ourselves and our homes. It is the fixed center we return to. It is just as intrinsically portable. It is, in short, the perfect metaphor for what we seek in these complex and contradictory times—set in flux by climate change, mass immigration, the refugee crisis, and the dislocating effects of technology. Featuring original contributions from some of our most cherished voices—including Terry Tempest Williams, Bill McKibben, Pico Iyer, Natasha Trethewey, Luis Alberto Urrea, and Chigozie Obioma—Hearth suggests that empathy and storytelling hold the power to unite us when we have wandered alone for too long. This is an essential anthology that challenges us to redefine home and hearth: as a place to welcome strangers, to be generous, to care for the world beyond one’s own experience.
Big Bluestem
On one of North America's last remaining expanses of grassland the Nature Conservancy has begun what is perhaps the boldest ecological experiment ever attempted. They are not simply conserving the natural beauty of this place, where eight-foot-tall grasses roll for miles under limitless prairie skies; they are studying it and shaping it anew, bringing back the bison once hunted here by native Plains horsemen, and seeding with fire to liberate the natural biodiversity of a land never broken by the plow. On the stage that is the Tallgrass Prairie Preserve many dramas have unfolded. Indians, white settlers, ranchers, oil barons, scientists, and politicians have all taken roles alongside Nature's players - geologic phenomena, weather, the intricately interwoven lives of plants and animals. In Big Bluestem, Annick Smith traces the fascinating story of this land that, like the grasses, endures, and should endure, in its glory forever.
The Last Best Place
Collection of 230 stories, poems, reminiscences and reports written by 150 men and women about Montana.
Fireweed
A small lumber town is the setting for this story about a couple who are the children of Scandinavian pioneers.
The Wide Open
It is hard to love the high, cold plains of the American West. They are vast and harsh and demanding. And perhaps because they are so hard to love, prairies challenge the imaginative mind and the adventurous heart. The Wide Open reveals how some of the most interesting and accomplished writers and photographers in the country have met that challenge and given the genius of the prairie a vision and a voice. Their stories are as diverse as the tellers, ranging from fiction by Barry Lopez, Richard Ford, and William Kittredge, to the childhood histories of Mary Clearman Blew and Judy Blunt and the nonfiction narratives of Jim Harrison, Gretel Ehrlich, and Rick Bass. There are works by Native American prairie dwellers such as M. L. Smoker and James Welch and the photographic interpretations of Lee Friedlander, Lois Conner, and Geoffrey James. Personal or poetic, journalistic or scientific, these works eloquently attest to the prairie s abundance in all its human and natural variety, offering pictures as wide open and rich as the land they depict.
My Story as Told by Water
Offers a loving tribute to the landscape, plants, and animals of his native Montana.
