You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
When the ride gets wild... If Annie Corrigan had played it safe and stayed in New York, no cowboy would have sweet-talked his way into that empty bedroom down the hall. But on the eve of her very first night at her aunt's ramshackle Texas spread, that's exactly what happens. Just shut your eyes— With a million dollars in rodeo prize money gone missing and a vengeful husband on his tail, Luke McCall needs a place to hide while he clears his name. Lady Luck seems to have deserted him for good when he accidentally picks a female cop from Manhattan as his cover. And hang on... It looks like Annie has no choice but to turn him in. That is, until Slow Hand Luke decides to live up to his name—
None
Wesley made the mistake of falling for a woman who wanted him only for his money. Now he’s dead, and Barbara Jean is being blamed. Who should come to her rescue but Flynn, the first man Annie’s learning to trust. Flynn is trying to convince Annie that he cares about her, but he’s got a secret that might destroy their friendship, not to mention the budding attraction between them. How can Annie believe he’ll be there for her when everyone is saying Flynn is still in love with his old flame? Never a woman to sit at home and wait, Annie takes on the case. Her sleuthing gets her into some tight spots, and she draws the killer’s attention. Happy Holloway will get her man. Whether it’s the murderer or the firefighter remains to be seen.
“Literature of the Holocaust” courses, whether taught in high schools or at universities, necessarily cover texts from a broad range of international contexts. Instructors are required, regardless of their own disciplinary training, to become comparatists and discuss all works with equal expertise. This books offers analyses of the ways in which representations of the Holocaust—whether in text, film, or material culture—are shaped by national context, providing a valuable pedagogical source in terms of both content and methodology. As memory yields to post-memory, nation of origin plays a larger role in each re-telling, and the chapters in this book explore this notion covering well-known texts like Night (Hungary), Survival in Auschwitz (Italy), MAUS (United States), This Way to the Gas (Poland), and The Reader (Germany), while also introducing lesser-known representations from countries like Argentina or Australia.
Not a lot happens in Niagara Falls. It's a sleepy Canadian town full of honeymooners and tourists, and that's how Inspector Frank Corrigan likes it. He saw enough trouble as a cop in Northern Ireland. Now he's happy dealing with parking offences and the odd drunk, although since his wife left him and took their daughter, 'happy' may not be quite the word. Then a reincarnated Native American princess by the name of Lelewala canoes over the Falls - and survives. Or so she says. And Frank falls in love. And finds himself confronting the greatest terrorist of the age at an international gathering of drug dealers. And that's before the music starts...
Critical Theory and Animal Liberation is the first collection to approach our relationship with other animals from the critical or "left" tradition in political and social thought. Breaking with past treatments that have framed the problem as one of "animal rights," the authors instead depict the exploitation and killing of other animals as a political question of the first order. The contributions highlight connections between our everyday treatment of animals and other forms of social power, mass violence, and domination, from capitalism and patriarchy to genocide, fascism, and ecocide. Contributors include well-known writers in the field as well as scholars in other areas writing on animals for the first time. Among other things, the authors apply Freud's theory of repression to our relationship to the animal, debunk the "Locavore" movement, expose the sexism of the animal defense movement, and point the way toward a new transformative politics that would encompass the human and animal alike.
Fame has a magic all its own in the no-gossip-barred follow-up to Geekomancy. Ree Reyes gets her big screenwriting break, only to discover just how broken Hollywood actually is. Things are looking up for urban fantasista Ree Reyes. She’s using her love of pop culture to fight monsters and protect her hometown as a Geekomancer, and now a real-live production company is shooting her television pilot script. But nothing is easy in show business. When an invisible figure attacks the leading lady of the show, former child-star-turned-current-hot-mess Jane Konrad, Ree begins a school-of-hard-knocks education in the power of Celebromancy. Attempting to help Jane Geekomancy-style with Jedi mind tricks and X-Men infiltration techniques, Ree learns more about movie magic than she ever intended. She also learns that real life has the craziest plots: not only must she lift a Hollywood-strength curse, but she needs to save her pilot, negotiate a bizarre love rhombus, and fight monsters straight out of the silver screen. All this without anyone getting killed or, worse, banished to the D-List.
None