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“Literature of the Holocaust” courses, whether taught in high schools or at universities, necessarily cover texts from a broad range of international contexts. Instructors are required, regardless of their own disciplinary training, to become comparatists and discuss all works with equal expertise. This books offers analyses of the ways in which representations of the Holocaust—whether in text, film, or material culture—are shaped by national context, providing a valuable pedagogical source in terms of both content and methodology. As memory yields to post-memory, nation of origin plays a larger role in each re-telling, and the chapters in this book explore this notion covering well-known texts like Night (Hungary), Survival in Auschwitz (Italy), MAUS (United States), This Way to the Gas (Poland), and The Reader (Germany), while also introducing lesser-known representations from countries like Argentina or Australia.
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Critical Theory and Animal Liberation is the first collection to approach our relationship with other animals from the critical or "left" tradition in political and social thought. Breaking with past treatments that have framed the problem as one of "animal rights," the authors instead depict the exploitation and killing of other animals as a political question of the first order. The contributions highlight connections between our everyday treatment of animals and other forms of social power, mass violence, and domination, from capitalism and patriarchy to genocide, fascism, and ecocide. Contributors include well-known writers in the field as well as scholars in other areas writing on animals for the first time. Among other things, the authors apply Freud's theory of repression to our relationship to the animal, debunk the "Locavore" movement, expose the sexism of the animal defense movement, and point the way toward a new transformative politics that would encompass the human and animal alike.
Not a lot happens in Niagara Falls. It's a sleepy Canadian town full of honeymooners and tourists, and that's how Inspector Frank Corrigan likes it. He saw enough trouble as a cop in Northern Ireland. Now he's happy dealing with parking offences and the odd drunk, although since his wife left him and took their daughter, 'happy' may not be quite the word. Then a reincarnated Native American princess by the name of Lelewala canoes over the Falls - and survives. Or so she says. And Frank falls in love. And finds himself confronting the greatest terrorist of the age at an international gathering of drug dealers. And that's before the music starts...
When the ride gets wild... If Annie Corrigan had played it safe and stayed in New York, no cowboy would have sweet-talked his way into that empty bedroom down the hall. But on the eve of her very first night at her aunt's ramshackle Texas spread, that's exactly what happens. Just shut your eyes— With a million dollars in rodeo prize money gone missing and a vengeful husband on his tail, Luke McCall needs a place to hide while he clears his name. Lady Luck seems to have deserted him for good when he accidentally picks a female cop from Manhattan as his cover. And hang on... It looks like Annie has no choice but to turn him in. That is, until Slow Hand Luke decides to live up to his name—
This long-anticipated monograph honoring scientist and teacher Fred Sanders includes 16 articles by various authors as well as dozens of unique photographs evoking Fred's character and the vitality of the scientific community he helped develop through his work. Editors Lance F. Bosart (University at Albany/SUNY) and Howard B. Bluestein (University of Oklahoma at Norman) have brought together contributions from luminary authors-including Kerry Emanuel, Robert Burpee, Edward Kessler, and Louis Uccellini-to honor Fred's work in the fields of forecasting, weather analysis, synoptic meteorology, and climatology. The result is a significant volume of work that represents a lasting record of Fred Sanders' influence on atmospheric science and legacy of teaching.
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