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Growing Old, Going Cold
What is it about freezing cold water that draws people in? Throughout history, humans have gravitated to cold water swimming and celebrated its healing properties, calling it the secret to good health and serenity. Today, cold water swimmers gather in groups from Galway to Georgian Bay to jump into frigid waters for fun, competition, and even as a form of activism and protest. Kathleen McDonnell started swimming in Lake Ontario, infamous for its chilly depths, because it was close to home. As time went on she began to rely on a daily dip, even breaking through winter ice to raise her spirits and refresh her body. In this wide-ranging memoir, McDonnell shares her love of cold water swimming and the lessons she has learned from a slow and steady commitment to the waves.
The Last to Die
Short-listed for the 2008 Arthur Ellis Award for Best Crime Non-Fiction Although they committed separate crimes, Arthur Lucas and Ronald Turpin met their deaths on the same scaffold at Toronto’s Don Jail on December 11, 1962. They were the last two people executed in Canada, but surprisingly little was known about them until now. This is the first book to uncover the lives and deaths of Turpin, a Canadian criminal, and Lucas, a Detroit gangster. The result of more than five years of research, The Last to Die is based on original interviews, hidden documents, trial transcripts, and newspaper accounts. Featuring crime scene photos and never-before-published documents, this riveting book also reveals the heroic efforts of lawyer Ross MacKay, who defended both men, and Chaplain Cyril Everitt, who remained with them to the end. What actually happened the night of the hangings is shrouded by myth and rumour. This book finally confirms the truth and reveals the gruesome mistake that cost Arthur Lucas not only his life but also his head.
Nightwood Theatre
Nightwood Theatre is the longest-running and most influential feminist theatre company in Canada. Since 1979, the company has produced works by Canadian women, providing new opportunities for women theatre artists. It has also been the "home company" for some of the biggest names in Canadian theatre, such as Ann-Marie MacDonald. In Nightwood Theatre, Scott describes the company?s journey toward defining itself as a feminist theatre establishment, highlighting its artistic leadership based on its relevance to diverse communities of women. She also traces Nightwood?s relationship with the media and places the theatre in an international context by comparing its history to that of like companies in the U.K. and the U.S
Afrika Solo
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Atom Egoyan
The films of Atom Egoyan immerse the viewer in a world of lush sensuality, melancholia, and brooding obsession. From his earliest films Next of Kin and Family Viewing, to his coruscating Exotica and recent projects such as Where the Truth Lies, Egoyan has paid infinite attention to narrative intricacy and psychological complexity. Traumatic loss and its management through ritual return as themes in his films as he explores personal scenarios of mourning and broader issues of genocide, exile, and postmemory, in particular in relation to his own Armenian heritage. In this study, Emma Wilson closely analyzes the range of Egoyan's films and their visual textures, emotional control, and perverse ...
LOUIS SULLIVAN AND HIS MENTOR, JOHN HERMAN EDELMANN, ARCHITECT
Although the world famous architect Louis Sullivan praised John Edelmann at length as a friend, philosopher, gifted draftsman and above all as his "benefactor" in his The Autobiography of an Idea, he avoided any mention of having worked for two years as an apprentice in Edelmann's architectural office and the influence that experience obviously had on his future work. This book corrects that deficiency in Sullivan's narrative. Through a comparison of their buildings and ornamental designs, the differences in the approaches of these two men to architectural planning and the debt Sullivan owed to Edelmann's unique ornamental style in the development of his own world renowned ornament is demonstrated. Edelmann is also revealed as the young architect who not only took Sullivan on as an apprentice, but in time introduced him to his future partner Dankmar Adler, only to be betrayed in the end by Sullivan for having done so.
The Don
An in-depth exploration of the Don Jail from its inception through jailbreaks and overcrowding to its eventual shuttering and rebirth. Conceived as a “palace for prisoners,” the Don Jail never lived up to its promise. Although based on progressive nineteenth-century penal reform and architectural principles, the institution quickly deteriorated into a place of infamy where both inmates and staff were in constant danger of violence and death. Its mid-twentieth-century replacement, the New Don, soon became equally tainted. Along with investigating the origins and evolution of Toronto’s infamous jail, The Don presents a kaleidoscope of memorable characters — inmates, guards, governors, murderous gangs, meddlesome politicians, harried architects, and even a pair of star-crossed lovers whose doomed romance unfolded in the shadow of the gallows. This is the story of the Don’s tumultuous descent from palace to hellhole, its shuttering and lapse into decay, and its astonishing modern-day metamorphosis. Speaker's Book Award 2021 — Shortlisted | Brass Knuckles Award for Best Nonfiction Crime Book 2022 — Shortlisted
