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Navigating Urban Soundscapes
Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of "urban sound" is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.
Navigating Urban Soundscapes
Navigating Urban Soundscapes: Dublin and Los Angeles in Fiction offers an innovative analytical framework to explore sound in different media and across two distinct urban soundscapes. Studying a wide range of novels, films, and radio dramas, using Dublin and Los Angeles as case studies, Annika Eisenberg asks how sounds are aestheticised to signify urban space in fiction, and how sounds allow such fictional urban spaces to be navigated, both by auscultators, the characters listening within a work of fiction, and by auditeurs, the implied audience of a fictional work. Eisenberg argues that the concept of “urban sound” is a cultural and aesthetic construct, and in doing so, she shows why aesthetics needs to be front and center in sound studies.
forum for inter-american research Vol 4
Volume 4 of 6 of the complete premium print version of journal forum for inter-american research (fiar), which is the official electronic journal of the International Association of Inter-American Studies (IAS). fiar was established by the American Studies Program at Bielefeld University in 2008. We foster a dialogic and interdisciplinary approach to the study of the Americas. fiar is a peer-reviewed online journal. Articles in this journal undergo a double-blind review process and are published in English, French, Portuguese and Spanish.
The Life of D. H. Lawrence
Complete with fresh perspectives, and drawing on the latest scholarship and biographical sources, The Life of D. H. Lawrence spans the full range of his intellectual interests and creative output to offer new insights into Lawrence’s life, work, and legacy. Addresses his major works, but also lesser-known writings in different genres and his late paintings, in order to reassess the innovative, challenging, and subversive aspects of Lawrence’s personality and writing Incorporates newly-discovered sources, including correspondence, a manuscript written in 1923-4, new evidence for important influences on his major novels and two previously unpublished images of the author Emphasizes Lawrence’s gregarious nature, his desire to collaborate with others, and his adaptability to different social situations Pays particular attention to the many interactions with literary advisors, editors, agents, publishers, and printers that were required for him to work as a professional writer Combines new material with astute commentary to provide a nuanced understanding of one of the most prolific and controversial authors of the twentieth century
Looking Back at the Jazz Age
From Britain’s Downton Abbey and Dancing on the Edge to Woody Allen’s Midnight in Paris and Baz Luhrmann’s The Great Gatsby, the Jazz Age’s presence in recent popular culture has been striking and pervasive. This volume not only deepens the reader’s knowledge of this iconic period, but also provides a better understanding of its persistent presence “in our time.” Situating well-known Jazz Age writers such as Langston Hughes in new contexts while revealing the contributions of lesser-known figures such as Fannie Hurst, Looking Back at the Jazz Age brings together an international and interdisciplinary group of scholars who draw on a wide range of academic fields and critical met...
Place-Making in the Declarative City
This volume looks at the concept of the declarative city from an interdisciplinary perspective, comprising literary and linguistic studies, arts and art history, discourse analysis, as well as urban planning. The various contributions demonstrate the semiotic complexity and inconsistency of declarative and discursive practices in different social, cultural, aesthetic, and historical contexts.
Landscapes of Liminality
Landscapes of Liminality expands upon existing notions of spatial practice and spatial theory, and examines more intricately the contingent notion of “liminality” as a space of “in-between-ness” that avoids either essentialism or stasis. It capitalises on the extensive research that has already been undertaken in this area, and elaborates on the increasingly important and interrelated notion of liminality within contemporary discussions of spatial practice and theories of place. Bringing together international scholarship, the book offers a broad range of cross-disciplinary approaches to theories of liminality including literary studies, cultural studies, human geography, social studies, and art and design. The volume offers a timely and fascinating intervention which will help in shaping current debates concerning landscape theory, spatial practice, and discussions of liminality.
Transferences
Why are psychoanalysts fascinated with literature and other arts? And why do so many novels, plays, films, and television series feature therapy sessions? Transferences investigates the interdisciplinary attraction between psychoanalysis and the arts by exploring the therapeutic relationship as a recurring figure in psychoanalytic discourse, literature, theater, and television. In addition to close readings of psychoanalytic and critical texts, the book presents a new approach to examining psychoanalytic themes and formal devices in texts like Philip Roth's Portnoy's Complaint, J. M. Coetzee's Life & Times of Michael K, Margaret Atwood's Alias Grace, Peter Shaffer's Equus, and the HBO series In Treatment. Transferences argues that psychoanalysts as well as writers and other artists are fascinated by the therapeutic relationship because it provides a unique site to negotiate the narrative and artistic underpinnings of psychoanalysis and reflect and reinvent the aesthetic and poetic potentiality of art.
Samuel Beckett und die deutsche Literatur
Samuel Becketts Interesse für die deutsche Literatur und Kultur ist unbestritten. Dieser international besetzte Band ergründet Becketts Auseinandersetzung mit deutschem Kulturgut in seinen Werken, in Manuskriptfassungen und in den noch unveröffentlichten Tagebüchern, die Beckett während seines Aufenthalts in den 1930er Jahren in Deutschland verfasste. Darüber hinaus kommen intertextuelle Schnittpunkte zwischen Beckett und klassischen wie zeitgenössischen Autoren zur Sprache. Die Beiträge werfen so einen einmaligen Blick auf die deutschen Einflüsse in Becketts Werk und untersuchen seine Wirkung auf jüngere deutschsprachige Autoren wie W.G. Sebald, Peter Handke und Michael Lentz.
Choreographie des Klangs – Zwischen Abstraktion und Erzählung | Choreography of Sound – Between Abstraction and Narration
Radio is a medium in flux, malleable and ever changing. For the past 90 years it has specialised in artistic, documentation and direct acoustic representations of the world. Mobility, openness and the chance to reach a vast audience has drawn artists to the radio since its beginnings. How the Hörspiel, a polyartistic medium of Radio's own creation, offers the other art forms a field of play, was one of the themes of the symposium, which, promoted by the Kulturstiftung des Bundes, took place in Karlsruhe in November 2013. The question was also raised how the other arts – literature, theatre, visual arts, new music, opera – approach the acoustic. Choreography of Sound intends to put the Hörspiel in context with other art forms. In this meeting of multiple disciplines the aesthetic possibilities of the acoustic can be explored and new developments identified. Hörspiel practicioners meet sound-poets, theoreticians, dramaturgs, authors, composers and performance artists whose work crosses the traditional borders of genre.
