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This pathbreaking collection of original essays surveys an important but neglected topic: anonymous publication in England for the Elizabethan age to the present. An impressive group of scholars analyzes a wide range of literary phenomena including: Shakespeare in 17th century commonplace books; the phrase 'By a Lady'; the implied author of an eighteenth century queer fiction; Bentley and the battle of books; essays by Equiano (?); the novel, 1750 - 1830; Frankenstein's unnamed monster; the co-authored pseudonym Michael Field; nineteenth century ghostwriting; and a postmodern hoax on national identity. The editor's introduction places the essays within the context of the historical trajectory of anonymous authorship. Essential reading for anyone interested in authorship and the history of the book.
Some of the greatest works in English literature were first published without their authors' names. Why did so many authors want to be anonymous--and what was it like to read their books without knowing for certain who had written them? In Anonymity, John Mullan gives a fascinating and original history of hidden identity in English literature. From the sixteenth century to today, he explores how the disguises of writers were first used and eventually penetrated, how anonymity teased readers and bamboozled critics--and how, when book reviews were also anonymous, reviewers played tricks of their own in return. Today we have forgotten that the first readers of Gulliver's Travels and Sense and S...
This Handbook surveys the state of the art in literary authorship studies. Its 27 original contributions by eminent scholars offer a multi-layered account of authorship as a defining element of literature and culture. Covering a vast chronological range, Part I considers the history of authorship from cuneiform writing to contemporary digital publishing; it discusses authorship in ancient Egypt, Greece, Rome, early Jewish cultures, medieval, Renaissance, modern, postmodern and Chinese literature. The second part focuses on the place of authorship in literary theory, and on challenges to theorizing literary authorship, such as gender and sexuality, postcolonial and indigenous contexts for writing. Finally, Part III investigates practical perspectives on the topic, with a focus on attribution, anonymity and pseudonymity, plagiarism and forgery, copyright and literary property, censorship, publishing and marketing and institutional contexts.
“Michael Field” was the literary pseudonym of two women, Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913). The women were poets, playwrights, diarist, and lovers who lived and wrote together during the final decades of the nineteenth century up to World War I. Their arresting poetry has recently gained them a place in the canon, and their extensive engagement with other writers puts them at the centre of fin de siècle literary culture. This Broadview Edition offers selections from all published books of poetry by Michael Field, and a substantial section of transcriptions from largely unpublished manuscript letters and diaries that gives insight into the extraordinary life and work of the authors. A critical introduction, bibliography, and selection of contemporary reviews are also included.
A deathbed confession ignites a globe-spanning race for answers in this page-turning thriller described as The Da Vinci Code meets The Bourne Identity. “They didn’t have to kill him…He never drank from the altar of bones.” Cryptic dying words from a murdered homeless woman in present-day San Francisco unlock a long-buried secret that alters history. Now, a pair of ruthless assassins are sent to cut the few living “loose ends.” And a young, resourceful woman on the run encounters a determined man with his own connected past and vengeful agenda. Forced to partner for survival and answers, a fast-paced and deadly game of cat and mouse ensues, whisking the duo from the winding streets of Paris to the faded palaces of Budapest to the frozen lakes of Mongolia...where destiny, passion, and further betrayal await them. Jam-packed with pulse-pounding action and featuring a high-profile assassination, a doomed Hollywood legend, and guardians of an ancient religious icon housing a secret others will kill to possess, The Altar of Bones is certain to leave readers stunned and breathless.
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In this essay, originally published anonymously in The Westminster Review (1856), George Eliot examines the state of women's fiction in her time. She lamentingly argues that absurd and banal novels, written by well-to-do women of her time, do great disservice for the overall appreciation of women's intellectual capacities. Eliot divides 'silly novels by lady novelists' into several distinct categories: the mind-and-millinery species, the oracular type and the white-neck-cloth variety. She writes with characteristic sharp wit and insightful intellect in this scathing (but not unfeeling) feminist critique of 'Silly Novels by Lady Novelists'. This edition includes illustrations from the books c...
Anonymity and unobservability have become key issues in the context of securing privacy on the Internet and in other communication networks. Services that provide anonymous and unobservable access to the Internet are important for electronic commerce applications as well as for services where users want to remain anonymous. This book is devoted to the design and realization of anonymity services for the Internet and other communcation networks. The book offers topical sections on: attacks on systems, anonymous publishing, mix systems, identity management, pseudonyms and remailers. Besides nine technical papers, an introduction clarifying the terminology for this emerging area is presented as well as a survey article introducing the topic to a broader audience interested in security issues.
The Gothic imagination, that dark predilection for horrors and terrors, specters and sprites, occupies a prominent place in contemporary Western culture. First given fictional expression in Horace Walpole's The Castle of Otranto of 1764, the Gothic mode has continued to haunt literature, fine art, music, film, and fashion ever since its heyday in Britain in the 1790s. Terror and Wonder, which accompanies a major exhibition at the British Library, is a collection of essays that trace the numerous meanings and manifestations of the Gothic across time, tracking its prominent shifts and mutations from its 18th-century origins, through the Victorian period, and into the present day. Edited and introduced by Dale Townshend, and consisting of original contributions by Nick Groom, Angela Wright, Alexandra Warwick, Andrew Smith, Lucie Armitt, and Catherine Spooner, Terror and Wonder provides a compelling and comprehensive overview of the Gothic imagination over the past 250 years.
Everyone’s doing it — Web marketing, that is. Building an online presence is vital to your business, and if you’re looking for Web marketing real-world experiences, look no farther than Web Marketing All-in-One For Dummies. These eight minibooks break down Web marketing into understandable chunks, with lots of examples from an author team of experts. The minibooks cover: Establishing a Web Presence Search Engine Optimization Web Analytics E-Mail Marketing Blogging and Podcasting Social Media Marketing Online Advertising & Pay-Per-Click Mobile Web Marketing Web Marketing All-in-One For Dummies shows you how to please both customers and search engines; track your performance; market with...