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A fascinating look at the history and legacy of Roman gardens, focusing on Great Britain. The author is a board member of the Association for Roman Archaeology and a prolific writer of papers on Roman art and architecture and has lectured on the subject of Roman gardens.
A lavishly illustrated look at the history of Roman mosaics in Britain, from a renowned expert in the field.
This fascinating selection of photographs traces some of the many ways in which North Brighton has changed and developed over the last century.
This fascinating full-color book tells the complete story behind the most spectacular and innovative Roman mosaic ever found in Britain. The Boxford Mosaic, dating from around 350AD, is one of just three mosaics of its kind in the world - a masterpiece of Roman artistry and a beautifully preserved link to the past. Yet it lay hidden beneath a field in Boxford, England, for some 1,600 years until is was fully uncovered in the summer of 2019. The book reveals the inside story of its rediscovery, excavation and the myths depicted on it.
Described as ‘the most beautiful book ever printed’ previous research has focused on the printing history of the Hypnerotomachia and its copious literary sources. This monograph critically engages with the narrative of the Hypnerotomachia and with Poliphilo as a character within this narrative, placing it within its European literary context. Using narratological analysis, it examines the journey of Poliphilo and the series of symbolic, allegorical, and metaphorical experiences narrated by him that are indicative of his metamorphosing interiority. It analyses the relationship between Poliphilo and his external surroundings in sequences of the narrative pertaining to thresholds; the symbolic architectural, topographical, and garden forms and spaces; and Poliphilo’s transforming interior passions including his love of antiquarianism, language, and Polia, the latter of which leads to his elegiac description of lovesickness, besides examinations of numerosophical symbolism in number, form, and proportion of the architectural descriptions and how they relate to the narrative.