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Hell Comes To Hollywood II
Welcome back to Hellywood! A film crew tracks a creature in the forest—or is it tracking them…? A producer sells his soul for the rights to a comic book, but the deal isn’t what it seems… The hideous secret to an mega-star’s fame lies in the bottom of his hot tub… An actress buys a smartphone and gets far more than she bargained for… A reality TV show pushes contestants to insane limits… A Hollywood movie palace worker gets trapped in a ghostly nightmare… Take a behind the screams tour into the dark heart of show business and see the cast of bloodthirsty monsters, power-mad directors, starving zombies, deal-making demons and more horrific creatures tear up the screen! Buy your ticket, bloody the popcorn, and settle into your seat—and don’t forget to turn off your Hell phone…
Attack of the New B Movies
Since its inception in 1992, the Sci-Fi Channel (later rebranded as SYFY) has aired more than 500 network-produced or commissioned films. Campy and prolific, the network churned out one low-budget film after another, finally finding its zenith in the 2013 release of Sharknado. With unpretentious charm and a hearty helping of commodified nostalgia, the Sharknado franchise briefly ruled the cultural consciousness and temporarily transformed SYFY's original films from cult fringe to appointment television. Naturally, the network followed up with a steady stream of sequels and spin-offs, including Lavalantula and its sequel, 2 Lava 2 Lantula! This collection of essays is the first to devote crit...
Undead in the West
In Undead in the West: Vampires, Zombies, Mummies, and Ghosts on the Cinematic Frontier, Cynthia J. Miller and A. Bowdoin Van Riper have assembled a collection of essays that explore the many tropes and themes through which undead Westerns make the genre’s inner plagues and demons visible, and lay siege to a frontier tied to myths of strength, ingenuity, freedom, and independence. The volume is divided into three sections: “Reanimating Classic Western Tropes” examines traditional Western characters, symbolism, and plot devices and how they are given new life in undead Westerns; “The Moral Order Under Siege” explores the ways in which the undead confront classic values and morality ...
Slothantula
Eight Legged Deadly Sin A season after Sharkantula devastated Shark World, the park reopens with a new feature attraction's arrival, a feisty sloth. As Peyton and Stephanie help Trey, the newest park staff member, prep the sloth for its release in the forest exhibit alongside the existing female sloth, the genetically modified tarantula that created the Sharkantula pays a visit. While the new sloth gains comfort in its surroundings, the gates open to thousands of visitors anxious to check out the Dolphantula show and get a peek at the majestic animals. However, not everyone is excited as a group of bible-thumping activists have devious plans in mind. As the day progresses, the day's extreme heat casts its toll on the visitors and forces the park's closure, leaving a small number of park staff to close the place down, unaware that the activists have remained behind to kill the Dolphantulas. All are oblivious of the new beast that lurks in the shadows, the SLOTHANTULA!
Clive Barker
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Søren Kierkegaard and Climate Catastrophe
Søren Kierkegaard's work is teeming with images of earthquakes, floods, storms, volcanic eruptions, wildfires, burned down cities, and apocalyptic events that 'let the heavens fall and the stars change their places in the overturning of everything'. These disaster images are not just rhetorical packaging of the philosophical and theological content of his works. Rather, disasters play an important but largely understudied role in Kierkegaard's analysis of human existence. Kierkegaard and Climate Catastrophe focuses on prophetic noir in Kierkegaard's work: the sombre mood that is evoked when the shadow of future disaster falls upon the present. Isak Winkel Holm's core contention is that the ...
Tim Burton
With a visual style inspired by the aesthetics of animation and silent comedy, Tim Burton has reinvented Hollywood genre filmmaking over the past three decades, melding the exotic, the horrific and the comic, and manipulating expressionism and fantasy with the skill of a graphic novelist. Published to accompany a major retrospective at The Museum of Modern Art, this volume considers Burton's career as an artist and filmmaker. It narrates the evolution of his creative practices, following the current of his visual imagination from his earliest childhood drawings through his mature oeuvre. Illustrated with works on paper, moving-image stills, drawn and painted concept art, puppets and maquettes, storyboards, and examples of his work as a graphic artist for his nonfilm projects, this exhibition catalogue sheds new light on Burton and presents previously unseen works from the artist's personal archive.
The Hellraiser Films and Their Legacy
Best-selling horror novelist Clive Barker's 1987 film Hellraiser has become an undisputed horror classic, spawning a movie franchise that to date includes eight films. Exploring not only the cinematic interpretations of the Hellraiser mythos but also its intrusion into other artistic and cultural forms, this volume begins by identifying the unconventional sources of Barker's inspiration and following Barker from his pre-Hellraiser cinematic experience through the filming of the horror classic. It examines various themes (such as the undermining of the traditional family unit and the malleability of the flesh) found throughout the film series and the ways in which the representation of these themes changes from film to film. The religious aspects of the films are also discussed. Characters central to the franchise--and the mythos--are examined in detail.
Musique Fantastique
This book discusses the use of scores in horror, science fiction and fantasy films, covering the 1930's to the 1980's, with chapters on Herrmann, Goldsmith, Rózsa, Japanese monster movies, Hammer horror movies, John Williams, electronic music and how classical music has been integrated into these film genres.
