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Byzantium
The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries...
Roman Identity from the Arab Conquests to the Triumph of Orthodoxy
This book asks how the inhabitants and neighbours of the Eastern Roman Empire understand their identity as Romans in the centuries following the emergence of Islam as a world-religion. Its answers lie in exploring the nature of change and continuity of social structures, self-representation, and boundaries as markers of belonging to the Roman group in the period from circa AD 650 to 850. Early medieval Romanness was integral to the Roman imperial project; its local utility as an identifier was shaped by a given community’s relationship with Constantinople, the capital of the Roman state. This volume argues that there was fundamental continuity of Roman identity from Late Antiquity through these centuries into later periods. Many transformations which are ascribed to the Romans of this era have been subjectively assigned by outsiders, separated by time or space, and are not born out by the sources. This finding dovetails with other recent historical works re-evaluating the early medieval Eastern Roman polity and its ideology.
The Glory of Byzantium
Serves as both visual and textual record of the exhibition of the same name, surveying the art of the Middle Byzantine period from the restoration of the use of icons by the Orthodox Church in 843 to the occupation of Constantinople by the Crusader forces from the West from 1204 to 1261. Conceived as a sequel to the 1976 exhibition "Age of Spirituality," which focused on the first centuries of Byzantium. Preceding the catalogue, 17 essays treat the historical context, religious sphere, and secular courtly realm of the empire, and the interactions between Byzantium and other medieval cultures. Abundantly illustrated. Annotation copyrighted by Book News, Inc., Portland, OR
The Oliphant
This book discusses a group of medieval carved ivory horns, namely oliphants. It draws upon medieval visual as well as literary sources both Arabic and Latin, with an eye to providing an original interpretation of these objects. In doing so, it breaks new ground in the understanding of both oliphants and the historical context of medieval artefacts in general.
Hugo Grotius, Ordinum Hollandiae ac Westfrisiae pietas (1613)
This volume contains Hugo Grotius' first work in the field of Church politics, orginally published in 1613. The book was written to defend the policy of the States of Holland, which was being attacked by the orthodox Calvinistic party in the Netherlands. It was written with an eye to foreign Dutch allies, especially King James I. Grotius' Latin text is here edited critically for the first time and provided with an introduction, an English translation and an extensive commentary. In several appendixes, various texts that are important for the background and the reception of the book are printed, many of them for the first time. Ordinum Pietas is one of the key texts for the knowledge of the religious disputes in the Netherlands during the Twelve Years' Truce (1609-1621).
Byzantine Images and their Afterlives
The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr's interests and the equally wide impact of her work. The concepts linking the essays include the examination of form and meaning, the relationship between original and copy, and reception and cultural identity in medieval art and architecture. Carr’s work focuses on the object but considers the audience, looks at the copy for retention or rejection of the original form and meaning, and always seeks to understand the relationship between intent and perception. She examines the elusive nature of ’center’ and ’periphery’, expanding and enriching the discourse of manuscript production, icons and the...
Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)
(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.
Military Saints in Byzantium and Rus, 900-1200
A comprehensive study of the process by which certain martyrs of the early church were transformed into military heroes.
Studies in Byzantine Monasticism
This volume includes seventeen essays on Byzantine monasticism, focusing on the 9th to 15th centuries. Envisaged as a companion Variorum volume to Talbot's Women and Religious Life in Byzantium (2001), this compendium complements its predecessor by focusing more attention on male monasteries, hermits and holy mountains, while offering some pioneering studies of female patrons, rural nuns, and the links of many Byzantine women to Mount Athos. The volume also complements Talbot's 2019 monograph, Varieties of Monastic Experience in Byzantium, 800-1453, by offering detailed analyses of topics that could only be briefly addressed in that book. Introductory essays include an overview of the histor...
Performing the Gospels in Byzantium
Tracing the Gospel text from script to illustration to recitation, explores the ritual and architectural context of illuminated manuscripts.
