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Vascular Surgery: Current Questions discusses the queries concerning modes of therapy, surgical practices, and management of vascular problems. This book contains 19 chapters and begins with an overview of the clinical vascular laboratory. The succeeding chapters deal with the risk factors in peripheral vascular disease and the pragmatic viewpoint of carotid body tumors and carotid endarterectomy. Considerable chapters are devoted to several surgical options and practices for specific vascular disease management. Other chapters discuss the challenges in prevention of vascular surgical sepsis, treatment for diabetic foot, and amputation. The final chapters describe the clinical features and therapeutic management of chronic venous insufficiency and deep vein thrombosis. This book will prove useful to consultants and trainee vascular and general surgeons and other specialists who share in the overall management of patients with vascular problems.
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Bibliography of Cello and Double Bass Ensemble Music for Three or More Celli and/or Double Basses
An original history of music in the lives of American soldiers. Since the Civil War, music has coursed through the United States military. Soldiers have sung while marching, listened to phonographs and armed forces radio, and packed the seats at large-scale USO shows. “Reveille” has roused soldiers in the morning and “Taps” has marked the end of a long day. Whether the sounds came from brass instruments, weary and homesick singers, or a pair of heavily used earbuds, where there was war, there was music, too. Instrument of War is a first-of-its-kind study of music in the lives of American soldiers. Although musical activity has been part of war since time immemorial, the significance ...
Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of metacinematic features forms the basis of a discourse on film arising from the films themselves. Such a discourse, in turn, outlines the boundaries of the possible for film in China as aesthetic or sociopolitical practice. Metacinema also draws our attention to the presence of the audience, people actively responding to a film. In elucidating the affective responses elicited by the metacinematic mode in the viewers, Stuckey argues that metacinema ...