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Since 1979, the literary journal Blueline has served as a venue for literature that reflects the distinctive spirit of the Adirondack region. These poems and prose pieces, drawn from twenty-five years of Blueline's pages, represent the abundance and variety of creative responses to the singular geography and history of the Adirondacks. Read together, however, they do something more: they reveal a distinct way of looking at the world, attuned both to nature in all its various detail and to profound questions about nature and humanity. Under the editors' discriminating eyes, the contributions coalesce into a natural and elegant extension of the region's landscape and people. From Joseph Bruchac's "Writing by Moonlight" and Neal Burdick's "Waiting for a Train at the Plattsburgh Amtrak Station" to Alice Wolf Gilborn's "On Adirondack Porches," The Blueline Anthology offers rare glimpses into the soul of a region, brief and shifting views that, like those glimpsed by a hiker looking out from the trees at the blue mountains, capture the eye and the mind.
Most people who have lost a child write books about how to cope with the child's death. Author Lori Plegge has taken a different perspective on losing a child. Instead of writing about how to cope with the death of a child, she has decided to write a story about her son's life. When Tomorrow Starts Without Me is a true story about the life and death of a young man named Anthony. No matter how hard Lori tried to raise Anthony right, he made some bad choices in his life and those bad choices led to his death. When reading this book you will experience every emotion possible, you become a part of the story. When Tomorrow Starts Without me is not just a sad story about the death of a 19 year old boy but it also tells you funny childhood stories along with some near death experiences Anthony had. Even though the loss of a child is a very tragic thing, Lori has managed to take that tragedy and turn it into something positive to help others.
While numerous books have been written about the great camps, hiking trails, and wildlife of the Adirondacks, noted anthropologist David R. Starbuck offers the only archeological guide to a region long overlooked by archeologists who thought that "all the best sites" were elsewhere. This beautifully illustrated volume focuses on the rich and varied material culture brought to the mountains by their original Native American inhabitants, along with subsequent settlements created by soldiers, farmers, industrialists, workers, and tourists. Starbuck examines Native American sites on Lake George and Long Lake; military and underwater sites throughout the Lake George, Fort Ticonderoga, and Crown Point regions; old industrial sites where forges, tanneries, and mines once thrived; farms and the rural landscape; and many other sites, including the abandoned Frontier Town theme park, the ghost town of Adirondac, Civilian Conservation Corps camps, ski areas, and graveyards.
You wake up in the middle of a dense forest with nothing but amnesia and you're greeted by a stranger that offers refuge. You don't know the first thing about him, but you hear the cries and bellows of monsters in the woods that allude to greater horrors. Do you stay where you are or go with him? In any case, how can you really tell the difference between a villain and hunter, a devil and deity, or a specter and shadow? And what about the tricksters? Sometimes all these things seem blurred together. Leave the safety of civilization behind and find in the wilderness considerations of Jungian psychoanalysis, neuroscience, western and eastern demonology, shadow-people, mothmen, forest ghouls, sasquatches, poltergeists, ghosts, aliens, UFOs, true-crime stories of unexplainable phenomena, serial killers, cult leaders and more. As Kraven the Hunter once put it, "I have found dignity not in the cities, but in the jungles. I have found honor not in the civilized, but in the primal. I have found morality-I have found meaning- in the hunt. I will die... But not yet."
Margaret Tyler's Mirror of Princely Deeds and Knighthood is a groundbreaking work, being the first English romance penned by a woman and the first English romance to be translated directly from Spanish. As such it is not only a landmark in the history of Anglo-Spanish literary relations, but it is also a milestone in the evolution of the romance genre and in the development of women's writing in England. Yet notwithstanding its seminal status, this is the only critical edition of Tyler's romance. This modernized edition is preceded by an introduction which meticulously investigates Tyler's translation methodology, her biography, her proto-feminism, and her religious affiliations. In addition, it situates Mirror within the context of English romance production and reading, female authorship, and the Elizabethan and Jacobean translation of Spanish romance. This edition will be of interest to scholars of gender studies and of English and Spanish Renaissance literature.