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The Architectural Uncanny
  • Language: en
  • Pages: 286

The Architectural Uncanny

  • Type: Book
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  • Published: 1994-03-29
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  • Publisher: MIT Press

Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The Architectural Uncanny presents an engaging and original series of meditations on issues and figures that are at the heart of the most pressing debates surrounding architecture today. Anthony Vidler interprets contemporary buildings and projects in light of the resurgent interest in the uncanny as a metaphor for a fundamentally "unhomely" modern condition. The essays are at once historical—serving to situate contemporary discourse in its own intellectual tradition and theoretical—opening up the complex and diffic...

Warped Space
  • Language: en
  • Pages: 324

Warped Space

  • Categories: Art
  • Type: Book
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  • Published: 2002-02-22
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  • Publisher: MIT Press

How psychological ideas of space have profoundly affected architectural and artistic expression in the twentieth century. Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but...

Writting of the Walls
  • Language: en
  • Pages: 340

Writting of the Walls

A summary of the ideas and buildings of the period before the French Revolution with particular reference to the roots of modern architecture. The author redefines the relationship between architecture and society during the period and looks at the reactions of contemporary architects.

Warped Space
  • Language: en
  • Pages: 317

Warped Space

  • Categories: Art
  • Type: Book
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  • Published: 2002-02-22
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  • Publisher: MIT Press

How psychological ideas of space have profoundly affected architectural and artistic expression in the twentieth century. Beginning with agoraphobia and claustrophobia in the late nineteenth century, followed by shell shock and panic fear after World War I, phobias and anxiety came to be seen as the mental condition of modern life. They became incorporated into the media and arts, in particular the spatial arts of architecture, urbanism, and film. This "spatial warping" is now being reshaped by digitalization and virtual reality. Anthony Vidler is concerned with two forms of warped space. The first, a psychological space, is the repository of neuroses and phobias. This space is not empty but...

Noah's Ark
  • Language: en
  • Pages: 392

Noah's Ark

  • Type: Book
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  • Published: 2016-02-12
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  • Publisher: MIT Press

From Noah's Ark to Diller + Scofidio's “Blur” Building, a distinguished art historian maps new ways to think about architecture's origin and development. Trained as an art historian but viewing architecture from the perspective of a “displaced philosopher,” Hubert Damisch in these essays offers a meticulous parsing of language and structure to “think architecture in a different key,” as Anthony Vidler puts it in his introduction. Drawn to architecture because it provides “an open series of structural models,” Damisch examines the origin of architecture and then its structural development from the nineteenth through the twenty-first centuries. He leads the reader from Jean-Fra...

The Scenes of the Street and Other Essays
  • Language: en
  • Pages: 367

The Scenes of the Street and Other Essays

Anthony Vidler, an internationally recognized scholar, theorist, and critic of modern and contemporary architecture, is widely known for his essays on the most pressing issues and debates in the field. This volume brings together a collection of such writings—including the iconic, long unavailable “Scenes of the Street”—into one volume.Scenes of the Street and Other Essaysshowcases Vidler’s engaging and accessible expertise on both contemporary and historic subjects that are relevant to today's concerns. “Scenes of the Street,” a multi-faceted analysis of city planning is one such example; other essays in this volume include “Unknown Lands: Guy Debord and the Cartographies of...

Antony Gormley
  • Language: en
  • Pages: 162

Antony Gormley

  • Categories: Art

Published on the occasion of an exhibition held at the Hayward, London, May 17-Aug. 19, 2007.

Histories of the Immediate Present
  • Language: en
  • Pages: 358

Histories of the Immediate Present

  • Type: Book
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  • Published: 2008-04-18
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  • Publisher: MIT Press

How the different narratives of four historians of architectural modernism—Emil Kaufmann, Colin Rowe, Reyner Banham, and Manfredo Tafuri—advanced specific versions of modernism. Architecture, at least since the beginning of the twentieth century, has suspended historical references in favor of universalized abstraction. In the decades after the Second World War, when architectural historians began to assess the legacy of the avant-gardes in order to construct a coherent narrative of modernism's development, they were inevitably influenced by contemporary concerns. In Histories of the Immediate Present, Anthony Vidler examines the work of four historians of architectural modernism and the...

Agrest and Gandelsonas Works
  • Language: en
  • Pages: 308

Agrest and Gandelsonas Works

"Documents some 40 of the architects' urban projects, interiors, and theoretical projects with plans, renderings, and color photos and sketches. Includes interviews with the architects, biographies, and essays on architectural issues" -- Google Books.

Architecture Between Spectacle and Use
  • Language: en
  • Pages: 208

Architecture Between Spectacle and Use

This volume examines the state of contemporary architecture worldwide and the ways in which it is caught between the art of display and the accommodation of use.