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Due to the British occupation of New York, White was forced to flee a house he was renting from Robert, Jr.'s son, Walter Livingston. Some confusion resulted from the situation, and he desires to meet with Robert, Jr. and Walter so that he may settle his rent account. Docketed on address leaf.
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Welcome to "The Dr. J Anthony White Personal Development Master Class" manual, a transformative journey towards unlocking your true potential and achieving unprecedented growth in every aspect of your life. Within these pages lies the distilled wisdom and expertise of Dr. J Anthony White, a renowned authority in personal development and a guiding light to countless individuals seeking self-improvement. In this master class, you will embark on a profound exploration of the mind, body, and spirit, delving into the very core of what makes you unique. Dr. J Anthony White, with his extensive experience and profound insights, will be your trusted mentor, empowering you with practical tools, techni...
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Two story poems and one 'interior monologue' story. All three consider the question 'What meaning did these events have?'
Art is produced, circulated, consumed and disseminated within an economic system - it depends on money for its creation, for the livelihood of its makers, and for its distribution. In this sense, art can be understood as an enterprising activity. However, profit-making is rarely the primary goal of artists, and indeed the entanglement of art with enterprise generates significant aesthetic, conceptual, philosophical and ethical challenges for contemporary art practice. Social enterprise has emerged from this complex terrain with the promise of an alternative model of economic organisation in the arts. Grace McQuilten and Anthony White argue that artists can, and have, engaged critically in the commercial market, by way of this model. Art as Enterprise brings a fresh perspective to the debate about the roles of contemporary art in consumer capitalist society.
'The Deathbed Poet' is a new collection by the author of 'Miserable Love Poetry and Other Poems' (2022), which considers death, deathbeds, grief as well as many other topics.
A new view of Fontana showing how the artist combined modernist aesthetics with outmoded forms of kitsch. In 1961, a solo exhibition by Argentine-Italian artist Lucio Fontana met with a scathing critical response from New York art critics. Fontana (1899–1968), well known in Europe for his series of slashed monochrome paintings, offered New York ten canvases slashed and punctured, thickly painted in luridly brilliant hues and embellished with chunks of colored glass. One critic described the work as “halfway between constructivism and costume jewelry,” unwittingly putting his finger on the contradiction at the heart of these paintings and much of Fontana's work: the cut canvases suggest...