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George Shaw
Published to accompany the exhibition of the same name held at The National Gallery, London, 11th May-30th October 2016.
George Shaw
"This publication accompanies the exhibition George Shaw: a corner of a foreign field, co- organised by the Yale Center for British Art, New Haven, on view 4 October-30 December 2018, and Holburne Museum, Bath, on view 8 February-6 May 2019"--Colophon.
About England
A cultural history of “Englishness” and the idea of England since 1960. Brexit thrust long fraught debates about “Englishness” and the idea of England into the spotlight. About England explores imaginings of English identity since the 1960s in politics, geography, art, architecture, film, and music. David Matless reveals how the national is entangled with the local, the regional, the European, the international, the imperial, the post-imperial, and the global. He also addresses physical landscapes, from the village and country house to urban, suburban, and industrial spaces, and he reflects on the nature of English modernity. In short, About England uncovers the genealogy of recent cultural and political debates in England, showing how many of today’s social anxieties developed throughout the last half-century.
London Art and Artists Guide
The 'London Art and Artists Guide' provides information on art schools, museums, galleries, studios and the people involved with them. It also covers restaurants, markets and general features that relate to London.
Life After Death
In December 2000, a group of five young German artists, all recent graduates of the prestigious Leipzig Art Academy, organized a small exhibition of their works in Leipzig. Unsurprisingly, the exhibition attracted no notice from the international contemporary art community. From that humble beginning, the "New Leipzig School" has expanded to a dozen artists and grown to be an international phenomenon. On March 19, 2005, MASS MoCA presented the country's foremost collection of paintings from the New Leipzig School--a collection built by the Rubell Family in Miami--for the first time, and what followed was an international avalanche of attention and demand. That exhibition, "Life After Death,"...
Strangers
Presenting the works of 50 contemporary artists and photographers from around the world, Strangers explores the different roles the camera now plays in negotiating the boundaries between public and private life, trust and fear, intimacy and isolation. Accompanying the first recurring exhibition of its kind devoted to photography and related media at the International Center of Photography in New York, Strangers investigates the social world through images that have been created as a result of encounters with people unknown to one another. In addition to the more personal and psychological aspects of estrangement, the artists in Strangers also engage with the theme of globalization and diaspo...
Akira 3
A Tribute to Katsuhiro Otomo
British Art Show 6
"Occurring every five years, the British Art Show is the most ambitious survey exhibition of new and recent art from the UK. British Art Show 6 reflects the vitality and diversity of Britain's art scene, particularly its increasing internationalism." "Published on the occasion of the exhibition, this book brings together the work of 50 artists and artist groups living and working in Britain. It includes an introduction by curators Alex Farquharson and Andrea Schlieker, illustrated texts on each of the artists, and three round table discussions with artists on some of the exhibition's key thematic areas: the re-activation of eclectic aspects of nineteenth and twentieth century avant-gardes; geopolitics and the experience of conflict, travel and migration; and collaborative projects with communities and organisations outside art institutions."--BOOK JACKET.
People of Today
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Unsettling Landscapes
This book reveals a thread of unsettling takes on the British landscape stretching from paintings, prints and photographs made by Paul Nash in the aftermath of the First World War to contemporary artists exploring themes of memory, belonging, hauntology, dislocation and human impact on nature. In his introductory essay Robert Macfarlane explains that the eerie, involves that form of fear which is felt first as unease then as dread, and it tends to be incited by glimpses and tremors rather than outright attack. Horror specialises in confrontation and aggression; the eerie in intimation and intimidation.? Macfarlane suggests that eerie art has often flourished at times of crisis, as seen in th...
