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A compelling blend of legal and political history, this book chronicles the largest tenant rebellion in U.S. history. From its beginning in the rural villages of eastern New York in 1839 until its collapse in 1865, the Anti-Rent movement impelled the state's governors, legislators, judges, and journalists, as well as delegates to New York's bellwether constitutional convention of 1846, to wrestle with two difficult problems of social policy. One was how to put down violent tenant resistance to the enforcement of landlord property and contract rights. The second was how to abolish the archaic form of land tenure at the root of the rent strike. Charles McCurdy considers the public debate on these questions from a fresh perspective. Instead of treating law and politics as dependent variables--as mirrors of social interests or accelerators of social change--he highlights the manifold ways in which law and politics shaped both the pattern of Anti-Rent violence and the drive for land reform. In the process, he provides a major reinterpretation of the ideas and institutions that diminished the promise of American democracy in the supposed "golden age" of American law and politics.
Upstate New York's Anti-Rent Movement is considered the last struggle over feudalism in the United States. Tenant farmers in the Hudson-Mohawk region engaged in organized protest throughout the 1840s to contest monopoly ownership of the land they worked. Arguing their cause in newspapers, on broadsides, and at rallies, their aspirations also took shape in poetry and song. More than twenty sets of lyrics (and one instrumental composition) were written at various stages of the conflict. Some of their musical sources, such as "Old Dan Tucker" and "Bruce's Address," are still well known. Each fully contextualized song offers insight into the role vernacular music played in one of the nineteenth century’s major social reform movements. This is the first book to gather the poetry and corresponding tunes into one publication. It provides detailed analysis of the repertory, followed by new musical scores of the songs, reconstructed from contemporary historical sources for study and performance. It also examines the movement’s later dramatization in novels, film, and public commemorations as successive generations grapple with its meaning.
In this book, Abby L. Goode reveals the foundations of American environmentalism and the enduring partnership between racism, eugenics, and agrarian ideals in the United States. Throughout the nineteenth century, writers as diverse as Martin Delany, Charlotte Perkins Gilman, and Walt Whitman worried about unsustainable conditions such as population growth and plantation slavery. In response, they imagined agrotopias—sustainable societies unaffected by the nation's agricultural and population crises—elsewhere. Though seemingly progressive, these agrotopian visions depicted selective breeding and racial "improvement" as the path to environmental stability. In this fascinating study, Goode ...
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.