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The German Episcopacy and the Implementation of the Decrees of the Fourth Lateran Council, 1216-1245
This volume deals with efforts by the German episcopacy to implement the reform decrees issued by Pope Innocent III at the Fourth Lateran Council in November 1215 within the six ecclesiastical provinces of Bremen, Cologne, Magdeburg, Mains, Salzburg and Trier over three decades: its primary focus is upon the use of provincial and diocesan synods, episcopal visitations, and general chapters for the regular clergy to the end that “...evils may be uprooted, virtues implanted, mistakes corrected, morals reformed, heresies extirpated, the faith strengthened,...and salutary decrees enacted for the higher and lower clergy.” It examines the methods and the personalities involved, the relationships between the ecclesiastical leadership of Germany and the Roman Curia, and it assesses the impact of these efforts at a most opportune and critical point in the history of the medieval Church.
Priest and Parish in Vienna
"Priest and Parish in Vienna, 1780 to 1880" details the social, cultural, and political transformation of the Austrian Catholic priesthood in nineteenth-century Vienna. It shows how priests, a very important and influential group in Austria, were changed from servants of the state into political activists working for the contentious Christian Social Party in fin-de-siecle Vienna.
Nothing but the Clouds Unchanged
Much of how World War I is understood today is rooted in the artistic depictions of the brutal violence and considerable destruction that marked the conflict. Nothing but the Clouds Unchanged examines how the physical and psychological devastation of the war altered the course of twentieth-century artistic Modernism. Following the lives and works of fourteen artists before, during, and after the war, this book demonstrates how the conflict and the resulting trauma actively shaped artistic production. Featured artists include Georges Braque, Carlo Carrà, Otto Dix, Max Ernst, George Grosz, Ernst Ludwig Kirchner, Oskar Kokoschka, Käthe Kollwitz, Fernand Léger, Wyndham Lewis, André Masson, László Moholy-Nagy, Paul Nash, and Oskar Schlemmer. Materials from the Getty Research Institute’s special collections—including letters, popular journals, posters, sketches, propaganda, books, and photographs—situate the works of the artists within the historical context, both personal and cultural, in which they were created. The volume accompanies a related exhibition on view at the Getty Research Institute Gallery from November 25, 2014, to April 19, 2015.
History of the City of Rome in the Middle Ages
The first modern study of the history of medieval Rome, translated between 1894 and 1902 from the fourth German edition.
Arts in Exile in Britain 1933-1945
"This volume focuses on the contribution of refugees from Nazism to the Arts in Britain. The essays examine the much neglected theme of art in internment and address the spheres of photography, political satire, sculpture, architecture, artists' organisations, institutional models, dealership and conservation. These are considered under the broad headings 'Art as Politics', 'Between the Public and the Domestic' and 'Creating Frameworks'. Such categories assist in posing questions regarding the politics of identity and gender, as well as providing an opportunity to explore the complex issues of cultural formation. The volume will be of interest to scholars and students of twentieth-century art history, museum and conservation studies, politics and cultural studies, in addition to those involved in German Studies and in German and Austrian Exile Studies."--BOOK JACKET.
Ernst L. Freud, Architect
Ernst L. Freud (1892–1970) was a son of Sigmund Freud and the father of painter Lucian Freud and the late Sir Clement Freud, politician and broadcaster. After his studies in Munich and Vienna, where he and his friend Richard Neutra attended Adolf Loos’s private Bauschule, Freud practiced in Berlin and, after 1933, in London. Even though his work focused on domestic architecture and interiors, Freud was possibly the first architect to design psychoanalytical consulting rooms—including the customary couches—a subject dealt with here for the first time. By interweaving an account of Freud’s professional and personal life in Vienna, Berlin, and London with a critical discussion of sele...
Time: Sense, Space, Structure
The essays in this volume explore the nature of time, our God-given medium of ascent, known, as Augustine puts it, through the ordered study of the “liberal disciplines that carry the mind to the divine (disciplinae liberales intellectum efferunt ad divina)”: grammar and dialectic, for example, to promote thinking; geometry and astronomy to grasp the dimensions of our reality; music, an invisible substance like time itself, as an exemplary bridge to the unseen substance of thoughts, ideas, and the nature of God (theology). This ascending course of study rests on procedure, progress, and attainment — on before, following, and afterwards — whose goal is an ascending erudition that lets...
