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"William McCagg has done a great service for scholarship—and for Habsburg scholarship in particular—through his book. Scholars are in his debt." —History of European Ideas " . . . strongly recommended to those interested in either Jewish or Habsburg history." —American Historical Review " . . . McCagg tells a fascinating story with expert knowledge, with the sure eye and sound judgment of the experienced historian . . . " —Midstream " . . . exceptionally fine research and the time frame of the study which make it quite remarkable and original." —German Politics & Society "William McCagg brings out the extent to which Jews were divided not only as Jews, but also as citizens of Austro-Hungary . . . McCagg writes perceptively of Kafka's predicament as a German-speaking Jew in Prague, living through the Czech nationalist revival . . . " —New York Review of Books Drawing on a wide variety of European sources, McCagg has produced the first history of this important but often forgotten community to be written since the nineteenth century.
Nikolaus Dumba, was a most inspired and enthusiastic Viennese who became Maecenas of the Arts and national benefactor for Austria and Greece. He was most prominent in Vienna’s cultural life in the 2nd half of the 19th century and was acclaimed as a ‘genius of the Muses’, although he also distinguished himself in other fields, such as those of politics and finance. He had a leading role in the shaping of New Vienna. «...without Dumba many of the Vienna monuments would have never been created, neither of Schubert, Schiller, Beethoven or Grillparzer, nor that of Motzart and Makart»(Neue Freie Presse 25.03.1900). His personal friends Johannes Brahms and Johann Strauss extolled the legend...
Brings to life the day-to-day details of staging the premiere of one the most iconic works of Western classical music. The Ninth Symphony of Ludwig van Beethoven with its final choral movement is one of the iconic works of Western classical music. And yet, the story never fully told concerns the months leading to the symphony's world premiere in Vienna on 7 May and repeat performance on 23 May 1824. In his new book, Theodore Albrecht brings to life the day-to-day details that it took to stage that premiere. It's a story of negotiating for performance halls and performers' payments, of hand-copying legible scores and individual parts for over 120 performers, of finding financiers, as well as ...
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