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Comparing the Literatures
Paperback reprint. Originally published: 2020.
The Cambridge Companion to The Essay
The Cambridge Companion to the Essay considers the history, theory, and aesthetics of the essay from the moment it's named in the late sixteenth century to the present. What is an essay? What can the essay do or think or reveal or know that other literary forms cannot? What makes a piece of writing essayistic? How can essays bring about change? Over the course of seventeen chapters by a diverse group of scholars, The Companion reads the essay in relation to poetry, fiction, natural science, philosophy, critical theory, postcolonial and decolonial thinking, studies in race and gender, queer theory, and the history of literary criticism. This book studies the essay in its written, photographic, cinematic, and digital forms, with a special emphasis on how the essay is being reshaped and reimagined in the twenty-first century, making it a crucial resource for scholars, students, and essayists.
The Spatiality of the Hispanic Avant-Garde
The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on Spatiality, Palomares-Salas convincingly argues that an unsolvable tension between place and space is at the core of the Hispanic avant-garde cultural production. A refreshing, transatlantic perspective on Ultraism and Stridentism, the book moves the Hispanic vanguards forward into broader, international discussions on space and modernism, and offers innovative readings of well-known, as well as rarely studied works.
Global Literary Studies
While the very existence of global literary studies as an institutionalised field is not yet fully established, the global turn in various disciplines in the humanities and the social sciences has been gaining traction in recent years. This book aims to contribute to the field of global literary studies with a more inclusive and decentralising approach. Specifically, it responds to a double demand: the need for expanding openness to other ways of seeing the global literary space by including multiple literary and cultural traditions and other interdisciplinary perspectives in the discussion, and the need for conceptual models and different case studies that will help develop a global approach in four key avenues of research: global translation flows and translation policies, the post-1989 novel as a global form, global literary environments, and a global perspective on film and cinema history. Gathering contributions from international scholars with expertise in various areas of research, the volume is structured around five target concepts: space, scale, time, connectivity, and agency. We also take gender and LGBTQ+ perspectives, as well as a digital approach.
Iberian Modalities
Of late the term Iberian Studies has been gaining academic currency, but its semantic scope still fluctuates. For some it is a convenient way of combining the official cultures of two states, Portugal and Spain; yet for others the term opens up disciplinary space, altering established routines. A relational approach to Iberian Studies shatters the state’s epistemological frame and complexifies the field through the emergence of lines of inquiry and bodies of knowledge hitherto written off as irrelevant. This timely volume brings together contributions from leading international scholars who demonstrate the cultural and linguistic complexity of the field by reflecting on the institutional challenges to the practice of Iberian Studies. As such, the book will be required reading for all those working in the field.
Beckett’s Voices / Voicing Beckett
Beckett’s Voices / Voicing Beckett uses ‘voice’ as a prism to investigate Samuel Beckett’s work across a range of texts, genres, and cultures. Twenty-one international contributors evaluate Beckett’s contemporary artistic legacy in relation to music, media, performance, and philosophy.
A Comparative History of Literatures in the Iberian Peninsula
"A Comparative History of Literatures in the Iberian Peninsula" is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested.Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda."A Comparative History of Literatures in the Iberian Peninsula" undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.
Horizontal Vertigo
At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city ’s cultural, politi...
Contra els galileus
Per a Julià era evident que el projecte de restauració de l'imperi era indissoluble de la reconstrucció de la cultura que l'havia engendrat: de la tradició, les idees, la filosofia, la religió i el culte als déus. Aquesta restauració de l'estat romà i de la societat tradicional només seria sòlida i eficaç si s'eliminaven els factors que n'havien provocat la degeneració. Aquesta crítica del cristianisme en nom de la filosofia neoplatònica, el paganisme tradicional i el panteó grecollatí, s'inscriu en una línia de polèmica anticristiana primerenca. Escrita el 363, «Contra els galileus», com anomenava els cristians, es perdé probablement com a resultat dels decrets de Justinià, però s'ha conservat gràcies a la seua reproducció en la refutació de Ciril («Contra Julià»), patriarca d'Alexandria i pare de l'Església del segle V.
