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A Decade of Italian Women (Vol. 1&2)
Thomas Adolphus Trollope's 'A Decade of Italian Women (Vol. 1&2)' is a masterful exploration of gender roles and societal expectations in Italy during the mid-19th century. Trollope utilizes a combination of historical facts and personal anecdotes to paint a vivid picture of the lives of Italian women. The narrative is rich in detail and showcases Trollope's keen observational skills, making the reader feel as though they are living in that tumultuous period. His writing style is engaging, with a perfect balance of description and analysis that keeps the reader hooked until the very last page. Thomas Adolphus Trollope, a well-traveled and highly respected author, was uniquely positioned to w...
A Decade of Italian Women
This book features the biographical accounts of ten women selected by the author not so much with any intention of bringing together the best, greatest, or most admirable, nor even the most remarkable women Italy has produced, as with a view of securing the greatest amount of variety, in point of social position and character. Each figure of the small gallery was intended to illustrate a distinct phase of Italian social life and civilization: the canonized Saint, that most extraordinary product of the "ages of faith," highly interesting as a social, and perhaps more so still as a psychological phenomenon; the feudal Châtelaine, one of the most remarkable results of the feudal system, and af...
The Manufactories and Manufacturers of Pennsylvania of the Nineteenth Century
Reprint of the original, first published in 1875.
The Most Illustrious Ladies of the Italian Renaissance
When Europe broke free of the dreadful clutches of the Middle Ages into the intellectual playground of the Renaissance, an extraordinary thing happened: Cultured women began to take their place as central figures giving harmony to entire social groups. So says author "Christopher Hare," a pseudonym for British writer MARIAN ANDREWS (d. 1929) who is mostly remembered for her historical novels but here turns her keen eye on historical fact. First published in 1904, this charming volume offers sketches of some "typical" cultured women of the Italian Renaissance, including: [ Lucrezia Tornabuoni, wife of Piero dei Medici [ Clarice degli Orsini, wife of Lorenzo dei Medici [ Queen Giovanna I [ Queen Giovanna II [ Beatrice d'Este, Duchess of Milan [ Bianca Maria Sforza, wife of the Emperor Maximilian [ Isabella d'Este, Marchesa of Mantua [ Rene of France, Duchess of Ferrara [ Lucrezia Borgia, Duchess of Ferrara [ and others.
Catalogue of the Manuscripts in the Spanish Language in the British Museum
Reprint of the original, first published in 1875.
A Renaissance Architecture of Power
The growth of princely states in early Renaissance Italy brought a thorough renewal to the old seats of power. One of the most conspicuous outcomes of this process was the building or rebuilding of new court palaces, erected as prestigious residences in accord with the new ‘classical’ principles of Renaissance architecture. The novelties, however, went far beyond architectural forms: they involved the reorganisation of courtly interiors and their functions, new uses for the buildings, and the relationship between the palaces and their surroundings. The whole urban setting was affected by these processes, and therefore the social, residential and political customs of its inhabitants. This is the focus of A Renaissance Architecture of Power, which aims to analyse from a comparative perspective the evolution of Italian court palaces in the Renaissance in their entirety. Contributors are Silvia Beltramo, Flavia Cantatore, Bianca de Divitiis, Emanuela Ferretti, Marco Folin, Giulio Girondi, Andrea Longhi, Marco Rosario Nobile, Aurora Scotti, Elena Svalduz, and Stefano Zaggia.
