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Speaking of Spain
Cover -- Title Page -- Copyright -- Dedication -- Contents -- List of Maps -- Introduction -- 1. Spains -- 2. Spaniards -- 3. The Others Within -- 4. The Others Without -- 5. A New Spain, a New Spaniard -- 6. Race and Empire -- 7. From Empire to Nation -- Conclusion -- Notes -- Acknowledgments -- Index
Kingship and Favoritism in the Spain of Philip III, 1598-1621
A reappraisal of the reign of Philip III of Spain (1598-1621), and the king's favourite, first published in 2000.
Nature, Empire, and Nation
This collection of essays explores two traditions of interpreting and manipulating nature in the early-modern and nineteenth-century Iberian world: one instrumental and imperial, the other patriotic and national. Imperial representations laid the ground for the epistemological transformations of the so-called Scientific Revolutions. The patriotic narratives lie at the core of the first modern representations of the racialized body, Humboldtian theories of biodistribution, and views of the landscape as a historical text representing different layers of historical memory.
The Drama of the Portrait: Theater and Visual Culture in Early Modern Spain
Examines theater and portraiture as interrelated social practices in seventeenth-century Spain. Features visual images and cross-disciplinary readings of selected plays that employ the motif of the painted portrait to key dramatic and symbolic effect.
Interpreting Spanish Colonialism
Scholars from Spain, Latin America, the Caribbean, and the United States discuss historical writings of the past and how our understanding of the colonial era has been influenced by the expectations of the day.
The Iberian World
The Iberian World: 1450–1820 brings together, for the first time in English, the latest research in Iberian studies, providing in-depth analysis of fifteenth- to early nineteenth-century Portugal and Spain, their European possessions, and the African, Asian, and American peoples that were under their rule. Featuring innovative work from leading historians of the Iberian world, the book adopts a strong transnational and comparative approach, and offers the reader an interdisciplinary lens through which to view the interactions, entanglements, and conflicts between the many peoples that were part of it. The volume also analyses the relationships and mutual influences between the wide range o...
Dynasty and Piety
The youngest son of Emperor Maximilian II, and nephew of Philip II of Spain, Archduke Albert (1559-1621) was originally destined for the church. However, dynastic imperatives decided otherwise and in 1598, upon his marriage to Philip's daughter, the Infanta Isabella Clara Eugenia, he found himself ruler of the Habsburg Netherlands, one of the most dynamic yet politically unstable territories in early-modern Europe. Through an investigation of Albert's reign, this book offers a new and fuller understanding of international events of the time, and the Habsburg role in them. Drawing on a wide range of archival and visual material, the resulting study of Habsburg political culture demonstrates t...
Re-Imagining Democracy in Latin America and the Caribbean, 1780-1870
"This book explores the ways in which people in Latin America and the Caribbean joined with others in Europe and the United States to re-imagine the ancient term "democracy", so as to give it relevance and power in the modern world. In all these regions, that process largely followed the French Revolution; in Latin America it more especially followed independence movements of the 1810s and 20s. The book looks at how a variety of political actors and commentators used the term to characterize or argue about modern conditions through the ensuing half-century; by 1870, it was firmly established in mainstream political lexicons throughout the region. Following introductory scene-setting and overview chapters, specialists contribute wide-ranging accounts of aspects of the context in which the word was "re-imagined"; six final chapters explore differences in its fortune from place to place"--
The Criminal Baroque
TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.
